Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge, and predictable complications result.
The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the deep South at the turn of the 20th century. Regina Giddens née Hubbard has her daughter under her thumb. Mrs Giddens is estranged from her husband, who is convalescing in Baltimore and suffers from a terminal illness. But she needs him home, and will manipulate her daughter to help bring him back. She has a sneaky business deal that she's cooking up with her two elder brothers, Oscar and Ben. Oscar has a flighty, unhappy wife and a dishonest worm of a son. Will the daughter have to marry this contemptible cousin? Who will she grow up to be - her mother or her aunt? Or can she escape the fate of both?Written by
When Zan is getting her hair washed it is much shorter than it is when it is dry and styled. See more »
[while riding into town]
Good mornin' Harold.
[looking up from shining the sign that reads 'The Planters Trust Company / Horace Giddens / President']
Mornin' miss Ann. What does your papa write to from Baltimore?
He writes that he feels better Harold.
Dat's good. Write him my greetins and tell him don't worry 'bout da brass - I'm keepin' his name fine and clean.
Thanks, I will.
Mm-mmm, those crabs'll make fine eatins Addie.
They bettah, we got high-toe company for dinner tonight.
Yum, bye ...
[...] See more »
Opening credits prologue: "Take us the foxes, The little foxes, that spoil the vines:
For our vines have tender grapes." The Song of Solomon 2:15
Little foxes have lived in all times, in all places. This family happened to live in the deep South in the year 1900. See more »
Never Too Weary to Pray
Music and Lyrics by Meredith Willson
Sung off-screen by an unidentified group during the opening and closing credits See more »
Magnificent adaptation of Hellman's hit play
As the greedy, conniving Regina Giddons, Bette Davis gives a fascinating performance which ranks with her very finest. Tallulah Bankhead had her greatest stage success playing Regina on Broadway in 1939. Wyler wanted Davis to portray Regina with a more sympathetic "hot house" flavour, but Bette was adamant that the character was a witch in spades: the resulting performance is striking. Regina Giddons is a classic example of a character movie viewers love to hate. Carl Benton Reid is great as the equally greedy brother and Dan Duryea is fine as Leo the crumb. As Alexandra, Teresa Wright is almost annoyingly innocent in the beginning, but she wisens up considerably towards the end of the film: "Why, Alexandra, you have spirit after all. I used to think you were all sugar-water" says a frankly impressed Regina. As the alcoholic flibbertigibbet Birdie, Patricia Collinge is perfection personified: a truly memorable portrait brilliantly enacted. Herbert Marshall is fine as the tragically deceived Horace who shouldn't depend on his "lovely" wife to fetch his heart medicine for him. A magnificent example of a great play transferred to film, Wyler's guiding hand is patent throughout: they definitely don't make films like this anymore - no matter what the cost.
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