Originally titled SKIP TRACER. this very entertaining, briskly paced comedy adventure features James Dunn, cast as Jimmy Parker, an agent for Skip Tracers, Ltd., who with his girl friend Mary (Dunn's real life wife Frances Gifford) find themselves embroiled in the midst of a burglary case concerning diamonds stolen from a movie star, bringing about their being arrested, shot at and chased by the thieves, yet finding opportunity to be wed and set up housekeeping, all during one frenetic day, thanks to a snappily penned script that neatly ties together disparate plot elements. A small budgeted production from producer Sigmund Newfield's PRC studio, the work is ably directed by his brother Sam, an old hand at such poverty row action pieces, assisted here as often by Holbrook Todd, editor, and cameraman Jack Greenhalgh who is accustomed to thinking quickly for this type of film, the trio joining to create smooth montage effects. That aspect of acting called "business", prominent from the 1930s into the 1950s, particularly in U.S. cinema, benefits this production, especially that employed by Dunn (who ad libs effectively) in conjunction with beautiful Gifford whose natural graces earn for the future star of serials the acting laurels here, although her native athleticism is sublimated for her role, while able turns are to be appreciated from Rita LaRoy, Paul Boyar and George Douglas as members of the gem thieving gang, and from Dave O'Brien as a skip tracer in competition with Parker. The DVD release from Alpha offers adequate sight and sound, with no extras.
11 Reviews
Sherman Scott Rings the Bell
JohnHowardReid1 July 2008
The accent is on comedy capers rather than mystery and noir in this remarkably involved yet fast-paced and light-hearted gangster yarn about stolen diamonds which a sleazy blonde has hidden in a cheap portable radio.
Although this movie was made right in the middle of a down cycle in James Dunn's remarkable up-and-down movie career (he would bounce back with a vengeance in 1945 when he won universal praise for his brilliant performance under Elia Kazan's tutelage in A Tree Grows in Brooklyn), it's quite an entertaining little offering, despite the actor's haggard appearance in some shots. It's also of interest to see the lovely Frances Gifford (Dunn's wife at the time) and a fine collection of support oddballs including Dave O'Brien and Rita La Roy.
For once, director Neufeld/Newfield (alias Sherman Scott here) has handled the proceedings with pace and even occasional flair, making deft use of a large number of real (if not particularly picturesque) L.A. locations. The director also manages the difficult feat of balancing many disparate plot elements in an extremely complicated screenplay so neatly and with such finesse that even a backward audience can always follow the plot.
Mind you, a farcical script that creates such a frantic fuss over a portable radio set that looks as if it's worth ten bucks at the most, is hardly believable. But with players like Dunn, Gifford, O'Brien and company, who cares?
Although this movie was made right in the middle of a down cycle in James Dunn's remarkable up-and-down movie career (he would bounce back with a vengeance in 1945 when he won universal praise for his brilliant performance under Elia Kazan's tutelage in A Tree Grows in Brooklyn), it's quite an entertaining little offering, despite the actor's haggard appearance in some shots. It's also of interest to see the lovely Frances Gifford (Dunn's wife at the time) and a fine collection of support oddballs including Dave O'Brien and Rita La Roy.
For once, director Neufeld/Newfield (alias Sherman Scott here) has handled the proceedings with pace and even occasional flair, making deft use of a large number of real (if not particularly picturesque) L.A. locations. The director also manages the difficult feat of balancing many disparate plot elements in an extremely complicated screenplay so neatly and with such finesse that even a backward audience can always follow the plot.
Mind you, a farcical script that creates such a frantic fuss over a portable radio set that looks as if it's worth ten bucks at the most, is hardly believable. But with players like Dunn, Gifford, O'Brien and company, who cares?
"OK Mastermind - you look and I'll laugh!!!"
kidboots2 April 2009
Warning: Spoilers
James Dunn was a complete actor. He could play anything from crime to comedy. He first came to public notice as Eddie Collins in "Bad Girl" (1931) - a tale of the ups and downs of a young married couple in New York. After a couple of other films with the beautiful Sally Eilers, he was then teamed with cute Claire Trevor in "Jimmie and Sally" (1933). After yet another pairing with Trevor in "Baby Takes a Bow" (1934) he was then teamed with the film's star - Shirley Temple. "Hold That Woman" (1940) was made during a time when he was down on his luck and battling the bottle. Even with all his problems he still makes the film completely enjoyable. His leading lady was the beautiful Frances Gifford, who was his wife at the time.
Jimmy Parker (James Dunn) is a "skip tracer" - a repossession agent. When he is given the job of repossessing a radio - things get complicated. The lady, Lulu Driscoll (Rita La Roy) refuses to relinquish it and everyone ends up at the police station. She has hidden some jewels that were stolen from a famous actress, in the back of the set. The famous actress, Corinne Hill (Anna Lisa) has problems of her own - she has just discovered that her fiancé is a thief and is mixed up in the robbery of her jewels.
When Jimmie goes back to retrieve the radio, he finds Lulu has moved and all her furniture, including the radio, has gone into storage. He goes to the warehouse but the radio is not there. In the meantime he has proposed to Mary (Frances Gifford) and they go to see a widow who is selling a houseful of furniture for a song. Needless to say she is pulling a "swifty" as all her furniture is due to be repossessed!!! Everyone heads to Marble Cliff Drive where Lulu is living, along with her radio and the jewels. Miles Hanover (Dave O'Brien), the skip - tracer's "golden haired boy", goes to the house to make a deal - if Lulu hands over the jewels to him, he will leave - no questions asked. He comes to a sticky end, much to Jimmie's amusement.
It was a very enjoyable film and Frances Gifford proved she was a talent sadly wasted. Recommended.
Jimmy Parker (James Dunn) is a "skip tracer" - a repossession agent. When he is given the job of repossessing a radio - things get complicated. The lady, Lulu Driscoll (Rita La Roy) refuses to relinquish it and everyone ends up at the police station. She has hidden some jewels that were stolen from a famous actress, in the back of the set. The famous actress, Corinne Hill (Anna Lisa) has problems of her own - she has just discovered that her fiancé is a thief and is mixed up in the robbery of her jewels.
When Jimmie goes back to retrieve the radio, he finds Lulu has moved and all her furniture, including the radio, has gone into storage. He goes to the warehouse but the radio is not there. In the meantime he has proposed to Mary (Frances Gifford) and they go to see a widow who is selling a houseful of furniture for a song. Needless to say she is pulling a "swifty" as all her furniture is due to be repossessed!!! Everyone heads to Marble Cliff Drive where Lulu is living, along with her radio and the jewels. Miles Hanover (Dave O'Brien), the skip - tracer's "golden haired boy", goes to the house to make a deal - if Lulu hands over the jewels to him, he will leave - no questions asked. He comes to a sticky end, much to Jimmie's amusement.
It was a very enjoyable film and Frances Gifford proved she was a talent sadly wasted. Recommended.
Slightly wacky crime comedy
csteidler18 October 2011
Hold That Woman introduces an awful lot of characters for a one hour movie—skip tracers, policemen, gangsters, a couple of jewel thieves, a movie starlet and a policeman's daughter. It's a bit much for a while, but the story finally brings them all together for the last fifteen minutes—one after another, alone and in groups, all of the characters wind up at the house where a certain much sought after radio has arrived.
What's with the radio? Well, it's not paid for .and also a girl crook has stashed some jewels in it that were stolen from a movie star who is unwittingly mixed up with another crook.
Enter James Dunn, repo man, and Frances Gifford, the girl who loves him. Dunn is working at tracking down said radio, but finds time during this particular work day not only to spend some time with lovely Gifford but to marry her, buy a house, and also purchase a houseful of used furniture and order it delivered.
It all really doesn't make much sense, but honestly, there's so much going on in this picture—and it's all presented so good-naturedly—that it would be overly picky to parse details in search of logical gaps. Suffice it to say that Dunn and Gifford look like they're having a good time and the rest of the cast do their best to keep up.
Funny line from early in the picture—mother to young son: "You know, if you don't get an education, you'll grow up to be a policeman, just like your father." (To which the son replies, "Well, then I won't do my homework at all!") –If you chuckle at that, then this movie is for you.
What's with the radio? Well, it's not paid for .and also a girl crook has stashed some jewels in it that were stolen from a movie star who is unwittingly mixed up with another crook.
Enter James Dunn, repo man, and Frances Gifford, the girl who loves him. Dunn is working at tracking down said radio, but finds time during this particular work day not only to spend some time with lovely Gifford but to marry her, buy a house, and also purchase a houseful of used furniture and order it delivered.
It all really doesn't make much sense, but honestly, there's so much going on in this picture—and it's all presented so good-naturedly—that it would be overly picky to parse details in search of logical gaps. Suffice it to say that Dunn and Gifford look like they're having a good time and the rest of the cast do their best to keep up.
Funny line from early in the picture—mother to young son: "You know, if you don't get an education, you'll grow up to be a policeman, just like your father." (To which the son replies, "Well, then I won't do my homework at all!") –If you chuckle at that, then this movie is for you.
"You better stop playin' squirrelly, you might pick the wrong tree some time."
classicsoncall17 March 2012
Warning: Spoilers
I'm simply astounded by what used to pass for movie entertainment back in the Thirties and Forties. In this one for example, the picture's leading man (James Dunn) marries his girlfriend (Frances Gifford), buys a house, and fills it with furniture that will wind up being repossessed by the company he himself works for - Skip Tracers Ltd. Not only that, he solves the case he started working on that same day, the recovery of some jewels that were stolen from a glamorous movie star. And are you ready for this - it all happens in the space of a single afternoon!
Oh well, can't be too critical. This was done more as a comedy than an actual crime drama, with the leading players an affable enough couple. However I couldn't wrap my mind around the idea that a pretty gal like Mary Mulvaney (Gifford) would ever go for a guy like Jimmy Parker (Dunn), and then I find out that the actors were actually married in real life! Sometimes you just can't account for taste.
Anyway, this is a fairly fast paced and frenetic story that's all over the place with car chases, stake-outs and other assorted hi-jinks before it's satisfactorily wrapped up by skip-tracer Parker. You have to keep an eye on that radio with the hidden jewels as the central plot element. When Jimmy recovers it from Lulu Driscoll (Rita La Roy) the first time, he unplugs it from the wall in her apartment only to be arrested by the time he makes it down the stairs of the building. By the end of the picture, the film makers dispensed with that little inconvenience; when Jimmy grabbed it near the end of the story, it didn't even have a cord!
Well I guess this didn't have to make too much sense as long as it was entertaining. Which it was for the most part if you don't think about it too much. Filmed by Poverty Row movie company PRC (Producers Releasing Corp.), I was intrigued by one of the opening credits that mentioned it was filmed using Western Electic's 'Noiseless Recording' process. Who would have thought?
Oh well, can't be too critical. This was done more as a comedy than an actual crime drama, with the leading players an affable enough couple. However I couldn't wrap my mind around the idea that a pretty gal like Mary Mulvaney (Gifford) would ever go for a guy like Jimmy Parker (Dunn), and then I find out that the actors were actually married in real life! Sometimes you just can't account for taste.
Anyway, this is a fairly fast paced and frenetic story that's all over the place with car chases, stake-outs and other assorted hi-jinks before it's satisfactorily wrapped up by skip-tracer Parker. You have to keep an eye on that radio with the hidden jewels as the central plot element. When Jimmy recovers it from Lulu Driscoll (Rita La Roy) the first time, he unplugs it from the wall in her apartment only to be arrested by the time he makes it down the stairs of the building. By the end of the picture, the film makers dispensed with that little inconvenience; when Jimmy grabbed it near the end of the story, it didn't even have a cord!
Well I guess this didn't have to make too much sense as long as it was entertaining. Which it was for the most part if you don't think about it too much. Filmed by Poverty Row movie company PRC (Producers Releasing Corp.), I was intrigued by one of the opening credits that mentioned it was filmed using Western Electic's 'Noiseless Recording' process. Who would have thought?
A Repo-Man
bkoganbing26 February 2017
I think that for today's audiences a little clarification is needed as far as terms used. James Dunn is described as 'skip tracer'. He is most definitely not someone who goes after dangerous criminals who break bail. Today what Dunn does would be better described as a Repo-Man. He just takes items bought on credit that buyers are late in paying for.
He's in some trouble at work because Dave O'Brien is the fairhaired boy of the boss because he repossesses more than the rest. And Dunn also is having woman trouble, his potential father-in-law who is a cop doesn't think he's the right sort for his daughter Frances Gifford.
But in a light and breezy paced comedy/drama Dunn gets himself an assignment to repossess a radio from Rita LeRoy who happened to stash some stolen jewels in it. She's the brains behind the mob and she's plenty smart and no one to mess with.
Dunn did this one for poverty row PRC Pictures and considering what a no frills outfit they were this one is pretty good.
He's in some trouble at work because Dave O'Brien is the fairhaired boy of the boss because he repossesses more than the rest. And Dunn also is having woman trouble, his potential father-in-law who is a cop doesn't think he's the right sort for his daughter Frances Gifford.
But in a light and breezy paced comedy/drama Dunn gets himself an assignment to repossess a radio from Rita LeRoy who happened to stash some stolen jewels in it. She's the brains behind the mob and she's plenty smart and no one to mess with.
Dunn did this one for poverty row PRC Pictures and considering what a no frills outfit they were this one is pretty good.
A lot better than I expected
planktonrules17 January 2016
In "Hold That Woman!" you hear the term 'skip-tracer' a lot and because it's such a seldom used term, it would be best if I explain it before getting to the review. Like the words say, this is a person that looks for someone who has skipped out of town and is in hiding. The skip-tracer can be doing this for a variety of reasons, such as bounty hunting, process serving (court notices) and, in the case of this movie, it's someone who is looking to repossess items for which the owners did not finish making payments. Making such a person the hero in your story is a bit odd to say the least.
The skip-tracer in this film is Jimmy Parker (James Dunn). When out collecting a radio from a very unpleasant woman, he gets himself into trouble by breaking into her apartment. Sure, she's a crook but legally you cannot just break in to repossess the radio. The lady is very indignant and insists on pressing charges against him. But this is a ruse...she doesn't want him to have the radio because there is something hidden inside and she cannot let him have it. What is it and who else is looking for the radio?
This film was made by tiny little PRC Studio--one of the crappier small-time outfits of the day. Most of their films are very forgettable--with lousy stories, directing and acting. Here, however, PRC actually created, accidentally, a decent movie which still contained a few of the usual clichés (such as the leading guy who knows MUCH more than the dopey cops). Overall, this is a mildly entertaining mystery movie--with both a bit of comedy and some gritty violence (I like the drill sequence).
The skip-tracer in this film is Jimmy Parker (James Dunn). When out collecting a radio from a very unpleasant woman, he gets himself into trouble by breaking into her apartment. Sure, she's a crook but legally you cannot just break in to repossess the radio. The lady is very indignant and insists on pressing charges against him. But this is a ruse...she doesn't want him to have the radio because there is something hidden inside and she cannot let him have it. What is it and who else is looking for the radio?
This film was made by tiny little PRC Studio--one of the crappier small-time outfits of the day. Most of their films are very forgettable--with lousy stories, directing and acting. Here, however, PRC actually created, accidentally, a decent movie which still contained a few of the usual clichés (such as the leading guy who knows MUCH more than the dopey cops). Overall, this is a mildly entertaining mystery movie--with both a bit of comedy and some gritty violence (I like the drill sequence).
No One Is Stopping You
boblipton13 October 2019
James Dunn is a skip tracer; today we'd call him a repo man. He's also engaged to Frances Gifford. He's trying to repossess a radio from Rita La Roy. What he doesn't know is she's part of a gang who have stolen movie star Anna Lisa's jewels. She's hired his firm to recover them, and is willing to pay extra for no police involvement and no publicity. The jewels have been hidden in the radio Dunn is trying to repossess.
It's a comedy, but a fairly weak one, carried only on Dunn's energy and his chemistry with Miss Gifford; they were in the middle of a four-year marriage, so there's some energy there, but also some insecurity. Although she had been getting some minor roles in major pictures, but this was her first lead, and it was for PRC, so there was no time spent trying to get better takes by director Sam Newfield.
It's a comedy, but a fairly weak one, carried only on Dunn's energy and his chemistry with Miss Gifford; they were in the middle of a four-year marriage, so there's some energy there, but also some insecurity. Although she had been getting some minor roles in major pictures, but this was her first lead, and it was for PRC, so there was no time spent trying to get better takes by director Sam Newfield.
Busy afternoon for a repo man
Paularoc14 April 2015
Warning: Spoilers
Jimmie Parker, an easy going, affable, likable guy is just not very good at his job as a skip tracer. Skip tracers either get the cash owed on a product or repossess the product and return it to the store. Parker's completion rate is very low and he is in danger of losing his job. His boss likes to point out how very good Miles Hanover (Dave O'Brien) is as a skip tracer. Given how smug and smarmy Hanover is, the audience can eagerly anticipate his being given his comeuppance by Jimmy. In addition to being a nice guy, Jimmy also has incredible good luck. In one afternoon he gets married to a beautiful woman (who is fortunately also easy going), buys a house, buys furniture, moves into the house, catches jewel thieves and helps a colleague repossess a car. There are a couple of snags along the way like getting arrested and buying the furniture from a crooked old lady who sold it (cheap) to Jimmy right before the skip tracers came for it. Somehow this convoluted plot works and is actually entertaining and a pleasant way to spend an hour.
Hokey crime comedy caper is better than it sounds!
mark.waltz7 December 2019
Warning: Spoilers
The studio known as "Pretty Rotten Cinema" had a few surprises in its short shelf life with a couple of film noir that are now considered classics and a few comedy gems. Like the longer lasting Monogram, it utilized actors past their prime, and in the case of James Dunn (a major Fox star from the early 1930's), during a period when poverty row Hollywood was the only part of the industry who would hire him. But that would change within a few years with an amazing "return" in "A Tree Grows in Brooklyn", and Oscar glory changed all that.
This above average crime caper with a lot of comedy stars Dunn as a collections agent whose run-in with Anna Lisa over an unpaid radio bill leads him to become involved in breaking up a den of jewel thieves. Girlfriend Frances Gifford becomes involved simply because she was waiting for him at the time he had his incident with Lisa (resulting in their arrest), and this leads to a complex series of events that also involves movie star Rita LaRoy (another forgotten star from the early 1930's) and some pretty reprehensible mobsters.
A scene involving someone being threatened with an electric drill is pretty frightening, but thanks to the interaction between Dunn, Gifford and her squabbling family, it's basically a Iight hearted romp around L.A. that will keep the audience enthralled. A closing chase sequence brings everything to a swift and satisfying conclusion that is aided by a decent script, tight photography and memorable performances. I could easily see this as a series of "B's" involving the two leads and of course more of Gifford's whack-a-doodle family.
This above average crime caper with a lot of comedy stars Dunn as a collections agent whose run-in with Anna Lisa over an unpaid radio bill leads him to become involved in breaking up a den of jewel thieves. Girlfriend Frances Gifford becomes involved simply because she was waiting for him at the time he had his incident with Lisa (resulting in their arrest), and this leads to a complex series of events that also involves movie star Rita LaRoy (another forgotten star from the early 1930's) and some pretty reprehensible mobsters.
A scene involving someone being threatened with an electric drill is pretty frightening, but thanks to the interaction between Dunn, Gifford and her squabbling family, it's basically a Iight hearted romp around L.A. that will keep the audience enthralled. A closing chase sequence brings everything to a swift and satisfying conclusion that is aided by a decent script, tight photography and memorable performances. I could easily see this as a series of "B's" involving the two leads and of course more of Gifford's whack-a-doodle family.
Where's My Radio
dougdoepke16 May 2021
Lively PRC action flick revolving around stolen jewels and two skip-tracing agents trying to recover a portable radio, of all things. All in all, it's a light touch all the way through, as much for amusement as suspense. I guess you have to be a geezer like me to recall how important radios were back in the movie's 1940's. Instead of families splitting up into cell phone users or computer live-streaming, folks gathered around radios for evening entertainment. It was good for the imagination if not for spectacle.
Lead actor Dunn really bounces around, maybe too much, while trying to recover the modest radio after the owner's non-payment. Plus, he's got to compete with premier skip-tracer Dave O'Brien who's on break from his usual six-guns and saddles. Then too why are gangsters so interested in getting hold of that same radio, come heck or high water. There has to be something special about it, but what?
Up to then, I'd never heard of 'skip-tracers' but now I know they're agents privately employed to track down deadbeats. Anyway, the plot's pretty crowded so you may need a scorecard to keep track. Nonetheless, the pacing never drags, along with a delightful Frances Gifford as Dunn's sweetie. All in all, the hour amounts to another slice of easy entertainment, B-movie style, without being anything special.
Lead actor Dunn really bounces around, maybe too much, while trying to recover the modest radio after the owner's non-payment. Plus, he's got to compete with premier skip-tracer Dave O'Brien who's on break from his usual six-guns and saddles. Then too why are gangsters so interested in getting hold of that same radio, come heck or high water. There has to be something special about it, but what?
Up to then, I'd never heard of 'skip-tracers' but now I know they're agents privately employed to track down deadbeats. Anyway, the plot's pretty crowded so you may need a scorecard to keep track. Nonetheless, the pacing never drags, along with a delightful Frances Gifford as Dunn's sweetie. All in all, the hour amounts to another slice of easy entertainment, B-movie style, without being anything special.
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