Naive and idealistic Jefferson Smith, leader of the Boy Rangers, is appointed on a lark by the spineless governor of his state. He is reunited with the state's senior senator--presidential hopeful and childhood hero, Senator Joseph Paine. In Washington, however, Smith discovers many of the shortcomings of the political process as his earnest goal of a national boys' camp leads to a conflict with the state political boss, Jim Taylor. Taylor first tries to corrupt Smith and then later attempts to destroy Smith through a scandal.Written by
James Yu <email@example.com>
James Stewart knew this was the role of a lifetime, one that could place him near the top of the Hollywood heap. Jean Arthur later remembered his mood at the time: "He was so serious when he was working on that picture, he used to get up at five o'clock in the morning and drive himself to the studio. He was so terrified something was going to happen to him, he wouldn't go faster." See more »
(at around 30 mins) Twice, Saunders says that Jefferson Smith is going to go "up" to Mt. Vernon, the home of George Washington. Mt. Vernon is approximately 15 miles south of the Capitol in Washington [you can check that using Google maps], and is right on the Potomac River downstream from Washington, so it is not "up" in a north-south sense nor in the sense of elevation. The script should have had Saunders saying that Smith was going "down" to Mt. Vernon, which is how anyone living or working in Washington would have put it. See more »
Senator Joseph Paine:
He can raise public opinion against us - if any part of this sticks...
Aah, he'll never get started. I'll make public opinion out there within five hours! I've done it all my life. I'll blacken this punk so that he'll - You leave public opinion to me. Now, Joe, I think you'd better go back into the Senate and keep those Senators lined up.
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O Bury Me Not On the Lone Prairie
Traditional cowboy song
In the score when Smith and Paine reminisce, and later when Smith is at the Lincoln Memorial at night See more »
Capra & Stewart Make It Work Very Well
Frank Capra and James Stewart were nearly unsurpassed at the task of taking the kind of story that is optimistic but that borders on being trite, and making it into a satisfying, worthwhile movie. In "Mr. Smith Goes To Washington", they accomplish this with a little help from Jean Arthur, Claude Rains, and Edward Arnold. It's not quite on the level of "It's a Wonderful Life", but it is as good as almost anything else of its kind.
Stewart's performance is important right from the beginning - hardly anyone else could have been believable as the earnest unknown who suddenly becomes an important political figure. Even his wide-eyed appreciation for what he sees in Washington comes across believably. As the story gets more complicated and his character is developed further, Stewart is even better.
The secondary characters are also important, because the story itself is a rather stylized, though still worthwhile, statement about politics. The characters are more believable than are many of the plot developments. Rains contributes a lot as Stewart's troubled colleague, and Jean Arthur is a natural for this kind of role. Arnold plays his devious character well. Capra holds it all together with his craftsmanship, keeping the story on track and getting the most out of the situation.
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