"O. Henry's Full House" is a film divided into five segments telling five tales at the beginning of the twentieth century. 1) "The Cop and the Anthem": The winter is coming and the homeless drifter Soapy wants to go to jail for three months to get shelter and food. His partner Horace suggests they look for shelter with the Salvation Army, but Soapy refuses. He forces many situations to be arrested, but he is always forgiven. When he goes to the church, there is a miracle and Soapy decides to seek a job position. Will he succeed? 2) "The Clarion Call": When a thief kills a man, the police investigators do not have any lead to follow. Police Sergeant Barney Woods sees a pen that was found in the crime scene and he seeks out a man called Johnny Kernan. He finds Johnny, who invites Barney to drink with him, and they go to his hotel room. Johnny recalls their youth, when they were friends, but Barney tells him that he must arrest him since he recognized the pen that belonged to Johnny. ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Both David Wayne and Marilyn Monroe have minor roles in the segment entitiled "The Cop and The Anthem." They also starred together as each other's love interest in "We're Not Married!" (1952) and "How to Marry a Millionaire" (1953). See more »
The third segment is supposed to take place in Greenwich Village, but the street sign indicates the location is near East 19th Street. The northern border of Greenwich Village is 14th Street. See more »
I first saw this movie on TV as a child in the 1960s, and never watched it again until now (2005), but it's strange how many characters and even specific shots lingered in my mind all those years. This is a gem that has something for everyone: sentimentality, humor, pathos, and loads of good performances. "The Cop and the Anthem" is probably the most tightly written of them all, with subtle touches of humor throughout (besides the most obvious gags). If I had to single out one performer who delighted me the most it would be David Wayne, doing a twitchy down-and-outer playing off of Laughton's haughty tramp (especially just having seen him play a totally different character in ADAM'S RIB just a week ago).
As an old thespian friend of mine would say, "The Last Leaf" could bring a tear to a glass eye. And in "Red Chief," Fred Allen and Oscar Levant make a strange but fun team.
Not having seen Richard Widmark in the other movie mentioned in reviewer's comments, I could only think how much he reminded me of Frank Gorshin in various roles he played in the 60s. Watch this segment again and think "Frank."
Your whole family will like this movie. Why doesn't someone bring it out nice and crispy clean on DVD?
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