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She Wore a Yellow Ribbon (1949)

Passed | | Western | 22 October 1949 (USA)
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Captain Nathan Brittles, on the eve of retirement, takes out a last patrol to stop an impending massive Indian attack. Encumbered by women who must be evacuated, Brittles finds his mission imperiled.

Director:

John Ford

Writers:

James Warner Bellah (story), Frank S. Nugent (screenplay) (as Frank Nugent) | 1 more credit »
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Won 1 Oscar. Another 1 nomination. See more awards »

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Cast

Complete credited cast:
John Wayne ... Capt. Nathan Cutting Brittles
Joanne Dru ... Olivia Dandridge
John Agar ... Lt. Flint Cohill
Ben Johnson ... Sgt. Tyree
Harry Carey Jr. ... Second Lt. Ross Pennell
Victor McLaglen ... Top Sgt. Quincannon
Mildred Natwick ... Abby Allshard
George O'Brien ... Maj. Mac Allshard
Arthur Shields ... Dr. O'Laughlin
Michael Dugan Michael Dugan ... Sgt. Hochbauer
Chief John Big Tree ... Chief Pony That Walks
Fred Graham ... Sgt. Hench
George Sky Eagle George Sky Eagle ... Chief Sky Eagle
Tom Tyler ... Cpl. Mike Quayne
Noble Johnson ... Chief Red Shirt
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Storyline

After Custer and the 7th Cavalry are wiped out by Indians, everyone expects the worst. Capt. Nathan Brittles is ordered out on patrol but he's also required to take along Abby Allshard, wife of the Fort's commanding officer, and her niece, the pretty Olivia Dandridge, who are being evacuated for their own safety. Brittles is only a few days away from retirement and Olivia has caught the eye of two of the young officers in the Company, Lt. Flint Cohill and 2nd Lt. Ross Pennell. She's taken to wearing a yellow ribbon in her hair, a sign that she has a beau in the Cavalry, but refuses to say for whom she is wearing it. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

A glorious and shining page in frontier history! (Ad cuts). See more »

Genres:

Western

Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

22 October 1949 (USA) See more »

Also Known As:

Der Teufelshauptmann See more »

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Box Office

Budget:

$1,600,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Argosy Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Sgt. Tyree's horse is named "Laddie". See more »

Goofs

During the fight in the canteen, when Sgt. Quincannon throws the small soldier over the counter, the barman Connolly has his pipe in his mouth. In the next shot, his pipe is in his right hand. See more »

Quotes

Sgt. Hochbauer: [enters the bar with a crew to arrest Quincannon] You're under arrest, Quincannon.
Top Sergeant Quincannon: By whose orders?
Sgt. Hochbauer: By order of Capt. Brittles. Are you coming peaceably?
Top Sergeant Quincannon: Laddie, I've never gone any place peaceably in me life.
[puts down his drink and slugs Sgt. Hochbauer]
See more »

Connections

Featured in The John Wayne Anthology (1991) See more »

Soundtracks

Dixie
(uncredited)
Written by Daniel Decatur Emmett
In score
See more »

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User Reviews

 
the best of the cavalry trilogy
24 January 2007 | by MOscarbradleySee all my reviews

The fact that the names of Captain Nathan Brittles and Sgts Tyree and Quincannon have passed, not just into the mythology of the American western, but of movies themselves is testament to the iconic status of Ford's 1949 masterpiece, the second and best of what became known as his cavalry trilogy. That their names are also burned into our collective cinematic consciousness is also testament to the performances of John Wayne, Ben Johnson and Victor McLaglen who are all at their best here and yet are only part of a great ensemble that also includes that very fine and undervalued actress Joanne Dru as well as Mildred Natwick, John Agar, Harry Carey Jr and Arthur Shields.

The period is the Indian Wars that followed from the massacre of General Custer and Ford filmed it mostly in his beloved Monument Valley. It is largely devoid of the sentimentality of "Rio Grande" though it is never as dark nor as serious as "Fort Apache", (it straddles the middle-ground magnificently; even the comic fight scene doesn't sit uncomfortably), and while Ford may make the Indians the villains of the piece he nevertheless bestows on them a kind of dignity and some degree of respect. Ford's sentimentality isn't necessarily for the cavalry but for the passing of the 'old' West and the loss of Native American culture


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