Ajouter une intrigue dans votre langueFrench police inspector Maigret investigates the murder of a rich Paris widow and ends up chasing the killer up the Eiffel Tower's girders.French police inspector Maigret investigates the murder of a rich Paris widow and ends up chasing the killer up the Eiffel Tower's girders.French police inspector Maigret investigates the murder of a rich Paris widow and ends up chasing the killer up the Eiffel Tower's girders.
- Prix
- 1 nomination
Howard Vernon
- Inspector
- (uncredited)
- Directors
- Burgess Meredith
- Irving Allen(uncredited)
- Charles Laughton(uncredited)
- Writers
- Tous les acteurs et membres de l'équipe
- Production, box office et plus encore chez IMDbPro
Histoire
Le saviez-vous
- AnecdotesProducer Irving Allen was the original director, but after only three days of shooting, Charles Laughton threatened to quit if Burgess Meredith did not take over. Laughton directed the scenes in which Meredith appeared.
- GaffesRadek manages to climb from the ground almost to the top of the Eiffel tower, on the outside using the framework only, in record time using no climbing equipment and dressed in street clothes. Although the distance is actually only 300 meters, it would take even a professional climber at least a couple of hours as the headwinds and cross currents would make it hugely difficult and time consuming. Yet at times, Radek manages to climb faster than the tower elevator can move.
- Citations
Inspector Jules Maigret: [to Johann Radek] By the way - there's one thing I'd like to know. Am I following you, or are you following me?
- Générique farfeluIn the opening credits, the "City of Paris" is given fifth billing as a star of the film.
- ConnexionsEdited into Tout (ou presque) sur Maigret (2009)
Commentaire en vedette
Climbing the Eiffel Tower
As I started watching The Man On the Eiffel Tower it looked like it was going to go in the direction of Alfred Hitchcock's Strangers on a Train. Robert Hutton is having a sit down with his wife Patricia Roc and his mistress Jean Wallace in a Paris cafe. He gets an offer from Franchot Tone who was all ears that he'd kill Hutton's aunt who controls the family pursestrings so that Hutton could be independent.
Tone doesn't lack for chops. He not only does the deed with a maid thrown in for good measure, he manages to pin the crime on milquetoast Burgess Meredith who just happened on the scene.
Fortunately police inspector Maigret as played by Charles Laughton doesn't buy the pat scenario. He turns up Tone as a suspect, but he can't quite pin it on him. Tone's character reeks of Nietzchean superiority and France had just gotten liberated from a country that bought into that philosophy. Probably for today's audience, especially an American one, that particular dynamic can't be appreciated.
Even an escape allowed by the Paris police by Meredith blows up in Laughton's face and threatens to ruin the career of Inspector Maigret. Fortunately Laughton has a few tricks up his sleeve.
What we have in The Man On the Eiffel Tower is three very distinguished players from stage and screen who got together and made the film almost as a lark. Tone spent his entire film career trying to get out from under typecasting as a debonair gentleman in tails who usually loses the girl in the end to a bigger name. Right after this was done Franchot Tone did exactly that role in Frank Capra's Here Comes the Groom. His role here as Radek is certainly miles away from his usual parts. Tone produced this as he also produced another independent film the year before, Jigsaw, which was shot in New York.
He got friend Burgess Meredith to direct and play the stooge. The story unfortunately does sag at times until the climax chase scene on the Eiffel Tower. That whole sequence is almost like The Third Man except where Harry Lime seeks escape in the sewers of Vienna, superman Tone leads his pursuers up the Eiffel Tower. In the end though he's not quite the superman he thinks he is.
Charles Laughton made a nice Inspector Maigret. This is the second French police inspector of literature he's done. But there sure is a world of difference between Maigret and Javert of Les Miserables. In fact Laughton is far more like Sir Wilfred Robards in Witness for the Prosecution than Javert.
It's too bad that director Meredith didn't have the kind of computer generated special effects and had to rely on brave stunt men and actors to do the job. If Man on the Eiffel Tower were filmed today, I'm sure it would have been far better.
This criticism is almost a cliché, but Alfred Hitchcock could have really done something with The Man on the Eiffel Tower.
Tone doesn't lack for chops. He not only does the deed with a maid thrown in for good measure, he manages to pin the crime on milquetoast Burgess Meredith who just happened on the scene.
Fortunately police inspector Maigret as played by Charles Laughton doesn't buy the pat scenario. He turns up Tone as a suspect, but he can't quite pin it on him. Tone's character reeks of Nietzchean superiority and France had just gotten liberated from a country that bought into that philosophy. Probably for today's audience, especially an American one, that particular dynamic can't be appreciated.
Even an escape allowed by the Paris police by Meredith blows up in Laughton's face and threatens to ruin the career of Inspector Maigret. Fortunately Laughton has a few tricks up his sleeve.
What we have in The Man On the Eiffel Tower is three very distinguished players from stage and screen who got together and made the film almost as a lark. Tone spent his entire film career trying to get out from under typecasting as a debonair gentleman in tails who usually loses the girl in the end to a bigger name. Right after this was done Franchot Tone did exactly that role in Frank Capra's Here Comes the Groom. His role here as Radek is certainly miles away from his usual parts. Tone produced this as he also produced another independent film the year before, Jigsaw, which was shot in New York.
He got friend Burgess Meredith to direct and play the stooge. The story unfortunately does sag at times until the climax chase scene on the Eiffel Tower. That whole sequence is almost like The Third Man except where Harry Lime seeks escape in the sewers of Vienna, superman Tone leads his pursuers up the Eiffel Tower. In the end though he's not quite the superman he thinks he is.
Charles Laughton made a nice Inspector Maigret. This is the second French police inspector of literature he's done. But there sure is a world of difference between Maigret and Javert of Les Miserables. In fact Laughton is far more like Sir Wilfred Robards in Witness for the Prosecution than Javert.
It's too bad that director Meredith didn't have the kind of computer generated special effects and had to rely on brave stunt men and actors to do the job. If Man on the Eiffel Tower were filmed today, I'm sure it would have been far better.
This criticism is almost a cliché, but Alfred Hitchcock could have really done something with The Man on the Eiffel Tower.
utile•165
- bkoganbing
- 18 déc. 2006
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Čovek na Ajfelovom tornju
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 900 000 $ US (estimation)
- Durée1 heure 37 minutes
- Rapport de forme
- 1.37 : 1
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By what name was The Man on the Eiffel Tower (1949) officially released in India in English?
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