A simple, small town man inherits a massive fortune, making him the target for scammers and publicity-seekers. Overwhelmed by the turn his life has taken, and awoken to another use for his new-found fortune, he makes a momentous decision.
After settling his differences with a Japanese P.O.W. camp commander, a British Colonel co-operates to oversee his men's construction of a railway bridge for their captors, while oblivious to a plan by the Allies to destroy it.
Naive and idealistic Jefferson Smith, leader of the Boy Rangers, is appointed on a lark by the spineless governor of his state. He is reunited with the state's senior senator--presidential hopeful and childhood hero, Senator Joseph Paine. In Washington, however, Smith discovers many of the shortcomings of the political process as his earnest goal of a national boys' camp leads to a conflict with the state political boss, Jim Taylor. Taylor first tries to corrupt Smith and then later attempts to destroy Smith through a scandal.Written by
James Yu <firstname.lastname@example.org>
Frank Capra and his crew went to Washington, DC, to film background material and to study the Senate chamber, which was replicated, full scale, in precise detail on the Columbia lot. James D. Preston, who was Capra's technical advisor for the Senate set and political protocol, was a former superintendent of the Senate press gallery. See more »
(at around 21 mins) In the montage as Jeff Smith wanders off after arriving in Washington, we see the display of the Declaration of Independence at the National Archives, and then supposedly a close-up of the document - only the "S"'s are written in modern style script and don't look like "F"'s as in the original document. See more »
Boy, you should have been there!
I know, it was a wonderful party, and your suit went over big, and she looked beautiful, and when you left she said, "Thank you, Mr. Smith," but it was the way she said it, you nearly fell through the floor. Horseradish!
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It works in a way no other movie could, THERE IS PROOF
Now, I must admit that this is one of my top five favorite films. There is a warmth, idealism, and kinda simple feeling of hope, that makes one believe that things will work out in the end. Capra knew exactly what he wanted, and it shines. Jimmy Stewart, in the role of his life, makes us believe, what we know is almost impossible in todays crass world.
Claude Rains is incredible as Senator Smith's evil mentor. Jean Arthur, as his confidant, plays the part so well,that we just want her to save the day.
The final scene, where the filibuster is taking place, is among the greatest ever made.
BUT THE PROOF, YOU ASK?
In the early 80s, I showed this film, over three days, to a group of 15 year old inner city teenagers. I taught Political Science in a very difficult school in Chicago. It was a new class, and not all of the "best" students took it.
I decided to show this film at the end of the year, just to see how long I could keep the students attention. I didn't expect much. Fifteen is a very tough age to keep any kind of attention span, and it was at the end of the day, 2:30 -3:15 pm. which made things worse. As the film began, there was rustling in the seats, boredom, that famous oh what a waste of time look...Mind you, this is 43 year old film, about a white Senator, in those "old" days, and being shown to a totally Afro-American crowd of 15 year olds, late in the day, (over a three day period, which meant the students would have to wait till the next day to see what was going on. ..By the end of the third day, Capra had worked his magic, and the entire class was spellbound by this film. They were there till the very end, and you could see how much they enjoyed seeing a film, that they wouldn't have looked at in a thousand years..Comments were wonderful. Any film that could accomplish this, more than 40 years after its conception, to a crowd that no one would believe would have any interest in, deserves to be truly called a "great film."
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