Joe Palooka, Champ (1946) User Reviews

Interesting cast in "tried and true" boxing yarn with humorous overtones

[bumper-7 · 6/10 · 12 December 2005]

"Joe Palooka, Champ" is the first in a series of 11 black and white movies cranked out by Monogram Pictures (from 1946 through 1951) based on comic strip characters created by Ham Fisher.

Producer Hal E. Chester (formerly a "Dead End Kid" in in films) corralled a far better-than-average cast (for a Monogram production ) which included Leon Errol, Elyse Knox, Eduardo Cianelli, Joe Sawyer, Elisha Cook, Jr., Warren Hymer, Robert Kent, Sarah Padden, Dave Willock, J. Farrell McDonald, Phillip Van Zandt, Betty Blythe, Carol Hughes and Jeff Corey! 6'1" blonde haired golfer Joe Kirkwood, Jr. was selected to play Joe Palooka. He essayed an easy-going charm which was quite ingratiating.

Walk-on cameos by boxing greats Joe Louis, Henry Armstrong and Manuel Ortiz provided added allure to veteran director Reginald LeBorg's 70 minute "B" comedy/drama.

The "tried and true" premise of this yarn involved fight manager Knobby Walsh discovering hick Joe Palooka and developing him into a prize-winning contender.

Enjoyable, but immediately forgettable, opener for a popular series from a poverty row studio.

Competently made.....and not much more.

[planktonrules · 5/10 · 13 January 2020]

In 1930, Ham Fisher brought out the strip "Joe Palooka" and it almost instantly became a success...so much so that it led to a 1934 film starring Stu Erwin as the titular character. The strip remained popular for many years after this...so many that Monogram Studios created a new Joe Palooka series which ran from 1946 to 1950...all starring Joe Kirkwood Jr. as the boxer. The first of these 11 Monogram films is "Joe Palooka, Champ" and in addition to Kirkwood, the movie featured Leon Errol as Joe's manager and mentor, Knobby. Incidentally, Kirkwood also starred in a television version of Joe Palooka after the movie series ended!

When the story begins, Joe is already the champ. Knobby then talks to his friends and describes the story of how the great boxer was discovered as well as his advancement through the boxing world.

Apart from the first punch Joe lands in his first fight (which is almost cartoonish), the film is a by the numbers boxing film....neither great nor terrible. And, most importantly, it establishes the characters and sets it up for subsequent films. Worth seeing if not particularly inspiring.

By the way, early in the film look for a cute cameo with Joe Lewis. When Knobby is looking for a hot prospect, he sees Lewis fight...and soon goes with Joe Palooka instead.

All the cliches yet none of the heart

[mark.waltz · 4/10 · 17 January 2019]

The film noir genre of the 1940s explored the dark side of humanity, and several of those films surrounded the price fighting industry. While the "Joe Palooka" series of the late 1940's is certainly not a film noir, it has all of the elements that were included in such film noirs surrounding that industry as "Body and Soul", "Champion" and "The Set-Up". This is closer to the comic strip feel of the "Dick Tracy" movies that may include elements of crime, blackmail, threats of violence and even murder, but it's basicallya light-hearted look that never crosses over into that Industries darkness.

Certainly you would expect a film starring Leon Errol (who had just come off the slapstick "Mexican Spitfire" series) to be comic because the rubber legged comedian of the past 30 years was known for his funny looks and actions. However, he's basically supporting to the main plot even if he is the narrator of the story. Joe Palooka is played by Joe Kirkwood, an Australian born muscle man who takes on the character of the naive heck who becomes the subject of a battle between the honest prize fighting manager Errol and figures from the underworld.

Ask to take a dive after he makes a name for himself, Kirkwood refuses, leaving to serious threats of violence to his person. Eduardo Cianelli is the primary crime figure with Elyse Knox as the big city girl passing through town who distracts Kirkwood, first from his job pumping gas and later while in the ring. The elements of what goes on behind the scenes are definite cliches but the film flows along nicely for the most part. However it is nothing more than just a satisfactory time passer, perhaps not worthy of the series that followed. A better version of the Palooka story was done a decade before. Comedy hits in the last frame for Errol who for the previous hour has given us no signs of the funny man he was best known for.