Jerry Mulligan, a struggling American painter in Paris, is "discovered" by an influential heiress with an interest in more than Jerry's art. Jerry in turn falls for Lise, a young French girl already engaged to a cabaret singer. Jerry jokes, sings and dances with his best friend, an acerbic would-be concert pianist, while romantic complications abound.Written by
Scott Renshaw <firstname.lastname@example.org>
The ballet sequence was almost cut because the shooting was behind schedule, but MGM studio head Dore Schary stood by Arthur Freed, Vincente Minnelli and Gene Kelly in withholding the release of the movie because he felt the movie wouldn't be effective without it. See more »
When Jerry meets Milo in the street art market, the shadow cast by the wall jumps across the pavement from shot to shot until it is four feet wide, in the space of a moment or two in the story. See more »
This is Paris, and I'm an American who lives here. My name is Jerry Mulligan, and I'm an ex G.I. In 1945 when the army told me to find my own job, I stayed on. And I'll tell you why: I'm a painter, and all my life that's all I've ever wanted to do.
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And Presenting The American In Paris Ballet See more »
In 1995 a restored version was prepared for release on video/laserdisc, with the 18-minute ending ballet soundtrack reprocessed in stereo. See more »
Okay, so the plot is on shaky ground. Yeah, all right, so there are some randomly inserted song and/or dance sequences (for example: Adam's concert and Henri's stage act). And Leslie Caron can't really, um, you know... act.
But somehow, 'An American In Paris' manages to come through it all as a polished, first-rate musical--largely on the basis of Gene Kelly's incredible dancing talent and choreography, and the truckloads of charm he seems to be importing into each scene with Caron. (He needs to, because she seems to have a... problem with emoting.)
The most accomplished and technically awe-inspiring number in this musical is obviously the 16-minute ballet towards the end of the film. It's stunningly filmed, and Kelly and Caron dance beautifully. But my favourite number would have to be Kelly's character singing 'I Got Rhythm' with a bunch of French school-children, then breaking into an array of American dances. It just goes to prove how you don't need special effects when you've got some real *talent*.
Not on the 'classics' level with 'Singin' In The Rain', but pretty high up there nonetheless. Worth the watch!
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