The Chance of a Lifetime (1943) User Reviews

News Headlines: " Boston Blackie Loots Police Safe!"

[Spondonman · 7/10 · 11 June 2005]

This Blackie entry is more of a flag waver than the previous five, but it's ingenious for all that. Blackie gets the conditional parole and release of chosen prisoners for them to help the War effort by labouring in one of Arthur's factories. They have to be good, but as usual there is one black sheep - who gets immediately mixed up in a shooting over a stolen USD 60,000 stash. Blackie himself takes the blame for to divert Farraday away from spoiling his pet project. And so begins another chase: Inspector Farraday and Sergeant Matthews after Boston Blackie and the Runt after Nails Blanton (the real baddie, not Blackie's man).

Jumbo Madigan plays a pivotal role in this outing so pay attention! The scenes with the two elderly and gentle female Municipal Cleaning Technicians was a farcical intrusion worthy of Monogram, but they had to get in to the police station to get back the stolen money as bait for Nails. The bit where Blackie and the Runt escape from a locked and door-less apartment leaving his 11 men and Arthur behind is delicious. The print quality is pretty awful in places, someone at the TV station in the 50's was scissor-happy.

But overall, slightly different and worthwhile.

Boston Blackie vouches for prisoners on WWII early release program

[csteidler · 7/10 · 8 September 2011]

Inspector Farraday seems nastier than usual in this Boston Blackie picture. Sure, Blackie is used to Farraday hounding him constantly, but now Farraday is out to pounce on Blackie's new convict reclamation project. The project is for the war effort, of course: Blackie has lined up jobs for ten early parolees at a tool and die works, and the convicts are talented welders and craftsmen, their skills much in demand in 1943. Farraday is having none of it, and lurks on the edges of the project, looking for the slightest slip-up. Come on, Inspector, show a little patriotism!

The mystery plot here is solid and the action is fast-moving, though overall the film is perhaps not quite as sharp or quick-hitting as some in the Blackie series. Still, there's disguises (Blackie and the Runt as cleaning ladies, one of whom needs a shave); tight squeezes (Blackie and the Runt on a dumbwaiter); and poor detective Matthews taking insults (Farraday to his officers: "You cover the fire escape, you take the service entrance, and I'll go in the front way alone." Matthews: "Alone! Hey, chief, I'll be with you." Farraday: "It's the same thing.").

Some hilarious newspaper headlines chronicle Farraday's attempts to capture and hold Blackie and a wad of $60,000 that everyone is concerned with.

Good entertainment for us Blackie fans. Chester Morris, as always, is smooth and steady.

Light hearted Boston Blackie caper with same old formula...

[Doylenf · 5/10 · 1 September 2007]

Once again Boston Blackie puts one over on the police who wrongly accuse him of a crime he never committed. He uses his wits and ingenuity to outwit them at every turn--each episode more incredible than the one before. But it's entertaining in a formula way, with CHESTER MORRIS obviously enjoying himself as Blackie and Inspector Farraday finally congratulating him on capturing the real criminal.

DOUGLAS FOWLEY as Nails gives his usual hard-bitten performance as the villain, enjoyable as always in whatever supporting role he assumes.

It's a low-budget entry, designed to fit the second half of a double bill, and moves at a brisk pace in little more than hour. Morris is surrounded by the usual Columbia cast of "Blackie" performers.

Better Entry

[Michael_Elliott · 27 February 2008]

Chance of a Lifetime, The (1943)

*** (out of 4)

William Castle made his directorial debut in this sixth film in the Boston Blackie series. This time out Blackie (Chester Morris) gets ten convicts out of prison to work in a factory for the war relief. One of the convicts end up killing a man in self defense but this is enough to get all ten thrown back in prison so instead Blackie takes the blame but breaks away from Captain Farraday (Richard Lane) to find the real bad guy. Castle's direction is a little bland but the screenplay is full of wonderful gags and nice action, which makes this one of the better films I've seen in the series. Once again Morris delivers a wonderful character and I've really enjoyed this character enough to say it's probably my favorite of all these detective/mystery type films. The interplay between Morris and Lane is as fast and sharp as ever and the supporting cast playing the convicts make good.

I Always Enjoy Chester Morris

[boblipton · 6/10 · 20 January 2024]

It's another Boston Blackie movie with Chester Morris doing a good deed by getting some cons out of prison -- on parole to work at skilled trades in Lloyd Corrigan's war plant. But while Corrigan is playing Schindler, one of them, Erik Rolfe, uses the opportunity to collect the $60,000 in cash from the job that sent him upstate. His wife, Jeanne Bates, wants him to turn it over to the police, so that all of these men can go straight. However, the two crooks who were in on the job with him, want their cuts. In the struggle, Rolfe grabs one of their guns and that man is dead. The other, Douglas Fowley, flees. Morris shows up at this point and sends Rolfe to the job. He and George E. Stone are taking the corpse to his apartment, when Morris' frenemy, Inspector Richard Lane shows up, and Morris is on the hook for the murder and the money.

It's William Castle's first feature as director, and there's lots of gruesome Runyonesque situations. Morris keeps things moving along, as he did in all his movies. He had been Oscar-nominated in 1930, and spent a long stretch at MGM, but he was aging out of the juvenile roles. In this period he was under contract with Columbia, whence this movie came, and appearing in Pine-Thomas Bs over at Paramount. For my taste, he's always worth watching, but the quality of his vehicles continued to decline. Although he continued to work on the big and little screens, it was more as a major supporting player than a star, through his death in 1970 at the age of 69.

Recidivist!

[LobotomousMonk · 6/10 · 24 February 2013]

"Your logic is simply hypnotic" says a "dumb copper" to Boston Blackie in The Chance of a Lifetime. I can't help but feel the logic of William Castle's directing follows in turn. Castle certainly developed his stylistic system and method of directing across his career, but this early entry characterizes his lack more than anything else (a lack he wold make up for in time). Diegetic space is constructed through shot scale cut-ins for an otherwise static camera. Later, Castle would develop his system with more mobile framing and angular contrapuntal direction (Ohmart in the Emergo scene in Haunted Hill is captured in a multiple of angular shots). In The Chance, the camera is positioned with frontality as the dominant. When groups of characters are framed, they huddle symmetrically staged in front of the camera lens creating balanced tableaux. The staging and blocking does not have the oblique quality prominent in later Castle films. The story itself involves Blackie's proposed plan to the state's Governor to parole ex-cons in order to aid in munitions manufacturing for the war. Recidivism and risk assessment are the name of the game as Blackie gets tangled up in the loose ends of an old crime of one of the paroled cons. There is good suspense and characterization but at times the acting is stilted while the dialogue is a little on-the-nose. As is characteristic of Castle "B" status films, plot contrivances abound. An earlier reviewer seemed to express that the contrivances are an asset or perhaps aid, while I cannot agree. The "cigarette gag" and "secret panel" gag have the lameness that makes narrative progress move forward with an awkward gait. The buffoonery of the police was an issue with the critics upon release as far as it concerns the status quo. For me, the portrayal of the police as stooges gets tired and leads to the story dragging somewhat (others may disagree). The ending involves confessions under extreme duress and although neat, are also an element of convenience at service for the production and not the audience. The flaws in directing would be repeated several times by Castle as he worked slowly to develop a more sound stylistic system.

Pretty good Boston Blackie!

[chairmanboard71 · 7/10 · 4 August 2020]

Boston Blackie film that has the humor of all the others. Favorite scene in which Boston Blackie and Runt are trying to escape by a dumbwaiter and they are pulled from one direction to the other. Also this movie has an interesting crossdressing scene in which Boston Blackie and Runt dress up in old women's clothing. Overall one of the better Boston Blackie films.

"You don't stop a funeral and arrest the pallbearers just because they're carrying a dead body, you know."

[utgard14 · 6/10 · 2 April 2014]

A prison work release program Boston Blackie (Chester Morris) is pushing is endangered by one of the prisoners being implicated in a murder. So what does Blackie do? He takes the blame for the murder, of course. I realize this sounds beyond idiotic but keep in mind that the formula of literally every Boston Blackie movie is that Blackie is the prime suspect in whatever murder occurs in that film. By the end of every film, he manages to catch the real killer and prove his innocence to dogged Inspector Farraday (Richard Lane). So, in a way, it makes perfect sense that Blackie would take the blame since his track record is pretty good with the threat of a murder arrest hanging over his head.

Seriously, though, the plot to this one is pretty far-fetched and tough to swallow. But somehow it's still enjoyable thanks to the solid cast of regulars that the Boston Blackie series had. Yes, the series was extremely formulaic and this works against it, especially when you view the films back-to-back. But if you just happen to catch this one on TV one day, without any critical context, it will surely entertain you. Not the best of the series but still fun. There's a character named Dooley who throws just about the wildest overhand punch I've ever seen. That alone is worth checking it out.

The Boston Blackie series is finally showing its age....

[planktonrules · 3/10 · 1 September 2007]

I have seen just about all of the Chester Morris "Boston Blackie" films and have to say that this one is about the worst due to very, very bad writing. While the usual "dumb cop" schtick has worn too thin (Faraday and his assistant are sub-moronic clichés as police--too dumb to be anything other than tiresome), my main complaint is the dumb plot itself--it's just so ridiculous and hard to believe that the film soon lost me.

Blackie has a plan and he asks the warden at a prison to parole ten men to him (himself, an ex-con) so the guys can work in a defense plant owned by his friend. This is unlikely, but since it was a WWII-era film, I could ignore this. But, when a man has committed a robbery and has only served a short amount of time and EVERYONE tells Blackie this man is too great a risk, Blackie STILL pushes for the man's release. Okay...not exactly believable,...but I guess I can go with this. However, when later this same prisoner's two old accomplices confront him and demand they split the stolen money, there is a struggle and one of the men is killed. So what does Blackie do when he discovers this? Tell the warden or call the police? No. Instead, he insanely convinces the police that HE (Blackie) killed the man and stole the loot!! This just made no sense at all, as it practically puts Blackie into the electric chair AND ruins the chances of his pet project to succeed. What were the writers thinking? About the only good part of the film involved Blackie and Runt dressing as cleaning women (something they did in another film--repetition is an ever-present problem for Blackie films as plot elements are recycled again and again). Unlike Sherlock Holmes, the Falcon or even Charlie Chan, the excessively repetitive nature of the Blackie series make seeing all the films rather unnecessary. I say see a few and then quit, otherwise it's all "like a case of déjà vu all over again" (Yogi Berra).

By the way, if you look closely, you'll see Sid Melton is one of the parolees. Sid was "Alf Monroe" from the TV series GREEN ACRES.

The Chance of a Lifetime

[CinemaSerf · 6/10 · 11 January 2024]

This time, "Boston" (Chester Morris) comes up with a proposal to the Governor that would allow some trusted prisoners to come and work in a factory to assist with the war effort. He agrees that they can live at his apartment but before long is embroiled in a plan to prove that "Dooley" (Erik Rolf) was set up for a murder he didn't commit. Unusually, "Insp. Faraday" (Richard Lane) is in on the plot to use "Blackie" as bait for the real criminal - well, him and $60,000 - and using some sleight of hand and his gang of well-meaning convicts lays a trap for... This doesn't hang about, is tightly cast with series regulars and with a more solid story than many of the other outings for an on form Morris, it passes an hour with a few red herrings and a precarious window-dangled confession at the end.

If I had the chance that Boston Blackie gets here, I'd decline without regret.

[mark.waltz · 5/10 · 25 April 2017]

It's more of the same here for Boston Blackie in the sixth of the series. Chances have it that the film itself is more mediocre than before, although there are some very amusing moments. Boston Blackie finds himself in trouble once again, wanted by the ever persistent (and still dumber than a box of unpublished scripts) and the even more idiotic Walter Reade, all because he aided old pal Erik Wolfe in covering up manslaughter.

Joining other macho dudes who dressed in drag, Chester Morris disguises himself as a scrub maid, along with George E. Stone, getting Maude Eburne drunk in the film's best scene. But it's mostly bland, a repeat of what was already done (and better), with Lloyd Corrigan back once again along with other previous seen actors in different parts. Jeanne Bates, a brief Columbia contract actress, gets little to do as Rolfe's wife, kidnapped by the villains and the key to what really happened. At least, however, it's not a dreadful film, although I found myself starting to feel a bit of de ja vu. Six down, eight to go, and hoping for improvement.

clever WWII-themed entry in the Boston Blackie mystery series

[django-1 · 8/10 · 30 December 2003]

Most all of the 1940s Columbia "Boston Blackie" films starring Chester Morris are worth watching. This entry has Blackie vouching for some convicts (remember, Blackie himself is a reformed ex-con), trying to get them early releases so they can work in factories aiding the war effort. A judge agrees, and lets them out to begin work. Obviously, things do not work out as planned...

Morris's personal charm and colorful acting style always help the film along, and his sidekick The Runt and his antagonists from the police force return from the earlier entries in the series. It's a fast moving 65 minutes, and like any of the b-movie directorial efforts of William Castle at Columbia in the 1940s, it features a number of clever visuals and plot contrivances. Also, the film is NOT a traditional murder mystery, but I don't want to give anything away, so you'll have to see it yourself. Definitely worth finding for fans of b-movie detective films. And it's always great to see Douglas Fowley as a gangster again!

later chapter in the Boston Blackie series

[ksf-2 · 6/10 · 6 July 2017]

I hope writer Jack Boyle got some of the money that was made off his man "Boston Blackie"... there were TONS of films made with that character. Chester Morris was probably the best known. In this chapter, Blackie is the chaperone for some work release prisoners, and one escapes to dig up some stolen dough. Things go haywire, as they always do, and the caper is on! Blackie has to track down the guy who knows the truth, but the police are after HIM, so he has to stay one step ahead. The usual antics, and boy, the cops were silly back then. The story kind of goes all over the place, but its okay. And it's only a 65 minute shortie. Currently showing on Turner Classics. My favorite line in here is when the desk clerk sees the guy with the beard, and says "Hey, you with the chin drapes!" Most of it is pretty average, and for the last five minutes, the fistfight takes place in the dark... rather pointless. meh. Directed by William Castle, known for low budget yet fairly successful films.

Blackie becomes a reformer

[binapiraeus · 8/10 · 9 February 2014]

America is at war, and even happy-go-lucky types like Boston Blackie have to become a little bit more serious; and so he does, coming up with the idea that prisoners with minor sentences should be released on parole so that they can work in factories to help the war effort. In fact, the opening scene, where he pleads with the government official for his cause - and his 'friend' Inspector Faraday, literally on the other side, opposes it so strongly that for the first time, instead of a slightly dull cop, he seems like a real stubborn 'law-and-order' type out of the Wild West - , looks VERY serious for a 'Boston Blackie' movie; and when Blackie can finally convince the authorities and the 'experiment' begins, it almost seems we're in for a pretty nasty and not at all funny gangster story this time...

One of Blackie's old friends is allowed to see his wife and kid the first night he's out (all the others stay in his apartment, sleeping on camp beds in his living room) - but the next morning, he doesn't show up at the factory: he's gone to collect the hidden 60 000 dollars from the robbery he'd committed with two others (two REALLY dangerous mugs) and for which he'd been sentenced. But the two guys follow him into his apartment and demand their share; they threaten his family, and he fights with them, killing one of them accidentally, while the other one gets away.

And what does Blackie do? In order to save his project and to protect the others from going back to jail, HE takes the murder rap, but of course eludes the police as usual - but meanwhile, the surviving mug has kidnapped his friend's family, still demanding the money, which lies safely in the police headquarters' safe... So - the only thing for Blackie to do in order to lure the gangster into a trap is to 'steal' the money from the police!...

And so the good old familiar fun begins again: everyone is hunting each other, Blackie makes his famous escapes (he even uses the good old-fashioned trick of the turning bookshelf that was so popular in 30s' mysteries!) - and in the end, he and his ex-convict friends, together with the factory owner, capture the crook, and let him dangle on a rope from a 14th floor window until he confesses how his gangster friend was killed. And now Inspector Faraday really changes his mind about the whole thing - because Blackie gives him all the credit for 'his' ingenious work!

This is indeed something more than an average 'Boston Blackie' adventure: it doesn't only deal with patriotic issues, but also with social ones - the reintegration of former criminals into society. (After all, Blackie himself is an example!) But don't be afraid it'll get too moralistic - there are still plenty of opportunities for Blackie and his friends to entertain us as usual with their clever, cunning, astonishing tricks!