This was George Formby's 2nd film for Columbia, again with a good cast of British stalwarts and the winning mix of sauciness and songs. The War wasn't mentioned so I'd guess this was designed as even more of a retreat from the real world than usual.
George plays George in the rather quaint and quiet cardboard English village of Standstilton Green, doing odd jobs for everyone to pay the bills. He's also an artist who can't draw bodies, and unfortunately some drawings of local dignitaries' heads including his girlfriend Eileen Bennett (the female star in this) manage to get nude bodies painted on them causing an uproar in some quarters. It was as "tastefully" done as the Sun newspaper's Page 3 does now over the years I've idly wondered if the picture survived and is still hanging up in anyone's front room! The one and only Jimmy Clitheroe who plays George's younger brother has many pithy comments on the subject of women and life in general and who also gives the title to the film by accusing him of being much too shy. Songs were Andy the Handy Man (in his ramshackle caravan) They All Laughed (in the Modern Art School), Delivering The Morning Milk (on the float, a different version to that previously released) and Talking To The Moon (back in his caravan). Favourite bits: the overall picture postcard view; Kathleen Harrison continually getting her hands caught in the shop shutters; the court room scenes with Valentine Dyall's silky voice gently lashing everyone. The only thing that jarred was the lynch mob of outraged females descending on George and Jimmy's caravan and starting a fire underneath did letting the punishment fit the crime mean a double murder?!
A very pleasant outing, not to everyone's taste as it's much too nice.
George plays George in the rather quaint and quiet cardboard English village of Standstilton Green, doing odd jobs for everyone to pay the bills. He's also an artist who can't draw bodies, and unfortunately some drawings of local dignitaries' heads including his girlfriend Eileen Bennett (the female star in this) manage to get nude bodies painted on them causing an uproar in some quarters. It was as "tastefully" done as the Sun newspaper's Page 3 does now over the years I've idly wondered if the picture survived and is still hanging up in anyone's front room! The one and only Jimmy Clitheroe who plays George's younger brother has many pithy comments on the subject of women and life in general and who also gives the title to the film by accusing him of being much too shy. Songs were Andy the Handy Man (in his ramshackle caravan) They All Laughed (in the Modern Art School), Delivering The Morning Milk (on the float, a different version to that previously released) and Talking To The Moon (back in his caravan). Favourite bits: the overall picture postcard view; Kathleen Harrison continually getting her hands caught in the shop shutters; the court room scenes with Valentine Dyall's silky voice gently lashing everyone. The only thing that jarred was the lynch mob of outraged females descending on George and Jimmy's caravan and starting a fire underneath did letting the punishment fit the crime mean a double murder?!
A very pleasant outing, not to everyone's taste as it's much too nice.