At Maria Vargas' funeral, several people recall who she was and the impact she had on them. Harry Dawes was a not very successful writer/director when he and movie producer Kirk Edwards ... See full summary »
Joseph L. Mankiewicz
After escaping from prison, Glenn Griffin, his brother Hal and a third inmate Sam Kobish randomly select a house in a well-to-do suburb of Indianapolis in which to hide out. The home belongs to the Hilliard family, Dan and Ellie who live there with their 19-year old daughter Cindy and their young son Ralph. They plan on staying only until midnight as Griffin is awaiting his girlfriend who will meet them with some money he had stashed away. When she doesn't arrive, their stay stretches out to several days. Dan Hilliard plays their game knowing that if he makes any attempt to contact the police, his family could be caught in the crossfire.Written by
This movie and the play on which it was based, are loosely based on the experience of the Hill family in 1952. An article published by Life magazine about the play is the subject of the Supreme Court case Time Inc. v. Hill, in which the family sued the magazine for stating that play depicted what really happened. See more »
When Eleanor makes the phone call, she and Glenn change position between shots. See more »
Trio of escaped convicts, led by Humphrey Bogart, take Fredric March and his family hostage in their own home. A well-acted thriller directed by William Wyler that, unfortunately, doesn't have as much edge as it should. This doesn't even seem particularly gritty by 1955 standards and it's certainly tame in comparison to the decades of far more brutal home invasion movies. It is interesting and the cast does a good job for the most part, but it's lacking that extra something to give it the proper amount of tension it needs. I didn't even find these guys all that menacing. Plus the characters do things that just seem to make no sense other than to keep the plot going in the way the writer needs it to. It's certainly not a bad movie, and I would probably watch Bogart and March read the phone book, but I just can't help but feel that this doesn't quite click. At least for me. I really think it would have been much better if it had more of a film noir style and edge to it. As it is, it has no visual style at all and the only menace comes from threats and tough guy talk.
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