2:23 | Trailer
When his family goes away for the summer, a hitherto faithful husband with an overactive imagination is tempted by a beautiful neighbbor.
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Title: The Seven Year Itch (1955)
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| Complete credited cast: | |||
| Marilyn Monroe | ... | The Girl | |
| Tom Ewell | ... | Richard Sherman (as Tommy Ewell) | |
| Evelyn Keyes | ... | Helen Sherman | |
| Sonny Tufts | ... | Tom MacKenzie | |
| Robert Strauss | ... | Mr. Kruhulik | |
| Oskar Homolka | ... | Dr. Brubaker (as Oscar Homolka) | |
| Marguerite Chapman | ... | Miss Morris | |
| Victor Moore | ... | Plumber | |
 |
Dolores Rosedale | ... | Elaine (as Roxanne) |
| Donald MacBride | ... | Mr. Brady | |
| Carolyn Jones | ... | Miss Finch - Nurse | |
With his family away for their annual summer holiday, New Yorker Richard Sherman decides he has the opportunity to live a bachelor's life - to eat and drink what he wants and basically to enjoy life without wife and son. The beautiful but ditsy blond from the apartment above his catches his eye and they soon start spending time together. It's all innocent though there is little doubt that Sherman is attracted to her. Any lust he may be feeling is played out in his own imagination however. Written by garykmcd
Something that irritates me about the IMBD is that if you criticise a movie that was made before 1980, a truckload of idiots send you messages telling you how much you hate old movies. Let me say right away, I don't. I like films from pretty much every era of cinema that I've had the chance to see, but, having had common sense recently installed, I've come to realise that age doesn't automatically make a movie great, just as modernity doesn't automatically make a movie bad.
So bearing in mind that I'm talking about this one movie, and not every movie made in the 1950s, The Seven Year Itch is as average as they come. The minimal plot sees Tom Ewell's `summer bachelor' trying to resist the charms of neighbour Marilyn Monroe while his wife and son are shipped off for the season. Very obviously adapted from a play, there are few characters, few sets, and even fewer laughs. That it succeeds at all is due to the charm of the leads and the occasional good joke that sneaks its way into the script.
The film's main problem comes in how it tells its story. First, it depends on Ewell constantly talking to himself, babbling on endlessly about what he's doing, what he might do, what he's never done, and what other people will think he's doing, done and about to do. Secondly, he is constantly daydreaming, the film constantly dissolving into one of his fantasies that are unfortunately no funnier than reality. If you find this storytelling approach irritating, as I did, the film's potential is lost immediately.
You'll no doubt be shocked to learn that in this film Marilyn Monroe is cast as a dumb blonde. Most people in the world seem to immediately pitch a trouser tent at the thought of Norma Jean, but I can't say I count myself among them. The problem with a dumb blonde is that she's dumb, so to find her attractive, you have to be attracted to stupidity. I'm not, so it doesn't matter how much she pouts, or how often we're treated to shots of her hourglass figure; she's as thick as a lobotomised footballer and therefore unattractive. She's basically got the personality and intelligence of a six year old, and, not being Gary Glitter, I can't say that appeals to me.
A comedy with few laughs, a sex symbol who doesn't float my boat, and a classic that just doesn't do it for me. I guess there's another bunch of snide messages coming my way.