AVALIAÇÃO DA IMDb
6,7/10
2,9 mil
SUA AVALIAÇÃO
Para encobrir suas infidelidades, um produtor casado convida um de seus dançarinos num encontro com uma corista, mas os dois dançarinos se apaixonam de verdade.Para encobrir suas infidelidades, um produtor casado convida um de seus dançarinos num encontro com uma corista, mas os dois dançarinos se apaixonam de verdade.Para encobrir suas infidelidades, um produtor casado convida um de seus dançarinos num encontro com uma corista, mas os dois dançarinos se apaixonam de verdade.
- Indicado a 2 Oscars
- 2 indicações no total
Guinn 'Big Boy' Williams
- Kewpie Blain
- (as Guinn Williams)
Sam Ash
- Nightclub Headwaiter
- (não creditado)
Bonnie Bronson
- Chorus Girl
- (não creditado)
Lucius Brooks
- Guard House Singer - One of The Four Tones
- (não creditado)
Stanley Brown
- Private
- (não creditado)
Leon Buck
- Guard House Singer - One of The Four Tones
- (não creditado)
Harry Burns
- Foreigner at Information Counter
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThe language that Swivel Tongue (Cliff Nazarro) uses was called "double talk" and was a popular fad during WW2.
- Erros de gravaçãoAs Fred Astaire and Robert Benchley are discussing the upcoming show they pass several soldiers who are working with shovels. Though the soldiers are supposed to be breaking up clods and smoothing the dirt the shovels never come within six inches of the ground.
- Citações
Robert Curtis: Confidentially, Sheila, I'm delighted every time you make a mistake. It gives me the chance to dance with you.
Sheila Winthrop: Confidentially, I make mistakes for the same reason.
- Cenas durante ou pós-créditosThe opening credits are presented as a series of roadside advertising signs observed by one of the characters.
- ConexõesFeatured in Hollywood: The Great Stars (1963)
- Trilhas sonorasBoogie Barcarolle
(uncredited)
Written by Cole Porter
Danced by Fred Astaire, Rita Hayworth and chorus at rehearsal
Avaliação em destaque
You're In The Army Now, Fred
Though the 42 year old Fred Astaire was certainly not eligible for the peacetime draft still he plays the would be soldier very well in You'll Never Get Rich. Leaving Rita Hayworth is certain to be a problem though.
The first peacetime draft in American history forms the background for this film in the same way as Universal's Abbott and Costello classic, Buck Privates. You'll Never Get Rich bares some resemblance to Buck Privates in the comedy portions of the film though it does stay away from the burlesque aspects that Abbott and Costello brought to it.
Remember this is a Fred Astaire film and in the plot it has a lot of resemblance to what Astaire had been recently doing over at RKO with Ginger Rogers. The same kind of kittenish romantic complications with humorist Robert Benchley taking the Eric Blore/Victor Moore part as the one who causes all the problems.
The dance numbers bear a strong resemblance to the routines Astaire did with Rogers. But here he is being brought over to Columbia to showcase the woman who would be Columbia Picture's mealticket for the next decade and a half.
Rita Hayworth was just coming into her own as a box office attraction when this film was done. On the dance floor she complements the elegant Mr. Astaire divinely. This was the first of two films she did with Astaire and while I like You Were Never Lovelier a lot better than this one, You'll Never Get Rich is still entertaining.
Cole Porter wrote the score for this film and it's probably one of his lesser efforts for the screen and stage. Still it did have an Oscar nominated song in Since I Kissed My Baby Goodbye. It's not a song that immediately brings Cole Porter to mind for today's audience though.
Will both Rita Hayworth and Uncle Sam get the services of Fred Astaire? See You'll Never Get Rich and find out.
The first peacetime draft in American history forms the background for this film in the same way as Universal's Abbott and Costello classic, Buck Privates. You'll Never Get Rich bares some resemblance to Buck Privates in the comedy portions of the film though it does stay away from the burlesque aspects that Abbott and Costello brought to it.
Remember this is a Fred Astaire film and in the plot it has a lot of resemblance to what Astaire had been recently doing over at RKO with Ginger Rogers. The same kind of kittenish romantic complications with humorist Robert Benchley taking the Eric Blore/Victor Moore part as the one who causes all the problems.
The dance numbers bear a strong resemblance to the routines Astaire did with Rogers. But here he is being brought over to Columbia to showcase the woman who would be Columbia Picture's mealticket for the next decade and a half.
Rita Hayworth was just coming into her own as a box office attraction when this film was done. On the dance floor she complements the elegant Mr. Astaire divinely. This was the first of two films she did with Astaire and while I like You Were Never Lovelier a lot better than this one, You'll Never Get Rich is still entertaining.
Cole Porter wrote the score for this film and it's probably one of his lesser efforts for the screen and stage. Still it did have an Oscar nominated song in Since I Kissed My Baby Goodbye. It's not a song that immediately brings Cole Porter to mind for today's audience though.
Will both Rita Hayworth and Uncle Sam get the services of Fred Astaire? See You'll Never Get Rich and find out.
útil•236
- bkoganbing
- 22 de mar. de 2007
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- How long is You'll Never Get Rich?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 28 minutos
- Cor
- Proporção
- 1.37 : 1
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