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The Lost Weekend (1945)

Not Rated | | Drama, Film-Noir | January 1946 (USA)
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The desperate life of a chronic alcoholic is followed through a four-day drinking bout.

Director:

Billy Wilder

Writers:

Charles R. Jackson (from the novel by), Charles Brackett (screen play) | 1 more credit »
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Won 4 Oscars. Another 12 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
Ray Milland ... Don Birnam
Jane Wyman ... Helen St. James
Phillip Terry ... Wick Birnam
Howard Da Silva ... Nat
Doris Dowling ... Gloria
Frank Faylen ... 'Bim' Nolan
Mary Young ... Mrs. Deveridge
Anita Sharp-Bolster ... Mrs. Foley (as Anita Bolster)
Lilian Fontaine Lilian Fontaine ... Mrs. St. James
Frank Orth ... Opera Cloak Room Attendant
Lewis L. Russell Lewis L. Russell ... Mr. St. James
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Storyline

Don Birnam, long-time alcoholic, has been "on the wagon" for ten days and seems to be over the worst; but his craving has just become more insidious. Evading a country weekend planned by his brother Wick and girlfriend Helen, he begins a four-day bender. In flashbacks we see past events, all gone wrong because of the bottle. But this bout looks like being his last...one way or the other. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

How daring can the screen dare to be? No adult man or woman can risk missing the startling frankness of The Lost Weekend! See more »

Genres:

Drama | Film-Noir

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

January 1946 (USA) See more »

Also Known As:

Días sin huella See more »

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Box Office

Budget:

$1,250,000 (estimated)

Gross USA:

$9,460,000, 31 December 1946
See more on IMDbPro »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Ray Milland was given the novel to read by Paramount chief Buddy De Sylva, with a note attached reading: "Read it. Study it. You're going to play it." Milland read it, and was struck by its dramatic dimensions as a social document, but he could not see much of a film in the bleak story, nor could some of his friends and associates. If Milland took on the role, they felt he would be committing professional suicide. See more »

Goofs

When Don is in Nat's bar taking shots of rye, the number of shots are depicted by the increasing number of wet rings left on the bar each time the shot glass was refilled. Several rings collect on the bar, each remaining as wet as the last. In actuality, being that they were from alcohol, over time the rings left by the first shots would be dried or mostly dried by the time later shots were taken. See more »

Quotes

[first lines]
Wick Birnem: You better take this along, Don. It's gonna be cold on the farm.
Don Birnam: Okay.
Wick Birnem: How many shirts are you taking?
Don Birnam: Three.
Wick Birnem: I'm taking five.
Don Birnam: Five?
Wick Birnem: Yeah, I told them at the office I might not be back until Tuesday. We'll get there this afternoon. That'll give us all Friday, Saturday, Sunday, Monday. We'll make it a long, wonderful weekend!
Don Birnam: It sounds long all right.
See more »

Connections

Referenced in The Dick Van Dyke Show: The Ghost of A. Chantz (1964) See more »

Soundtracks

It Was So Beautiful (and You Were Mine)
(1932) (uncredited)
Music by Harry Barris
Lyrics by Arthur Freed
Played on piano and sung by Harry Barris at Harry and Joe's
See more »

Frequently Asked Questions

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User Reviews

Powerful landmark film on alcoholism has lost none of its status...Ray Milland deserved his Oscar...
16 April 2001 | by DoylenfSee all my reviews

I take exception to previous comments that call the film "daring for its time" or "dated". It's still a very powerful film and there is nothing dated about the theme of a man who loses his soul to the bottle. It was a landmark film in its time and still is--there is no question about its holding power and the excellence of writing, acting and direction. Yes, even by today's standards! It outclasses more recent films dealing with alcoholism as it focuses on one man's problem with the bottle--a problem that affects all of the people whose lives he touches--particularly his loyal girlfriend (Jane Wyman in one of her best roles) and Philip Terry as his more conventional brother. The emotions are stark and real. The pity we feel for Milland's character is also mixed with disgust for his weakness. It's an accurate depiction of an alcoholic's struggle for the next fix--a never ending search for the next bottle. The pseudo-babble of a previous commentator attempts to inject disdain for the film as outdated and outclassed by more serious works. Nonsense! This was a stark and powerful film in 1945 and I have news for you--it is just as powerful and timely today! No other American film comes close to it. It is as searing an indictment of alcoholism as you are ever likely to see and Milland fully deserved his Oscar.


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