The Fallen Idol (1948)

A butler working in a foreign embassy in London falls under suspicion when his wife accidentally falls to her death, the only witness being an impressionable young boy.

Director:

Carol Reed

Writers:

Graham Greene (based on a short story by), Graham Greene (screenplay)

Stars:

Ralph Richardson, Michèle Morgan, Sonia Dresdel

Nominated for 2 Oscars. Another 7 wins & 6 nominations.

Cast

Cast overview, first billed only:
Ralph Richardson	...	Baines
Michèle Morgan	...	Julie (as Michele Morgan)
Sonia Dresdel	...	Mrs. Baines
Bobby Henrey	...	Phillipe
Denis O'Dea	...	Inspector Crowe
Jack Hawkins	...	Detective Ames
Walter Fitzgerald	...	Dr. Fenton
Dandy Nichols	...	Mrs. Patterson
Joan Young	...	Mrs. Barrow
Karel Stepanek	...	First Secretary
Gerard Heinz	...	Ambassador
Torin Thatcher	...	Policeman
James Hayter	...	Perry
Geoffrey Keen	...	Detective Davis (as Geoffrey Keene)
Bernard Lee	...	Detective Hart

Storyline

Philippe, a diplomat's son and good friend of Baines the butler, is confused by the complexities and evasions of adult life. He tries to keep secrets but ends up telling them. He lies to protect his friends, even though he knows he should tell the truth. He resolves not to listen to adults' stories any more when Baines is suspected of murdering his wife and no-one will listen to Philippe's vital information.

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Plot Keywords:

london england | boy | witness | fire escape | british noir | 

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Taglines:

The Suspense is Almost Unbearable ... in this Four-Award Thriller !

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Genres:

Drama | Mystery | Thriller

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Certificate:

Approved

Did You Know?

Trivia

Despite Phillipe's (Bobby Henrey's) hatred of Mrs. Baines, Henrey's favorite person on-set was the actress who played her, Sonia Dresdel.

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Goofs

When Julie leaves the tea shop and closes the shop door, there is an Open / Closed sign hanging on the glass pane of the door, but when Baines and Phillipe leave the tea shop a minute or so later, the sign is no longer there.

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Quotes

[first lines]
Baines: Good day, sir... In his office there, miss.

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Connections

Referenced in L.A. Noire (2011)

User Reviews

Sir Carol Reed, neglected genius

When the great directors of film are named these days, the incomparable Carol Reed is rarely mentioned. He has been completely surpassed in the public esteem by his British contemporary David Lean. After the success of Reed's English films, a period which began in 1940 with the coal-mining film "The Stars Look Down" and ended with "The Outcast of the Islands" in 1954, the director was discovered by the big Hollywood studios; he went on to direct a number of big-budgeted Technicolor international productions –-"Olivier," "The Agony and the Ecstasy," and "Trapeze"—all of which he handled with consummate professionalism, but somehow their box-office success unfairly diminished his reputation with the critics. He is perhaps best remembered today for "The Third Man," which many people erroneously think Orson Welles directed. Although Reed's early films were shot in London films studios and on location all around the word, they remain quintessentially British in understated mood and attack --B&W films made in collaboration with the best expatriate talent that had gathered in London during the war years. ("The Fallen Idol" is photographed by the French cinematographer Perinal, the Jugoslavian editor Hafenrichter, and the Hungarian set designer Vincent Korda.) Reed at his best has the unique ability to portray the most complex of human relationships with voices lowered; witness how masterfully he directs the detectives and suspects in the final reels of this superb film.

Details

Country:

UK

Language:

English French

Release Date:

25 October 1948 (UK)

Also Known As:

El ídolo caído

Filming Locations:

1 Grosvenor Crescent, Belgravia, London, England, UK

Box Office

Opening Weekend USA:

$9,030, 12 February 2006

Gross USA:

$341,121

Cumulative Worldwide Gross:

$373,185

Company Credits

Production Co:

London Film Productions

Technical Specs

Runtime:

95 min

Sound Mix:

Mono (RCA Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1