Eine Collage aus animierten Interpretationen klassischer westlicher Musik.Eine Collage aus animierten Interpretationen klassischer westlicher Musik.Eine Collage aus animierten Interpretationen klassischer westlicher Musik.
- Auszeichnungen
- 8 Gewinne & 1 Nominierung
Corey Burton
- Narrator: Deems Taylor overdubs (2000 restoration)
- (Synchronisation)
- (Nicht genannt)
Walt Disney
- Mickey Mouse (segment 'The Sorcerer's Apprentice')
- (Synchronisation)
- (Nicht genannt)
Hugh Douglas
- Narrator (1982 version)
- (Synchronisation)
- (Nicht genannt)
James MacDonald
- Percussionist
- (Nicht genannt)
Tim Matheson
- Narrator (1985 version)
- (Synchronisation)
- (Nicht genannt)
Julietta Novis
- Soloist (segment 'Ave Maria')
- (Gesang)
- (Nicht genannt)
Paul J. Smith
- Violinist
- (Nicht genannt)
- Regie
- James Algar(segment The Sorcerer's Apprentice) (Nicht genannt)
- Samuel Armstrong(segments Toccata and Fugue in D Minor, The Nutcracker Suite) (Nicht genannt)
- Ford Beebe Jr.(segment The Pastoral Symphony) (Nicht genannt)
- Drehbuch
- Joe Grant
- Dick Huemer
- Lee Blair(segment Toccata and Fugue in D Minor)
- Komplette Besetzung und alle Crew-Mitglieder
- Produktion, Einspielergebnisse & mehr bei IMDbPro
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe animators secretly modeled elements of the Sorcerer in "The Sorcerer's Apprentice" on their boss, Walt Disney. The raised eyebrow was regarded as a dead giveaway. They call the character Yen Sid, which is "Disney" spelled backwards.
- PatzerIn the full-length introduction to the "Nutcracker Suite", heard only in the roadshow version of "Fantasia", Deems Taylor states that this music is from a longer ballet called "The Nutcracker" and "nobody performs it nowadays". The full-length "Nutcracker" had not been performed in the U.S. yet in 1940, but in both Russia and England it had been staged in 1934, and had already been staged in Russia twice before that, in 1892 and 1919. However, although the "Nutcracker Suite" was immensely popular even in 1940, the full-length ballet was still a long way off from becoming the annual phenomenon it now is in the United States.
- Zitate
Mickey Mouse: [Pulling on Stokowski's coat] Mr. Stokowski! Mr. Stokowski!
[Mickey whistles to get Stokowski's attention]
Mickey Mouse: My congratulations, sir!
Leopold Stokowski: [shaking hands with Mickey] Congratulations to you, Mickey!
Mickey Mouse: Gee, thanks! Hehe! Well, so long! I'll be seeing ya!
Leopold Stokowski: Goodbye!
- Crazy CreditsThere are no closing credits of any kind. Not even the words "THE END" appear on the screen.
- Alternative VersionenBefore the 1990 re-release, the film was shown with no credits other than the title and the RKO logo. Leopold Stokowski received a written credit only on the posters advertising the film. In the film's original roadshow release, not even the title was shown at the beginning of the film - that was saved for the intermission break.
- VerbindungenEdited into A World Is Born (1955)
- SoundtracksToccata and Fugue in D Minor, BWV 565
Composed by Johann Sebastian Bach
Orchestrated by Leopold Stokowski (uncredited)
Played by The Philadelphia Orchestra
Conducted by Leopold Stokowski
Ausgewählte Rezension
A Truly Unique Experience
This is one of the truly rare, one of a kind movie going experiences, kind of in the same league as watching 2001: A Space Odyssey. I like to watch this film repeatedly; often times I'll just close my eyes and daydream, letting my own imagination go in place of whats on the screen. My favorite part is the opening sequence, with its dramatic music and free flowing imagery foreshadowing the state of the world in 1940. The end of Ave Maria is the perfect bookend to this masterpiece; death has withdrawn and peace has finally arrived. It would, but not for another five years and millions of lives. I can never watch this movie without seeing it in this context; for me its a work of art, both a part and ahead of its time.
hilfreich•7210
- JoshyR
- 26. Dez. 1999
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Bach to Stravinsky and Bach
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 2.280.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 76.408.097 $
- Eröffnungswochenende in den USA und in Kanada
- 980.798 $
- 10. Feb. 1985
- Weltweiter Bruttoertrag
- 76.411.819 $
- Laufzeit2 Stunden 4 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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