A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missile Crisis, and then back to France to break up an international Russian spy ring.
There is a dead well-dressed man in a meadow clearing in the hills above a small Vermont town. Captain Albert Wiles, who stumbles across the body and finds by the man's identification that his name is Harry Worp, believes he accidentally shot Harry dead while he was hunting rabbits. Captain Wiles wants to hide the body as he feels it is an easier way to deal with the situation than tell the authorities. While Captain Wiles is in the adjacent forest, he sees other people stumble across Harry, most of whom don't seem to know him or care or notice that he's dead. One person who does see Captain Wiles there is spinster Ivy Gravely, who vows to keep the Captain's secret about Harry. Captain Wiles also Secretly sees a young single mother, Jennifer Rogers, who is the one person who does seem to know Harry and seems happy that he's dead. Later, another person who stumbles across both Harry and Captain Wiles is struggling artist Sam Marlowe, to who Captain Wiles tells the entire story of what ...Written by
Although extensive location filming was done in autumnal New England, most of the scenes set in the forest where Harry's body is discovered were shot on a Paramount soundstage. See more »
When Sam and Jennifer are talking in Jennifer's house, the shadow of the boom mic can be seen moving across the top of the doorway behind Sam. See more »
[Discussing Jennifer's recently deceased husband Harry]
You can stuff him, for all I care. Stuff him and put him in a glass case, only I'd suggest frosted glass.
What did he do to you? Besides marry you.
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Closing credits: "The trouble with Harry is over." See more »
Please enlighten me, I thought this movie was quite bad.
This film is meant to be funny but is quite unfunny. I say this not because the center of the humor is a corpse. Don't get me wrong: corpses can be hilarious. This one isn't, though. I think that if this movie weren't a Hitchcock film, people wouldn't feel obligated to like it and thus wouldn't like it. The characters are extremely annoying (that little boy is not funny at all and he talks way too fast), the story moves soooo slowly, and the characters' motivations are constantly shifting (first the artist is all about himself and then he is Mr Magnanimous). The "reasons" the characters have for burying and exhuming Harry are not convincing--they seemed forced (like the writer needed 5 or 6 different reasons for burying a body but could find only a couple and just scraped together a few others to toe the line of the "comic" premise). This fact is betrayed at the end when the characters are trying to explain the situation and they cannot remember all the reasons for the various burials--the reasons are not reiterated here because they were not compelling reasons. Also, the characters can hear the cars in the town from where they are burying Harry, so the spot must be very close, and yet no one ever sees them going up and down the hill with shovels. Also, the spot is traversed by 40 zillion people in the wildly implausible opening scene, and then remains relatively deserted for the rest of the film. How lucky. With some exceptions, only the folks who are going up there to deal with Harry go there. I guess the two main problems for me, then, were these: the story is annoyingly implausible in many ways and the jokes are simply not funny. Most of Hitchcock's films contain a lot of humor, and almost always humor that is much, much better than the humor in The Trouble With Harry. That whispering of "double bed" joke that caps the film says it all, I think--this film is lame.
Help me out! Am I wrong about this movie? Will someone please point out what redeeming qualities, if any, this movie possesses?
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