Un guionista es contratado para reescribir el guion de una estrella de cine mudo en decadencia y acaba desarrollando una peligrosa relación.Un guionista es contratado para reescribir el guion de una estrella de cine mudo en decadencia y acaba desarrollando una peligrosa relación.Un guionista es contratado para reescribir el guion de una estrella de cine mudo en decadencia y acaba desarrollando una peligrosa relación.
- Ganó 3 premios Óscar
- 19 premios ganados y 20 nominaciones en total
Larry J. Blake
- 1st Finance Man
- (as Larry Blake)
Fred Aldrich
- Cop Who Drags Joe's Body from Pool
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaWhen Norma Desmond says to the guard at the "Paramount Studio" gates, "Without me there wouldn't be any 'Paramount Studio'" the words could apply to Gloria Swanson herself, as she was the studio's top star for six years running.
- ErroresAs the policemen run towards the pool, you can see the dead man's head lift up out of the water.
- Citas
Joe Gillis: Wait a minute, haven't I seen you before? I know your face.
Norma Desmond: Get out! Or shall I call my servant?
Joe Gillis: You're Norma Desmond. You used to be in silent pictures. You used to be big.
Norma Desmond: I *am* big. It's the *pictures* that got small.
- Créditos curiososThe Paramount logo appears as a transparency over the opening shot. The words "Sunset Blvd." are shown stenciled on the curb of that street.
- ConexionesEdited into Les Amoureux du cinéma (1987)
- Bandas sonorasThe Paramount-Don't-Want-Me Blues
(1950) (uncredited)
Written by Jay Livingston and Ray Evans
Performed by Jay Livingston and Ray Evans at Artie's party
Opinión destacada
A true Hollywood horror story
Hack screenwriter Joe Gillis (William Holden) accidentally falls in with faded screen legend Norma Desmond (Gloria Swanson). She lives in a crumbling old mansion with her butler Max (Erich von Stroheim). She refuses to believe that she's no longer remembered and will never make another movie. She gets Gillis to stay with her and rewrite "Salome" which she thinks will be her comeback. Gillis has no other choice and things slowly get out of hand.
A VERY cynical view of Hollywood--especially for 1950. It shows what Hollywood does to people like Norma--it makes them stars, tells them that they're great and dump them coldly when they're no longer needed. It also takes swipes at directors, agents, screenwriters, even entire studios! It has a tight quick script, is appropriately filmed in gloomy black and white and is masterfully directed by Billy Wilder. Everybody thought this was a bad idea when it was being made. It was believed to be too cold and vicious for the public. Also Holden was warned it would ruin his career by playing a younger man kept by an older woman. But it turned out great and is now rightfully considered a classic.
The acting is almost all good. I never thought Nancy Olson was that good. Her character is too pure and sweet to be believable. Everybody else is right on target though. Holden is just great in his role. You see the pity, anger and helplessness on his face when he realizes Norma is falling in love with him--and he's trapped. von Stroheim was equally good as Max who encourages Norma's delusions. Swanson however is just magnificent! She has a very showy role and could have overplayed it--but she doesn't. She's mad for sure--but you only see it peeking through every once in a while. When she loses it completely at the end it's frightening. If she had played it like that all through the movie it never would have worked. How she lost the Oscar that year to Judy Holliday for "Born Yesterday" is beyond me. This is a must see and a true Hollywood classic but VERY cold and cynical. A 10 all the way.
"I am big--it's the pictures that got small". "All right Mr. deMille--I'm ready for my closeup".
A VERY cynical view of Hollywood--especially for 1950. It shows what Hollywood does to people like Norma--it makes them stars, tells them that they're great and dump them coldly when they're no longer needed. It also takes swipes at directors, agents, screenwriters, even entire studios! It has a tight quick script, is appropriately filmed in gloomy black and white and is masterfully directed by Billy Wilder. Everybody thought this was a bad idea when it was being made. It was believed to be too cold and vicious for the public. Also Holden was warned it would ruin his career by playing a younger man kept by an older woman. But it turned out great and is now rightfully considered a classic.
The acting is almost all good. I never thought Nancy Olson was that good. Her character is too pure and sweet to be believable. Everybody else is right on target though. Holden is just great in his role. You see the pity, anger and helplessness on his face when he realizes Norma is falling in love with him--and he's trapped. von Stroheim was equally good as Max who encourages Norma's delusions. Swanson however is just magnificent! She has a very showy role and could have overplayed it--but she doesn't. She's mad for sure--but you only see it peeking through every once in a while. When she loses it completely at the end it's frightening. If she had played it like that all through the movie it never would have worked. How she lost the Oscar that year to Judy Holliday for "Born Yesterday" is beyond me. This is a must see and a true Hollywood classic but VERY cold and cynical. A 10 all the way.
"I am big--it's the pictures that got small". "All right Mr. deMille--I'm ready for my closeup".
útil•14416
- preppy-3
- 15 mar 2008
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Sunset Boulevard
- Locaciones de filmación
- 10060 Sunset Blvd, Los Ángeles, California, Estados Unidos(Norma Desmond's driveway gate)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,752,000 (estimado)
- Total en EE. UU. y Canadá
- USD 299,645
- Fin de semana de estreno en EE. UU. y Canadá
- USD 169,067
- 13 may 2018
- Total a nivel mundial
- USD 304,474
- Tiempo de ejecución1 hora 50 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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What is the streaming release date of El ocaso de una vida (1950) in Brazil?
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