NOTE IMDb
6,0/10
301
MA NOTE
Ajouter une intrigue dans votre langueThe life of air pioneer Amelia Earhart is here given a fictionalized treatment, with a speculative conclusion.The life of air pioneer Amelia Earhart is here given a fictionalized treatment, with a speculative conclusion.The life of air pioneer Amelia Earhart is here given a fictionalized treatment, with a speculative conclusion.
- Nommé pour 1 Oscar
- 1 nomination au total
Ed Agresti
- Headwaiter
- (non crédité)
Norman Ainsley
- Waiter
- (non crédité)
Ernie Alexander
- Drunk
- (non crédité)
Stanley Andrews
- Prosperous Gent
- (non crédité)
Martin Ashe
- Collins
- (non crédité)
Richard Bartell
- Night Mechanic
- (non crédité)
Hugh Beaumont
- Flight Instructor
- (non crédité)
Jack Carrington
- Radio Announcer
- (non crédité)
Jack Cheatham
- Doorman
- (non crédité)
Gino Corrado
- Chef
- (non crédité)
James Craven
- Dick Wake - Flyer
- (non crédité)
Joe Cunningham
- Teletype Editor
- (non crédité)
Histoire
Le saviez-vous
- Anecdotes"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on September 20, 1943 with Rosalind Russell reprising her film role.
- GaffesOn the cigarette case the marked locations are incorrectly placed. The case shows Virginia Beach at Wilmington, NC and Delaware at Virginia Beach.
- Citations
Randy Britton: Are you crying? What's the matter?
Tonie Carter: It's just my special reaction to beauty and alcohol.
- ConnexionsFeatured in Hollywood the Golden Years: The RKO Story: A Woman's Lot (1987)
Commentaire à la une
We can forgive a lot for this one scene.
The film is badly directed and acted propaganda but all this is put in the shade by an extraordinary scene towards the end.
I don't want to spoil the plot, so I will just say:
The pilot heroine of the film Tonie Carter finds herself on a remote pacific island with a strange mission ahead of her, over the course of one night on the island, a lot changes in her life, both in considering her past and her present situation, and she decides on her course of action for when she leaves the island the next morning.
This scene is mysterious and evocative, there is very little detail and almost everything we see is significant so the island takes on the quality of a dream. The various characters which come her way seem like ghosts; their significance is in what they whisper to her, reminds her of her responsibilities and memories.
Now comes the ending of the film but with an unforseen direction born of the night on the island, this leads to some bitter sweet ironies which undercut in a way the propaganda of the film.
So this is another one to add to the class of awful films which emerge with the most imaginative visions, but by some who-knows-how accident, its certainly not due to the director or actors. In this respect its much like 'The Eye of the Beholder '(1999 )by Stephan Elliot.
If Lothar Mendes was aware of what he created I wonder how he felt, pleased but perhaps also a little guilty and frustrated.
I don't want to spoil the plot, so I will just say:
The pilot heroine of the film Tonie Carter finds herself on a remote pacific island with a strange mission ahead of her, over the course of one night on the island, a lot changes in her life, both in considering her past and her present situation, and she decides on her course of action for when she leaves the island the next morning.
This scene is mysterious and evocative, there is very little detail and almost everything we see is significant so the island takes on the quality of a dream. The various characters which come her way seem like ghosts; their significance is in what they whisper to her, reminds her of her responsibilities and memories.
Now comes the ending of the film but with an unforseen direction born of the night on the island, this leads to some bitter sweet ironies which undercut in a way the propaganda of the film.
So this is another one to add to the class of awful films which emerge with the most imaginative visions, but by some who-knows-how accident, its certainly not due to the director or actors. In this respect its much like 'The Eye of the Beholder '(1999 )by Stephan Elliot.
If Lothar Mendes was aware of what he created I wonder how he felt, pleased but perhaps also a little guilty and frustrated.
utile•36
- dominim
- 12 août 2000
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Flight for Freedom
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 42 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Perdue sous les tropiques (1943) officially released in India in English?
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