Abbott and Costello Meet Frankenstein (1948)

Two hapless freight handlers find themselves encountering Dracula, the Frankenstein Monster and the Wolf Man.

Director:

Charles Barton (as Charles T. Barton)

Writers:

Robert Lees (original screenplay), Frederic I. Rinaldo (original screenplay)

Stars:

Bud Abbott, Lou Costello, Lon Chaney Jr.

3 wins & 2 nominations.

Cast

Complete credited cast:
Bud Abbott	...	Chick
Lou Costello	...	Wilbur
Lon Chaney Jr.	...	Lawrence Talbot (as Lon Chaney)
Bela Lugosi	...	Dracula
Glenn Strange	...	Monster
Lenore Aubert	...	Sandra Mornay
Jane Randolph	...	Joan Raymond
Frank Ferguson	...	Mr. McDougal
Charles Bradstreet	...	Dr. Stevens

Storyline

The world of freight handlers Wilbur Grey and Chick Young is turned upside down when the remains of Frankenstein's monster and Dracula arrive from Europe to be used in a house of horrors. Dracula awakens and escapes with the weakened monster, who he plans to re-energize with a new brain. Larry Talbot (the Wolfman) arrives from London in an attempt to thwart Dracula. Dracula's reluctant aide is the beautiful Dr. Sandra Mornay. Her reluctance is dispatched by Dracula's bite. Dracula and Sandra abduct Wilbur for his brain and recharge the monster in preparation for the operation. Chick and Talbot attempt to find and free Wilbur, but when the full moon rises all hell breaks loose with the Wolfman, Dracula, and Frankenstein all running rampant.

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Plot Keywords:

spoof | crate | warning | full moon | supernatural power | 

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Taglines:

Jeepers! the creepers are after somebody - and guess who!

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Genres:

Comedy | Fantasy | Horror | Sci-Fi

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Certificate:

Not Rated

Details

Official Sites:

Official Facebook

Country:

USA

Language:

English

Release Date:

15 June 1948 (USA)

Also Known As:

Abbott & Costello Meet Frankenstein

Filming Locations:

Benedict Castle, Riverside, California, USA

Box Office

Budget:

$800,000 (estimated)

Gross USA:

$4,796,000

Company Credits

Production Co:

Universal International Pictures (UI)

Technical Specs

Runtime:

83 min

Sound Mix:

Mono (Western Electric Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Boris Karloff refused to play the Frankenstein monster opposite Bela Lugosi's Dracula, stating that the film concept was too silly to be appreciated by audiences. This further deepened the antagonism between them, and cemented the rivalry Karloff had created by appropriating Lugosi's role in Black Friday (1940). Karloff went as far in his antagonism as to publicly announce he refused to watch the film! This would have been the final time the two horror icons would have shared the screen together. Yet, continuing his pattern of copying Lugosi's career and film roles, Karloff did later appear in Abbott and Costello Meet the Killer, Boris Karloff (1949) & Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953).

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Goofs

When Dracula first appears, his hand grips the edge of the coffin twice.

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Quotes

Wilbur Grey: Oh, boy! I'm floatin' on a cloud of love!
Chick Young: Listen, you little blimp! I'll let the air out of you in a minute if you don't give me a hand.
[slams a bag into Wilbur's head]
Chick Young: Ya understand that?
Wilbur Grey: Thank You.
Chick Young: Boy, is this kid lost!

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Crazy Credits

Charles Bradstreet is credited as Dr. Stevens, but his character is never once called "Doctor." He is always referred to as Professor Stevens.

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Alternate Versions

For its original release, the Australian film board required that almost every scene involving a monster be removed before release.

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Connections

Follows Bride of Frankenstein (1935)

User Reviews

Monsterfest: Bud and Lou style

Perennially snakebit, Larry Talbot (Lon Chaney) can't even make a dire phone-call to clueless Wilbur Gray (Lou Costello) without that pesky full moon getting in the way. Of course, this opening scene is all just a nice excuse for the new Universal makeup wizard, Bud Westmore, to show off his new, streamlined Wolf Man transformations. It looks good enough, though it seems whatever Lon Chaney may have gained in comfort from Bud's less time-consuming makeup, he had to trade-off any facial mobility as his face looks fixed in the same expression throughout the film.

Bud and Lou's misadventures unloading McDougal's crates is a great mix of laughs & chills where we get to see a variation of the "moving candle" bit, Dracula reviving the monster, and for the first time in any Universal picture the camera doesn't move or cut away as the vampire exits from his coffin. And Glenn Strange, looking rather gruesome in Westmore's best makeup work, seems creakier than ever before as the monster.

I have to mention one of my personal favorite Bud/Lou moments when they make their first trip to the island with Joan Raymond: Lou tells Bud in reference to Joan "she's mine too" then proceeds to dab his mouth with Bud's necktie.

While the mere presence of Abbott and Costello in this picture may turn the stomachs of many "horror purists", it's obvious that great care was taken by the filmmakers not to ridicule the monsters. Without the two comics, you would still have a standard Universal horror film. With them, it remains a movie that shows more skill & thought was put into it than the last "serious" monster film "House of Dracula" and I am personally glad that Universal didn't let the monsters die with that misfire.