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Title: Citizen Kane (1941)
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| Cast overview, first billed only: | |||
| Joseph Cotten | ... | Jedediah Leland / Screening Room Reporter | |
| Dorothy Comingore | ... | Susan Alexander Kane | |
| Agnes Moorehead | ... | Mary Kane | |
| Ruth Warrick | ... | Emily Monroe Norton Kane | |
| Ray Collins | ... | James W. Gettys | |
| Erskine Sanford | ... | Herbert Carter / Screening Room Reporter | |
| Everett Sloane | ... | Mr. Bernstein | |
 |
William Alland | ... | Jerry Thompson |
| Paul Stewart | ... | Raymond | |
| George Coulouris | ... | Walter Parks Thatcher | |
| Fortunio Bonanova | ... | Matiste | |
|
|
Gus Schilling | ... | The Headwaiter / Screening Room Reporter |
| Philip Van Zandt | ... | Mr. Rawlston | |
| Georgia Backus | ... | Miss Anderson | |
| Harry Shannon | ... | Kane's Father | |
A group of reporters are trying to decipher the last word ever spoken by Charles Foster Kane, the millionaire newspaper tycoon: "Rosebud". The film begins with a news reel detailing Kane's life for the masses, and then from there, we are shown flashbacks from Kane's life. As the reporters investigate further, the viewers see a display of a fascinating man's rise to fame, and how he eventually fell off the top of the world. Written by Zack H.
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Citizen Kane is probably the best that American Cinema has ever offered, nigh perfect from the start till the end. Often competing with The Godfather, to be numero uno, Citizen Kane is in a league of its own and nonpareil on countless number of fronts. The creative innovation and the technical advancements implemented, can be least regarded as incredible and astonishing, for a 1941 movie. The movie pioneered the phenomena of time switching and special effects in the world of cinema.
Citizen Kane has stood the test of time for well over six decades, serving as a benchmark and source of inspiration to the film-makers of different era. Citizen Kane is an obituary about a fictitious Charles Foster Kane, a business magnate and a newspaper tycoon. Through this movie, Orson Welles, not only immortalized Charles Foster Kane but also proved his mettle, as a writer, director, actor and most importantly as an auteur. The scenes presented as flashbacks, not only display his versatility as an actor (taking care of the nuances and the subtleties needed to portray the different stages and aspects of Kane's life), but also his story-telling brilliance. Kane's murmuring of the word 'rosebud' at the time of his death and him publicly annihilating his election opponent, Jim Getys, represent the two extremes of human life, the very low and the very high, respectively.
The scenes between Welles and Joseph Cotton are an absolute treat to watch, the latter being at his sarcastic best, depicting contrasting emotions of sympathy and disgust towards his childhood friend, owing to the dichotomy that he suffered, simultaneously taking care of his duties as a journalist, and his friendship with Kane. The movie is studded with numerous mesmerizing and unforgettable scenes and moments, which immensely contribute to the apotheosis that it so deservedly enjoys. A true cinematic magnum opus, without an iota of a doubt and a must for every cinema lover.