Aggiungi una trama nella tua linguaAfter learning how to look inside himself, a poetic bum sells people vivid dreams.After learning how to look inside himself, a poetic bum sells people vivid dreams.After learning how to look inside himself, a poetic bum sells people vivid dreams.
- Premi
- 1 vittoria e 1 candidatura
Foto
John La Touche
- The Gangster
- (as John Latouche)
Ethel Beseda
- Mrs. A.
- (non citato nei titoli originali)
Samuel Cohen
- Mr. A
- (non citato nei titoli originali)
Max Ernst
- Le President
- (non citato nei titoli originali)
Jo Fontaine-Maison
- The girl
- (non citato nei titoli originali)
Bernard Friend
- Policeman
- (non citato nei titoli originali)
Bernard Graves
- The male voice
- (non citato nei titoli originali)
Anthony Laterie
- The blind man
- (non citato nei titoli originali)
Julien Levy
- The man
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizAn experimental film shot for $25,000 in a Manhattan loft. It opened in New York in March, 1947 and went on to win the Venice Film Festival Award for the best original contribution to the progress of cinematography.
- Citazioni
(singing on soundtrack): Oh Venus was born out of sea-foam / oh Venus was born out of brine / but a girl of today / if she is grade A / is assembled upon the assembly line
- ConnessioniFeatured in Cocteau Marais - Un couple mythique (2013)
- Colonne sonoreThe Girl with the Pre-Fabricated Heart
Lyrics by John La Touche
Sung by Libby Holman and Josh White, accompanied by Norma Cazanjian and Doris Okerson
Recensione in evidenza
If you can look inside yourself, you can look inside anyone!
I went on a long, hot walk around surprisingly dope Kansas City. Back at home base, I felt delirious, so I decided to return to Richter's Dreams That Money Can Buy.
It had been a while, but I can now say that you do NOT need the help of sun-drenched lunacy for this one. Perfect just as it is.
If there's any fabula, it's that bureaucracy sends people over the edge of mirrors, into bouquets of sterilized flowers resting in the dreams of others.
Really, it's all about the digesis: "Let memory of mortgages, loans and property sales // dissolve into the cries of nightingales!". Obviously you're watching this in part for image, but the VO and script shouldn't be overlooked. Alternating between a crisp, white sound, in the manner of 1950's instructional films, and other more slippery and sensuous words, voices and jazz numbers, sometimes there's singsong-y rhyme, often there are jabs at structure in favor of chaos ("Sign, sign every dotted line! What's the difference? You'll never belong to anything anyway.").
This is really a nice experience. Show it to hot friends and cool strangers.
It had been a while, but I can now say that you do NOT need the help of sun-drenched lunacy for this one. Perfect just as it is.
If there's any fabula, it's that bureaucracy sends people over the edge of mirrors, into bouquets of sterilized flowers resting in the dreams of others.
Really, it's all about the digesis: "Let memory of mortgages, loans and property sales // dissolve into the cries of nightingales!". Obviously you're watching this in part for image, but the VO and script shouldn't be overlooked. Alternating between a crisp, white sound, in the manner of 1950's instructional films, and other more slippery and sensuous words, voices and jazz numbers, sometimes there's singsong-y rhyme, often there are jabs at structure in favor of chaos ("Sign, sign every dotted line! What's the difference? You'll never belong to anything anyway.").
This is really a nice experience. Show it to hot friends and cool strangers.
D’aiuto•10
- GertrudeStern
- 16 ago 2016
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- Tempo di esecuzione1 ora 39 minuti
- Mix di suoni
- Proporzioni
- 1.37 : 1
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Divario superiore
By what name was Dreams That Money Can Buy (1947) officially released in Canada in English?
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