This movie seems to sum up the dull, pompous Victorian view on Handel. It focuses on his premiere of "The Messiah" (Dublin, 1742), with all the virtuous clichés that have transformed for a while that masterpiece and the untamed Handel in a sort of propagandistic stuff. In war-time, it was understandable England's desire for something stimulating and "British". Ironically enough, Handel was a German, remember? Why didn't they represent him more vigorous, irascible, jolly and enthusiastic (this was also one of his faces, especially while dealing with music, I suppose)? Who knows... Such castrated and didactic views are repelling young people from the great music and the great figures of the past. Too bad. The leading actor was so melancholic all the time!