CALIFICACIÓN DE IMDb
5.9/10
387
TU CALIFICACIÓN
Agrega una trama en tu idiomaNurse Nora Gilpin is attracted to lawyer John Raymond whom she dislikes during the day and seduces during the night, when she sleepwalks.Nurse Nora Gilpin is attracted to lawyer John Raymond whom she dislikes during the day and seduces during the night, when she sleepwalks.Nurse Nora Gilpin is attracted to lawyer John Raymond whom she dislikes during the day and seduces during the night, when she sleepwalks.
Robert Adler
- Milkman
- (sin créditos)
Ralph Brooks
- Reporter
- (sin créditos)
Harris Brown
- Horace, Justice of the Peace
- (sin créditos)
Harry Carter
- Party Guest
- (sin créditos)
Luther Crockett
- Boss
- (sin créditos)
Oliver Cross
- Party Guest
- (sin créditos)
Jack Daly
- Joe, the Bartender
- (sin créditos)
Jack Davidson
- Best Man
- (sin créditos)
John Davidson
- Best Man
- (sin créditos)
George Eldredge
- Court Clerk
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaDuring pre-production, freelancer Loretta Young had director approval, and very reluctantly was talked into accepting Jules Dassin. Ten days into shooting she refused to work with him any further, telling the producer to either replace her or the director. Overnight Dassin was dropped and she approved Richard Sale, who completed the film.
- ErroresLoretta Young puts on a white underskirt from which she loses a piece of lace. Later when she takes it out of a draw to prove that it's intact it not only looks shorter but it's now pink.
- ConexionesReferenced in Porky's (1981)
- Bandas sonorasMy Castle in the Sand
Music by Alfred Newman
Lyrics by Ralph Blane
Performed by Loretta Young
Played often in the score
Opinión destacada
Tailored to Fit Young
It's hard for me to imagine that even Production Code audiences of 1951(note the newly- weds' unlikely twin beds) found this silly exercise anything more than occasionally titillating. I guess the movie was intended as a romantic comedy. The premise of a woman (Young) with two distinct personalities depending on whether she's sleepwalking may have sounded promising, but the result plods along in uninspired fashion minus either bounce or charm. Apparently, supporting players like Backus and Max are supposed to provide the chuckles, but it's really only Irene Ryan as nurse Kay who comes through in lively fashion. From his credits, it looks like director Sale was a much better writer than director or comedy coach.
It also looks like Young is having a good time vamping it up in the wanton half of Nora's split personality. The overt sexuality probably comes as welcome change from her typical good girl roles. However, despite the good-humored approach, the result is more ludicrous than funny. Nonetheless, she does get to model 1951's latest fashions, a big thing for Young as her TV show attests. Unfortunately, that fine actor Joseph Cotten is reduced here to little more than a male manikin in a clearly secondary role.
To me, the most intriguing aspect is what blacklisted film-noir and scheduled director Jules Dassin (Brute Force, 1948; Thieves Highway, 1949) would have done with the goofy premise and a very proper Young. If ever there was a mismatched movie pair, this is it. So it's no surprise that one of the two (Dassin) ended up having to leave the project (according to IMDb). Anyway, it's still a curious question what the highly serious Dassin would have done with such frothy material. Whatever the result, it's bound to be more interesting than this unfortunately forgettable 80 minutes.
It also looks like Young is having a good time vamping it up in the wanton half of Nora's split personality. The overt sexuality probably comes as welcome change from her typical good girl roles. However, despite the good-humored approach, the result is more ludicrous than funny. Nonetheless, she does get to model 1951's latest fashions, a big thing for Young as her TV show attests. Unfortunately, that fine actor Joseph Cotten is reduced here to little more than a male manikin in a clearly secondary role.
To me, the most intriguing aspect is what blacklisted film-noir and scheduled director Jules Dassin (Brute Force, 1948; Thieves Highway, 1949) would have done with the goofy premise and a very proper Young. If ever there was a mismatched movie pair, this is it. So it's no surprise that one of the two (Dassin) ended up having to leave the project (according to IMDb). Anyway, it's still a curious question what the highly serious Dassin would have done with such frothy material. Whatever the result, it's bound to be more interesting than this unfortunately forgettable 80 minutes.
útil•54
- dougdoepke
- 14 ene 2010
Selecciones populares
Inicia sesión para calificar y agregar a lista de videos para obtener recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Half Angel
- Locaciones de filmación
- Cyclone Racer Roller Coaster, Nu Pike Amusement Park, Long Beach, California, Estados Unidos(The name was "The Pike" in 1951)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 17 minutos
- Relación de aspecto
- 1.37 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
By what name was La vida secreta de Nora (1951) officially released in India in English?
Responda