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Romeo and Juliet (1954)

Not Rated | | Drama, Romance | 25 November 1954 (Italy)
In Shakespeare's classic play, the Montagues and Capulets, two families of Renaissance Italy, have hated each other for years, but the son of one family and the daughter of the other fall desperately in love and secretly marry.

Director:

Renato Castellani

Writer:

Renato Castellani (adaptated for the screen by)
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Nominated for 3 BAFTA Film Awards. Another 6 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Laurence Harvey ... Romeo
Susan Shentall ... Juliet
Flora Robson ... Nurse
Norman Wooland Norman Wooland ... Paris
Mervyn Johns ... Friar Laurence
John Gielgud ... Chorus
Bill Travers ... Benvolio
Sebastian Cabot ... Capulet
Lydia Sherwood Lydia Sherwood ... Lady Capulet
Ubaldo Zollo Ubaldo Zollo ... Mercutio
Enzo Fiermonte ... Tybalt
Ennio Flaiano ... Prince of Verona (as Giovanni Rota)
Giulio Garbinetto Giulio Garbinetto ... Montague
Nietta Zocchi Nietta Zocchi ... Lady Montague
Carla Diaz Carla Diaz
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Storyline

In Shakespeare's classic play, the Montagues and Capulets, two families of Renaissance Italy, have hated each other for years, but the son of one family and the daughter of the other fall desperately in love and secretly marry.

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »
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Details

Country:

Italy | UK

Language:

English | Italian

Release Date:

25 November 1954 (Italy) See more »

Also Known As:

Romeo und Julia See more »

Filming Locations:

Italy See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Color:

Color (Colour by) (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

This movie was meant to star Marlon Brando and Pier Angeli. See more »

Connections

Version of Hobak nar (2004) See more »

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User Reviews

Filmed and Forgotten
20 August 2006 | by theowinthropSee all my reviews

Renato Castellani's ROMEO AND JULIET has somehow fallen into a hole in film history. Despite a handsome production with some worthy performances, it is overshadowed by Franco Zefferelli's 1966 film and even the 1936 MGM movie with Norma Shearer, Leslie Howard, Basil Rathbone, and John Barrymore. One has to wonder why - it was the first version of the movie to be shot (or partially shot) on locale in Italy in color. While the leads are not the proper juveniles that appeared in the 1966 version, Lawrence Harvey and Susan Shentell were closer to the ages of the characters than Howard and Shearer were.

My guess is that it's very reliance on Italian movie production may have been a drawback to the audiences who (unfortunately) counted the most: English - speaking ones. The leads were all English and the basic play (despite the Italian setting) was in English by the greatest writer of the English language. If it had been filmed in England I suspect it would have had more acceptance. But this is a guess. There could have been other factors: bad timing due to more overpowering productions. Orson Welles' had completed and released OTHELLO in 1952 (where it, like this ROMEO AND JULIET, won a prize at the Venice Film Festival). The following year Lawrence Olivier's masterly RICHARD III was released. The failure of the Castellani movie remains striking and puzzling.

Today Zefferelli's version is considered the best one by most viewers, because of his making his hero and heroine what they are: growing teenagers. But one should not sneer at Harvey's attempts at Romeo opposite Shentell's Juliet. They do generate a soft glow between them that gradually picks up heat. I might add that I found Shentell's final suicide rather stark and complete as it should be. Whether due to her acting or the director's direction she gave Juliet's passing a type of dignity I have rarely seen.

As for the performers in the cast, Sebastian Cabot's Capulet is the picture of an Italian Renaissance merchant prince type, corpulent and ruthless towards his family's foes. It's funny thinking of Cabot today as a villain in his roles, but in fact (prior to his going into CHECKMATE on television - where he was the wise spy master of the heroes) most of his film parts were villainous, or (as in THE TIME MACHINE) ridiculously self-important. His belated affability appeared only when he lucked out and became "Mr. French" in FAMILY AFFAIR. So here, a 1954 audience in the know, would have had no problem about his rattlesnake - eyed timing in planning the demise of Montagues. Look at his scene at the ball he is throwing when Tybalt (Enzo Fiormonte) wants to kill Romeo, but Cabot restrains him - adding that it can be done later.

Also note Mervyn Johns as Friar Lawrence, who manages to show the all-to-human side of the good man, which enables so many bad things to occur because of his trusting the wrong people (one messenger is locked up because he is stuck in a quarantined house), or his instructions were not clear enough. Johns was a gifted actor in his own way. Most people remember him as gentle, loving Bob Crachit opposite crusty, nasty Scrooge (Alistair Sim). But he was also the bedeviled and doomed architect in DEAD OF NIGHT, and the equally doomed partner of the ruthless Spencer Tracy in EDWARD MY SON. Johns was a fine character role player, and was lucky to pass on his skills to his daughter Glynnis.


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