109 user 48 critic

The Wild One (1953)

Not Rated | | Crime, Drama, Romance | February 1954 (USA)
3:09 | Trailer
Two rival motorcycle gangs terrorize a small town after one of their leaders is thrown in jail.


Laslo Benedek


John Paxton (screenplay), Frank Rooney (based on a story by)



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Complete credited cast:
Marlon Brando ... Johnny Strabler
Mary Murphy ... Kathie Bleeker
Robert Keith ... Sheriff Harry Bleeker
Lee Marvin ... Chino
Jay C. Flippen ... Sheriff Stew Singer
Peggy Maley ... Mildred
Hugh Sanders ... Charlie Thomas
Ray Teal ... Frank Bleeker
John Brown John Brown ... Bill Hannegan
Will Wright ... Art Kleiner
Robert Osterloh ... Ben
William Vedder William Vedder ... Jimmy
Yvonne Doughty Yvonne Doughty ... Britches


Cop-hating Johnny Strabler is recounting the fateful events that led up to the "whole mess" as he calls it, his role in the mess and whether he could have stopped it from happening. The Black Rebels, a motorcycle gang of which Johnny is the leader, cause a ruckus using intimidation wherever they go, with their actions bordering on the unlawful. On the day of the mess, they invade a motorcycle racing event, at which they cause a general disturbance culminating with one of the gang members stealing a second place trophy to give to Johnny. Despite not being the larger winning trophy, it symbolizes to Johnny his leadership within the group. Their next stop is a small town where their disturbance and intimidation tactics continue. Some in town don't mind their arrival as long as they spend money. Harry Bleeker, the local sheriff, doesn't much like them but is so ineffective and weak that he doesn't do anything to stop them, much to the annoyance of some of the other townsfolk, who see the ... Written by Huggo

Plot Summary | Add Synopsis


Marlon Brando! Driven Too Far By His Own Hot Blood! See more »


Not Rated | See all certifications »

Parents Guide:

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Release Date:

February 1954 (USA) See more »

Also Known As:

Hot Blood See more »

Company Credits

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Technical Specs


Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »

Did You Know?


During their lunch breaks, Marlon Brando and his leading lady Mary Murphy would stay in character whilst at the studio commissary. See more »


Obvious stunt double for Johnny when he jumps a fence, just before getting back to his bike. See more »


Johnny: [opening narration] It begins here for me on this road. How the whole mess happened I don't know, but I know it couldn't happen again in a million years. Maybe I could of stopped it early, but once the trouble was on its way, I was just goin' with it. Mostly I remember the girl. I can't explain it - a sad chick like that, but somethin' changed in me. She got to me, but that's later anyway. This is where it begins for me right on this road.
See more »

Crazy Credits

[Opening credit] This is a shocking story. It could never take place in most American towns -- But it did in this one.

It is a public challenge not to let it happen again. See more »

Frequently Asked Questions

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User Reviews

Worth watching for Brando and BECAUSE it's dated
2 April 2006 | by bandwSee all my reviews

Would this movie still be watched but for Brando's performance? I think not - it would be relegated to the scrap heap of old B movies. But Brando carries the movie by having the right qualities to play Johnny Strabler, the leader of a motorcycle gang that creates havoc in a small California town. Brando plays Johhny with sullen, smoldering rebelliousness with a suggestion of depth and vulnerability underneath. Brando had already shown his abilities in "A Streetcar Named Desire" and was soon to make "On the Waterfront." The performance here is not up to those standards, but it is engaging. At the time he made this movie Brando's star power was such that he could name his roles, so it is interesting to speculate why he chose to make this. Maybe this role appealed to his own rebellious spirit.

The movie is dated for sure, but you may learn some things about the 1950s that you won't find in the history books. Many early 50s anachronisms are in evidence: 78 records on the jukebox, references to television as being new, bebop music and argot, local HUMAN telephone operators. The comment the old bartender makes about the advent of TV is prescient, "Everything is noise and pictures, nobody talks to anyone anymore" - there is more truth to that with each passing decade. The score - generic, loud, obvious, and intrusive - would not be accepted in contemporary movies. Johnny's attempt to be cool by snapping his fingers to music on the jukebox is so phony as to be embarrassing. One interesting thing was to see an early version of the high-five in response to the interjection "pop me." But credit must be given for this being one of the first mainstream movies to treat the rebellion against the claustrophobic conformity and cold war angst of the early 50s. It was unique for its time.

We do not get much motivation for the reasons the gang members behave the way they do. There are mighty few specifics about the guys in the gang - where they come from, how they support themselves, or what they do besides terrorize small towns. We get only a hint of Johnny's past when, during a beating by the locals he says, "My old man used to hit harder than that." But, maybe all we need to know comes from Johnny's extolling the feeling he gets when getting on his cycle to "just go."

There are many memorable scenes, like the one where Johnny is asked if he doesn't want to thank some people who have done him a good deed and he comes to an inarticulate stop only to have his woman friend say, "That's okay, he doesn't know how."

Lee Marvin has a good go playing Chino, the head of a rival gang that had split off from Johnny's. Chino is the more stereotypical bad ass. He may not have the complex personality of Johnny, but Marvin seems to be having such a grand time in playing him that it is hard not to share in the fun.

There is some interesting photography such as the opening scene where the cyclists roar right over the camera placed in the center of the road. And there is some good night-time black and white work as well.

In an era of drive-by shootings, heavy drug trafficking, and internet pornography the events in this movie can seem pretty tame, but one should not underestimate the number of themes addressed - ones that are still relevant: standing up to intimidation, vigilantism, the desire for freedom, misinterpretation of behavior (with unfortunate consequences), the proper use of force, sex, crowd behavior, generational conflicts and confusions, the ills of stereotyping, and greed.

Also, one lesson to be learned is that steatopygous actors should not wear tight jeans.

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