Rightly suspected of illicit relations with the Masked Bandit, Flower Belle Lee is run out of Little Bend. On the train she meets con man Cuthbert J. Twillie and pretends to marry him for "...
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Larson E. Whipsnade runs a seedy circus which is perpetually in debt. His performers give him nothing but trouble, especially Edgar Bergen and Charlie McCarthy. Meanwhile, Whipsnade's son ... See full summary »
Edward F. Cline
Fields wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beat up for ogling a woman, and abused by a waitress. He becomes his niece's guardian when... See full summary »
Ruby Carter, the American Beauty queen of the night club-sporting world, shifts her operations from St. Louis to New Orleans (which kind of belies the Western genre designation), mostly to ... See full summary »
Rightly suspected of illicit relations with the Masked Bandit, Flower Belle Lee is run out of Little Bend. On the train she meets con man Cuthbert J. Twillie and pretends to marry him for "respectability." Arrived in Greasewood City with his unkissed bride, Twillie is named sheriff by town boss Jeff Badger...with an ulterior motive. Meanwhile, both stars inimitably display their specialties, as Twillie tends bar and plays cards, and Flower Belle tames the town's rowdy schoolboys...Written by
Rod Crawford <firstname.lastname@example.org>
W.C. Fields walked off the set over what director Edward F. Cline felt was a minor disagreement, but when it was clear after two weeks that he was not coming back to finish the film, nearly one-third was shot using a double. The double used is unknown. It could have been John Sinclair, who had doubled for him in Poppy (1936), or David Sharpe, who was his stunt double in later films. The double wore a plastic mask and most of the shots were long shots. See more »
When the 'train' stops to pick up the Fields character it consists of the locomotive only. The carriages then reappear in the next scene. See more »
[the masked bandit shoots a gun, forcing the stagecoach to stop]
Whoa, hup! Whoa!
Drop those guns.
[the driver and his partner throw their guns to the ground and put their hands up]
Everybody get out.
[the passengers leave the stagecoach]
Do not try anything and nobody will get hurt.
He said to come out, Miss Flower Belle.
Flower Belle Lee:
Well, I got nothing he wants.
I will be the judge of that. Come out, or I will have to kill all these nice people.
[...] See more »
The title, 'The End', is superimposed over Mae West's gluteus maximus as she walks away from the camera. See more »
It's a shame that West and Fields had such a dislike for each other. In their few scenes together you can see how incredible this film could've been. Their introduction on the train is a delight, with him slurping all over her "symmetrical digits" and she crooning "you're compromisin' me". Field's disguising himself as her lover the Masked Bandit and getting some lip action under false pretenses is hilarious. If only they could've spent so much more screen time with each other instead of focusing on their separate routines, this would be a major classic. As it is it is still great fun. And Fields' asides to Margaret Hamilton are priceless! "I hope she don't get too violent--I haven't strength enough to knock her down!"
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