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Aggiungi una trama nella tua linguaA day of boating doesn't end up the way Donald and Pluto had hoped.A day of boating doesn't end up the way Donald and Pluto had hoped.A day of boating doesn't end up the way Donald and Pluto had hoped.
- Regia
- Sceneggiatura
- Star
Lee Millar
- Pluto
- (voce)
- (non citato nei titoli originali)
Clarence Nash
- Donald Duck
- (voce)
- (non citato nei titoli originali)
- Regia
- Riley Thomson(non citato nei titoli originali)
- Sceneggiatura
- Carl Barks(non citato nei titoli originali)
- Tutti gli interpreti e le troupe
- Produzione, botteghino e altro su IMDbPro
Trama
Lo sapevi?
- ConnessioniFeatured in The Mickey Mouse Club: Circus Day - The Atomics (1956)
Recensione in evidenza
At The Lake With Mr. Duck & Dog
A Walt Disney DONALD DUCK Cartoon.
Donald hopes for a quiet day in his motorboat with Pluto, but PUT-PUT TROUBLES will soon put an end to that aspiration.
Fine animation and good gags highlight this little film, which was one of only a handful to team The Duck and The Pup. The exigencies of the plot, however, keeps them apart most of the time. Clarence "Ducky" Nash supplied Donald's unique voice.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
Donald hopes for a quiet day in his motorboat with Pluto, but PUT-PUT TROUBLES will soon put an end to that aspiration.
Fine animation and good gags highlight this little film, which was one of only a handful to team The Duck and The Pup. The exigencies of the plot, however, keeps them apart most of the time. Clarence "Ducky" Nash supplied Donald's unique voice.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
D’aiuto•03
- Ron Oliver
- 27 ott 2002
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Dettagli
- Tempo di esecuzione7 minuti
- Proporzioni
- 1.37 : 1
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By what name was Problemi Al Motore (1940) officially released in Canada in English?
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