Directed by
| Stuart Gilmore | ||
| Edward Ludwig | ... | (uncredited) |
Writing Credits
| Harold Shumate | ... | (screenplay) and |
| Richard Wormser | ... | (screenplay) |
| Charles Hoffman | ... | (additional dialogue) |
| Robert Hardy Andrews | ... | (story) |
Cast (in credits order) complete, awaiting verification
Produced by
| Samuel Bischoff | ... | executive producer (uncredited) |
| Herman Schlom | ... | producer |
| Irving Starr | ... | producer (uncredited) |
Music by
| Paul Sawtell | ||
Cinematography by
| William V. Skall | ... | director of photography |
Editing by
| Samuel E. Beetley | ||
Art Direction by
| Ralph Berger | ||
| Albert S. D'Agostino | ||
Set Decoration by
| Darrell Silvera | ||
| William Stevens | ||
Costume Design by
| Michael Woulfe | ... | (gowns) |
Makeup Department
| Mel Berns | ... | makeup artist |
| Larry Germain | ... | hair stylist |
Production Management
| Lowell J. Farrell | ... | unit manager (uncredited) |
Second Unit Director or Assistant Director
| B. Reeves Eason | ... | second unit director (uncredited) |
| Maxwell O. Henry | ... | assistant director (uncredited) |
Sound Department
| John L. Cass | ... | sound (as John Cass) |
| Clem Portman | ... | sound |
| Kenneth C. Wesson | ... | sound (uncredited) |
Special Effects by
| Walter Costello | ... | special effects (uncredited) |
Stunts
| Robert Bradshaw | ... | stunts (uncredited) |
Editorial Department
| Morgan Padelford | ... | color consultant: Technicolor |
Music Department
| C. Bakaleinikoff | ... | musical director |
| Nathaniel Shilkret | ... | composer: stock music (uncredited) |
| Roy Webb | ... | composer: stock music (uncredited) |
Additional Crew
| Philip Kieffer | ... | technical advisor (uncredited) |
| Florence Pepper | ... | dance director (uncredited) |
