The Westward Trail (1948) Poster

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5/10
"I suppose they threw in a cowboy singer with this ranch too!"
classicsoncall14 January 2016
Warning: Spoilers
I enjoy the heck out of these old time Westerns, but every now and then you run across one that doesn't seem to make much sense, at least in the way the characters behave throughout the story. In this one, siblings Ann Howard (Phyllis Blanchard) and her brother Tom (Steve Drake) wind up changing their minds and attitudes about things almost at the drop of a hat and it makes you wonder why. For example, when they first meet Eddie Dean strumming his guitar at their newly acquired ranch house, Ann is generally friendly and welcoming while Tom is a real pain about even being there in the first place. But after Tom gets hoodwinked by town villain Larson (Bob Duncan), instead of going ballistic, he agrees to learn the ropes as a cowboy with Eddie as his teacher. Meanwhile, sister Ann thinks Eddie is part of the bad guy bunch and tells him to shove off. The way this all transpires is rather baffling.

Best not to think about it too much. Just like you shouldn't think too much about Soapy's (Roscoe Ates) comment to Tom Howard in one of his sullen moments - "There's one born in every family and you're both of 'em". What does that mean? I was still thinking about that when one of Larson's henchmen pulls a gun on Eddie at the Howard ranch, and Eddie just turns around and slugs him! How do you explain that one to the boss when the question comes up?

Well when you're making as many as a half dozen of these oaters a year the way the cowboy stars did in the Forties, I guess it's no surprise that story writing took a hit at the expense of action. Eddie has a pretty good brawl with Larson at the Silver Palace in this one as Soapy plays solitaire under an upturned table. As he usually would, Eddie offers up a handful of tunes, including an unusually titled 'When Shorty Plays the Schottische' to close out the picture. I thought it was a musical instrument so I had to look it up; it's actually a dance of continental-European origin that's something like a slowed down polka. Can you imagine hearing about something like that in an Eddie Dean Western?
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5/10
There's Silver In Them Thar Hills
boblipton4 March 2023
Eddie Dean, Copper the Horse, and Roscoe Ates -- that's the order in which they're billed -- help Phyllis Planchard save the ranch she just bought from Bob Duncan, who wants it for a silver mine. She's hobbled by her brother, Steve Drake, who forged her name on the deed and sold it to Duncan. Meanwhile, Duncan, whose henchmen have killed the sheriff, appoints himself law in the town.

Under Ray Taylor's direction and Ernest Miller's camera, this might have been a very pleasant late example of the singing western, but Drake stinks up the joint, acting like a sullen four-year-old under threat of a spanking. Ates offers a more amusing performance than usual, particularly in the scene where he tells a tall tale about an Indian princess.
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4/10
Eddie Dean foils a silver scam ............
revdrcac30 June 2006
This 1948 film features the singing cowboy Eddie Dean in a tale of forgery, greed and avarice. Dean corrals a posse of towns-folk and goes after the deceiving buckaroos who have been ripping off his pals. With dogged determination, they fight it out with the shady outlaws.

Roscoe "Soapy" Ates had good chemistry with Dean in this film, but overall he was not a stand-out as a sidekick. Dean gets to warble a few cow tunes before he saves the day ........

Fans of the genre should enjoy the music & humor in this one, but nothing in the film is especially memorable.

Average programmer .....
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3/10
When a Horse Gets Second Billing
mike6835 January 2020
Warning: Spoilers
Ray Taylor is acclaimed to be "One of the more prolific American directors". Well, to become prolific one needs to work heartily on his craft. Apparently, this movie was quite the learning experience for Mr. Taylor. Starting from the ill-conceived cinematography and haphazard camera placement to the flawed acting and script, this attempt at a 1948 western fails miserably. I gave it three stars for the effort in the fight scenes, which near the end are comical, but refreshingly tight. You'll do best to skip over this unimaginative snoozer and stick with a few of the other 1948 westerns, the likes of Red River, Fort Apache, and Whispering Smith, where the horses somehow failed to get second billing.
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