On a trip to France, millionaire Jervis Pendleton sees an 18 year old girl in an orphanage. Enchanted with her, but mindful of the difference in their ages, he sponsors her to college in ... See full summary »
A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where Ellen meets and becomes involved with Lord John Brindale. This causes her to miss a rehearsal. Tom (Astaire) uses the time to dance with a hat rack and gym equipment. Later Tom and Ellen attempt a graceful dance number as the ship rolls. Upon arrival Tom holds auditions and meets Anne. There is much indecision by the siblings about their romantic partners even though they are in-the-clouds. Tom dances on the walls and ceiling of his hotel room. All ends well in this light musical. By the way, there is a vaudeville-style dance number in their show that features slapstick. It's a hoot.Written by
Of all the songs in the film only "Too Late Now" ever made it onto the record charts. See more »
When Tom and Ellen are talking about getting married after the royal wedding ends, and Tom leaves to look for Ann, behind Ellen can be seen someone at a lower level than she, on the street, waving at the royal entourage. As she and Tom were on the street, the background scene is unlikely. See more »
After their act is broken up in New York, a brother/sister tap dance team (Fred Astaire and Jane Powell) travel to England and immediately fall in love with new acquaintances. Powell goes after royalty in the form of Peter Lawford and Astaire sets his eyes on Sarah Churchill. Which will win out in the end, their old dance routine or their new romantic interests? Pure Hollywood fluff here, but enjoyable for the time period nonetheless. One of the more under-rated musicals of the early-1950s. Astaire, getting up in years here, still shows amazing athleticism through the dance sequences. Not a bad time passer. 4 stars out of 5.
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