The Runeberg family is an ordinary middle class family, with a house in a suburb, a car and three children. By vacationing in a rented house by the sea, the hope is that the tension and ... See full summary »
Lincoln, who's not yet 18, leads a straight life most of the time: he has a girl friend, goes to dances, jokes with guys. But he also has a secret life, in which he's drawn to dark places ... See full summary »
The tempestuous love story between Fernando, an older man who has recently returned to his crime-ridden drug capitol hometown of Medellin, Colombia and the gun-happy 16-year-old assassin ... See full summary »
Juan David Restrepo
In Paris around 1900, Georges Randal is brought up by his wealthy uncle, who steals his inheritance. Georges hopes to marry his cousin Charlotte, but his uncle arranges for her to marry a ... See full summary »
They go from town to town, a big top on their backs, their show over their shoulder. They bring dreams and disorder to our lives. They are ogres, giants. They've devoured the theater and ... See full summary »
Having been away for four months, Hildy Johnson walks into the offices of the New York City based The Morning Post, where she is a star reporter, to tell her boss, editor Walter Burns, that she is quitting. The reason for her absence was among other things to get a Reno divorce, from, of all people, Walter, who admits he was a bad husband. Hildy divorced Walter largely because she wanted more of a home life, whereas Walter saw her more as a driven hard-boiled reporter than subservient homemaker. Hildy has also come to tell Walter that she is taking the afternoon train to Albany, where she will be getting married tomorrow to staid straight-laced insurance agent, Bruce Baldwin, with whose mother they will live, at least for the first year. Walter doesn't want to lose Hildy, either as a reporter or a wife, and if he does, doesn't believe Bruce is worthy of her. Walter does whatever he can at least to delay Hildy and Bruce's trip, long enough to persuade Hildy to stay for good. His plan ...Written by
Rosalind Russell thought, while shooting, that she didn't have as many good lines as Cary Grant had, so she hired an advertisement writer through her brother-in-law and had him write more clever lines for the dialog. Since Howard Hawks allowed for spontaneity and ad-libbing, he, and many of the cast and crew didn't notice it, but Grant knew she was up to something, leading him to greet her every morning: "What have you got today?" See more »
When Hildy lights her cigarette in the restaurant, she takes it out of her mouth and waves out the match. There is a an instant cut to over her shoulder and the cigarette is in her mouth again. See more »
[speaking into a phone]
Here's the situation on the eve on the hanging.
[listening, picks up his phone]
This is Murphy. More slop on the hanging.
A double guard has been thrown around the jail, municipal buildings, railroad terminals and elevated stations to prepare for the expected uprising of radicals at the hour of execution.
Ready? The sheriff has just put 200 more relatives on the payroll to protect the city from the Red Army, which is leaving Moscow in a couple of minutes.
Trouble is, when ...
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Opening credits are shown over a newspaper background. See more »
Every good thing you've heard about this movie is true. It may very well be the fastest paced movie I've ever seen. Jerry Bruckheimer's most hyperbolic action movie ain't got nothing' on this one.
Cary Grant and Rosalind Russell were a brilliant screen pair (indeed, it seems that no one was bad casting when paired with Cary Grant) as rival reporters in a furiously paced news office. Russell is the odd man, or should I say odd girl, out, due to her lack of a penis, but she proves herself more than capable of holding her own with the boys.
Russell charges across the screen and never loses momentum for a second. She's goofy, sexy and hysterical. The funniest moment in the film comes when she's chasing a man down the street (I won't go into details) and dive tackles him to the ground.
One of the first films from the 40s and a highlight of the decade.
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