AVALIAÇÃO DA IMDb
7,2/10
8 mil
SUA AVALIAÇÃO
Karin, uma jovem mulher báltica, casa-se com o pescador Antonio para escapar de um campo de prisioneiros. Mas não se pode habituar à vida dura da aldeia de Antonio, ameaçada pelo vulcão Stro... Ler tudoKarin, uma jovem mulher báltica, casa-se com o pescador Antonio para escapar de um campo de prisioneiros. Mas não se pode habituar à vida dura da aldeia de Antonio, ameaçada pelo vulcão Stromboli.Karin, uma jovem mulher báltica, casa-se com o pescador Antonio para escapar de um campo de prisioneiros. Mas não se pode habituar à vida dura da aldeia de Antonio, ameaçada pelo vulcão Stromboli.
- Prêmios
- 2 vitórias e 1 indicação
Gaetano Famularo
- Man with Guitar
- (não creditado)
Angelo Molino
- Child
- (não creditado)
Roberto Onorati
- Man
- (não creditado)
Enredo
Você sabia?
- CuriosidadesDuring production of this film, Ingrid Bergman entered into an extra-marital affair with Roberto Rossellini and became pregnant, the two eventually getting married and having three children. The resulting scandal in America effectively blacklisted her from the North American movie market and she was even condemned by politicians and religious figures. She was finally forgiven and welcomed back to America upon the success of Anastacia, a Princesa Esquecida (1956), but her Hollywood career was temporarily ended by this movie.
- Erros de gravaçãoThough used by women, pants were not so popular on that time. Is strange that a poor refugee like the character played by Bergman wears pants almost the entire movie.
- Cenas durante ou pós-créditosOpening credits: "I was found of them that sought me not; I was made manifest unto them that asked not after me." (New Testament, St. Paul's letter to the Romans, Chapter 10, Verse 20)
- Versões alternativasSeveral running times exist. The main difference between the 81 min. US version and the 105 min. Italian version was in the ending, with religious themes cut out.
- ConexõesEdited into Histoire(s) du cinéma: Une histoire seule (1989)
Avaliação em destaque
"La terra e dura qui": Setting as Character
"La terra e dura qui." Ingrid Bergman is a powerhouse in this film (perhaps out of love and devotion to the director), but she still can't match the power of the menacing volcano on this remote island off the coast of Italy. Bergman plays a prisoner of war with a checkered past stuck in a women's camp, who marries a Strombolian in order to provide herself with the security she needs. Trouble awaits her, and the first sign we get of that is when she starts to complain of being cold on the boat that is taking her to her new life. What she finds is not up to her high Continental standards, and her attitudes towards the locals and the place itself diminish her already low stature as an outsider. It is less the people however, than the general character of the place that turns her off. The volcano, unnamed by the villagers, always awaits in the background, and setting itself becomes one of the main characters (thus the importance of the title), a force to be reckoned with, much like her character.
Although this film is not noir in any way, and Rossellini himself would probably turn in his grave for hearing me say this, Bergman's character certainly does not hesitate in using her female "wiles" to get what she wants and needs. She survived a world war on what we take are wits and flexible morals, so she will also make it through this and I love her for it.
She even attempts to seduce the local priest by cooing "I knew you were the only person who could help me." Having that attempt fail, she tries with the village lighthouse keeper seen at right, and I don't even have to explain the power of her touch. As she asks for help to escape from the village, she softly touches his foot with hers, and creates an unbelievably palpable feeling of erotic energy, something unheard of in mainstream movies today. I know, that's such a cliché, but it's true.
Anyway, I won't discuss the ending, which angered me as a modern woman (even Bergman didn't seem to be buying it), but I will say that the film impressed me with its use of setting comprising plot, character, mise-en-scene, and theme. The film IS setting. It's also worth it just to see the non-actors performing a yearly tuna fishing ritual that dates back to the Phoenecians. Rossellini films are never just stories, they are historical documents. And I love him for that.
cococravescinema.blogspot.com
Although this film is not noir in any way, and Rossellini himself would probably turn in his grave for hearing me say this, Bergman's character certainly does not hesitate in using her female "wiles" to get what she wants and needs. She survived a world war on what we take are wits and flexible morals, so she will also make it through this and I love her for it.
She even attempts to seduce the local priest by cooing "I knew you were the only person who could help me." Having that attempt fail, she tries with the village lighthouse keeper seen at right, and I don't even have to explain the power of her touch. As she asks for help to escape from the village, she softly touches his foot with hers, and creates an unbelievably palpable feeling of erotic energy, something unheard of in mainstream movies today. I know, that's such a cliché, but it's true.
Anyway, I won't discuss the ending, which angered me as a modern woman (even Bergman didn't seem to be buying it), but I will say that the film impressed me with its use of setting comprising plot, character, mise-en-scene, and theme. The film IS setting. It's also worth it just to see the non-actors performing a yearly tuna fishing ritual that dates back to the Phoenecians. Rossellini films are never just stories, they are historical documents. And I love him for that.
cococravescinema.blogspot.com
útil•249
- bowlofsoul23
- 4 de abr. de 2006
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- How long is Stromboli?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Of God's Earth
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 17.532
- Tempo de duração1 hora 47 minutos
- Cor
- Proporção
- 1.37 : 1
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