Revealing the surprising life story of one of the world's most influential minds, this unprecedented film weaves together Ayn Rand's own recollections and reflections, providing a new understanding of her inspirations and influences.
Railroad owner Dagny Taggart and steel mogul Henry Rearden search desperately for the inventor of a revolutionary motor as the U.S. government continues to spread its control over the national economy.
The time is the Russian Revolution. The place is a country burdened with fear - the midnight knock at the door, the bread hidden against famine, the haunted eyes of the fleeing, the ... See full summary »
Approaching collapse, the nation's economy is quickly eroding. As crime and fear take over the countryside, the government continues to exert its brutal force against the nation's most ... See full summary »
'Ayn Rand & the Prophecy of Atlas Shrugged is a feature length documentary film that examines the resurging interest in Ayn Rand's epic and controversial 1957 novel and the validity of its dire prediction for America.
Individualistic and idealistic architect Howard Roark is expelled from college because his designs fail to fit with existing architectural thinking. He seems unemployable but finally lands a job with like-minded Henry Cameron, however within a few years Cameron drinks himself to death, warning Roark that the same fate awaits unless he compromises his ideals. Roark is determined to retain his artistic integrity at all costs.Written by
Col Needham <firstname.lastname@example.org>
This film's earliest documented telecasts took place in Salt Lake City Friday 26 July 1956 on KUTV (Channel 2), in Tucson Saturday 4 August 1956 on KDWI (Channel 9), in Miami Sunday 2 September 1956 on WTVJ (Channel 4), and in Bellingham WA Sunday 16 September 1956 on KVOS (Channel 12); it first aired in Boston Sunday 14 October 1956 on WBZ (Channel 4), in Phoenix Thursday 25 October 1956 on KVAR (Channel 12), in San Francisco Friday 9 November 1956, cut to 72 minutes to fit a 90 minute time slot, on KRON (Channel 4), in both Cincinnati and Bloomington IN Saturday 10 November 1956 on WKRC (Channel 12) and on WTTV (Channel 4), in Los Angeles Sunday 11 November 1956 on KTLA (Channel 5), and in Portland OR Saturday 8 December 1956 on KOIN (Channel 6). See more »
When Roark is drilling rock in the quarry, he is doing so without any eye protection. See more »
But it's a humanitarian project. Think of the people who live in slums. If you can give them decent housing, you can perform a noble deed. Would you do it just for their sake?
No! A man who works for others without payment is a slave! I do no believe that slavery is noble. Not in any form, nor for any purpose, whatsoever!
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This overheated potboiler attempts to make a social comment on the corrupt nature of conforming to the wishes of the masses, when its most interesting aspect these days is the teaming on screen (and off) of gruff-voiced Patricia Neal and her self-confessed 'love of her life', Gary Cooper. Their love scenes together are certainly not lukewarm!
Aside from this, there's a convoluted plot about architecture, the newspaper business, and the understated power of the humble columnist. Raymond Massey moves from one situation to the next with the same lack of passion, eventually giving Cooper and Neal their chance to simmer in close proximity. Robert Douglas is terrific as the obnoxious architectural critic, Ellsworth Toohey; while Kent Smith and Henry Hull put in OK performances as a weak architect of little originality, and a nervous press room editor, respectively.
The ones who catch the eye of the viewer, however, are Neal and Cooper. Towering performances in camp classic style. The imagery, too, is suitably suggestive drills in a stone quarry, large skyscraping buildings, whips and pokers.
'The Fountainhead', adapted by Ayn Rand from her own novel and brought to the screen under the direction of King Vidor, is enjoyable despite the odd bout of overacting from both its principal and minor actors, and a truly silly script on occasion. The movie isn't great but in using the world in which it is set as a character of equivalent power to anyone on the screen, it sets itself apart as more than just run-of-the-mill.
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