A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to save himself and stop a spy ring which is trying to steal top secret information.
Charlotte 'Charlie' Newton is bored with her quiet life at home with her parents and her younger sister. She wishes something exciting would happen and knows exactly what they need: a visit from her sophisticated and much traveled uncle Charlie Oakley, her mother's younger brother. Imagine her delight when, out of the blue, they receive a telegram from uncle Charlie announcing that he is coming to visit them for awhile. Charlie Oakley creates quite a stir and charms the ladies club as well as the bank president where his brother-in-law works. Young Charlie begins to notice some odd behavior on his part, such as cutting out a story in the local paper about a man who marries and then murders rich widows. When two strangers appear asking questions about him, she begins to imagine the worst about her dearly beloved uncle Charlie.Written by
Alfred Hitchcock said that part of why he considered this to be his favorite film was that he loved the idea of bringing menace to a small town. See more »
The Merry Widow newspaper story identifies the latest victim as "Mrs. Bruce Matthewson". At the time widows resumed their first name for purposes of newspaper stories. See more »
We're not just an uncle and a niece. It's something else. I know you. I know you don't tell people a lot of things. I don't either. I have a feeling that inside you there's something nobody knows about... something secret and wonderful. I'll find it out.
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Uncle Charlie did it for me. I mistrusted the uncle thing as a term of endearment ever since. Joseph Cotten is the perfect charming monster. Uncle Charlie's urbanity becomes his most frightening feature. So plausible. So real. Thornton Wilder was Hitchcock's partner in crime this time and it shows. The structure is Our Townish, the characters, deliciously rich. Patricia Collinge's performance is so spot on that you're longing for more. The scenes between Henry Travers and Hume Cronyn are how I imagine the story meetings between Thornton Wilder and Alfred Hitchcock. Teresa Wright's eyes tell the whole story from the audience's point of view, even if the audience is one step ahead of her. Brilliant, because in Joseph Cotten's eyes we find his need for redemption or are we falling in the trap of this master manipulator? We are torn, just like Teresa Wright. I've seen "Shadow of a Doubt" 3 or 4 times but every time you're forced to take the trip with the same amount of commitment. I've been toying with the thought of a remake, I've been doing this lately, although I hate the idea of remakes of great movies, this one is one of those that in the right hands could have a real impact. Using Thornton Wilder's original script as the Bible, Steven Sodebergh could do scrumptious remake for the new millennium. Tim Robbins as uncle Charlie, can you imagine? Natalie Portman as his niece. Joan Cusak and William H Macy as her parents. Wouldn't you go to see that?
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