
The Miami Story (1954)
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- Approved
- 1h 15min
- Crime, Drama
- 03 May 1954 (USA)
- Movie
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Cast
Barry Sullivan | ... |
Mick Flagg aka Mike Pierce
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Luther Adler | ... |
Tony Brill
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John Baer | ... |
Ted Delacorte
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Adele Jergens | ... |
Gwen Abbott
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Beverly Garland | ... |
Holly Abbott
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Dan Riss | ... |
Frank Alton
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Damian O'Flynn | ... |
Police Chief Martin Belman
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Chris Alcaide | ... |
Robert Bishop
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Gene Darcy | ... |
Johnny Loker
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George E. Stone | ... |
Louie Mott
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Rest of cast listed alphabetically: | |||
Wheaton Chambers | ... |
Harry Dobey - Editor (uncredited)
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Tom Greenway | ... |
Charles Earnshaw (uncredited)
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John Hamilton | ... |
Clifton Staley (uncredited)
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Al Hill | ... |
Simmons, Detective (uncredited)
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David Kasday | ... |
Gil Flagg (uncredited)
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Ray Kellogg | ... |
Police Lieutenant (uncredited)
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Guy Kingsford | ... |
Kingsford - Detective (uncredited)
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Peter Mamakos | ... |
Gangster (uncredited)
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Forbes Murray | ... |
Doctor (uncredited)
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Cosmo Sardo | ... |
Casino Patron (uncredited)
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George A. Smathers | ... |
Senator George A. Smithers (uncredited)
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Lili St. Cyr | ... |
Stripper (uncredited)
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William Woodson | ... |
Narrator (uncredited) (voice)
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Directed by
Fred F. Sears |
Written by
Robert E. Kent | ... | (story) |
Robert E. Kent | ... | (screenplay) |
Produced by
Sam Katzman | ... | producer |
Cinematography by
Henry Freulich | ... | director of photography |
Editing by
Viola Lawrence |
Art Direction by
Paul Palmentola |
Set Decoration by
Sidney Clifford |
Makeup Department
Hazel Keats | ... | hair stylist |
Ray Sebastian | ... | makeup artist |
Production Management
Herbert B. Leonard | ... | unit manager (as Herbert Leonard) |
Second Unit Director or Assistant Director
Charles S. Gould | ... | assistant director |
Leonard Katzman | ... | assistant director |
Art Department
Ernest Graber | ... | props |
Wesley Morton | ... | props |
Robert Pearl | ... | lead man |
Sound Department
Rookie Johnson | ... | cable man |
Harold Lee | ... | sound recordist |
Carl Miller | ... | mikeman |
J.S. Westmoreland | ... | sound engineer (as Josh Westmoreland) |
Special Effects by
Jack Erickson | ... | special effects |
Camera and Electrical Department
Al Becker | ... | grip |
Charles Franklin | ... | grip |
James Goss | ... | camera operator |
Bill Jolley | ... | assistant camera |
Homer Van Pelt | ... | still photographer |
Seldon White | ... | gaffer |
Costume and Wardrobe Department
Jack Angel | ... | wardrobe |
Patrick Cummings | ... | wardrobe |
Jane Speaks | ... | wardrobe |
Music Department
Mischa Bakaleinikoff | ... | musical director / composer: stock music (uncredited) |
Mario Castelnuovo-Tedesco | ... | composer: stock music (uncredited) |
Sidney Cutner | ... | composer: stock music (uncredited) |
George Duning | ... | composer: stock music (uncredited) |
W. Franke Harling | ... | composer: stock music (uncredited) |
Fred Karger | ... | composer: stock music (uncredited) |
Arthur Morton | ... | composer: stock music (uncredited) |
Hans J. Salter | ... | composer: stock music (uncredited) |
Script and Continuity Department
Florence Swan | ... | script supervisor |
Additional Crew
Jack Erickson | ... | production assistant |
David Katzman | ... | production assistant |
Esther Sproh | ... | production assistant |
Larry Stewart | ... | dialogue director |
Production Companies
Distributors
- Columbia Pictures (1954) (United States) (theatrical)
- Columbia Pictures of Canada (1954) (Canada) (theatrical)
- Columbia Pictures Corporation (1954) (United Kingdom) (theatrical)
- Columbia Pictures Proprietary (1954) (Australia) (theatrical)
- Columbia Film (1954) (Sweden) (theatrical)
- Kamera Film Aktieselskap (1955) (Norway) (theatrical)
- Columbia Film-Verleih (1955) (West Germany) (theatrical)
- Mill Creek Entertainment (2019) (United States) (Blu-ray) (in Noir Archive 9-Film Collection)
- Sony Pictures Television (2002) (United States) (tv) (syndication)
- Sony Pictures Home Entertainment (2014) (United States) (DVD) (Sony Choice Collection)
Special Effects
Other Companies
Storyline
Plot Summary |
When Miami, Florida became national headquarters for a ten billion dollar crime syndicate ruled by crime-czar Tomy Brill (Luther Adler), whose chief henchman is Ted Delacorte (John Baer), a citizen's committee enlists the aid of a reformed gangster Mick Flagg (Barry Sullivan), a widower with a ten-year-old son, pretends to move in on Brill's rackets. Brill's henchmen beat up a woman,Holly Abbott (Beverly Garland), whom Flagg has befriended to get the dope on Flagg's plans, he orders the police to raid the syndicate's gambling-club. Brill counters by having Flagg's son, Gil Flagg (David Kasday), kidnapped.
Written by Les Adams |
Plot Keywords | |
Taglines | HOW GANG RULE WAS SMASHED IN MIAMI! (original poster-all caps) See more » |
Genres | |
Parents Guide | Add content advisory for parents » |
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Additional Details
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Did You Know?
Trivia | Even though this was filmed while the Motion Picture Production Code (colloquially referred to as the Hays Code) was still being enforced, the filmmakers were able to push back on some of the limits, evidence that the Code was weakening in the 1950s. This film fairly graphically shows two men after being shot dead, shows a woman who had been badly beaten, and talks openly about prostitution and underage prostitution. The filmmakers most likely argued these "shocking" scenes would reiterate the pro-law-and-order message. See more » |
Goofs | Mick Flagg obviously pulls his punches in several shots. See more » |
Quotes |
[first lines]
[as a montage starts, a voice can be heard narrating] Narrator: In the years following World War II, organized crime in the United States grew to such proportions that it's scope was greater than the law enforcement agencies that tried to fight it. [a shot of the U.S. Capitol Building can be seen] Narrator: Finally, in the nation's capitol, the Senate Investigating Committee presented a new threat to gangland, and panic began to grip the overlords of crime. [a montage of Miami can be seen playing] Narrator: They sought a new central headquarters for their operation. The city where they felt they could be safe. They chose the Miami area, a vacation wonderland, a Mecca for tourists, who swelled the normal population of 600,000, to more than 2 million in the winter season. A city where the tough, honest police force was inadequate in size to protect the tremendous overflow of people. Then, out of sheer necessity, a way was found to crush crime in Miami. As Senator George Smathers, of the State of Florida relates... See more » |