The story of Andre Menard, a promising young amateur boxer from an impoverished background who is mentored by former pro Victor Le Garrec, and whose career path takes a nosedive when he falls for the wealthy Corinne.
A young couple, Renee and Pierre, take one night a room at the Hotel du Nord, in Paris, near the canal Saint-Martin. They want to die together, but after having shooted at Renee, Pierre ... See full summary »
A wanted gangster is both king and prisoner of the Casbah. He is protected from arrest by his friends, but is torn by his desire for freedom outside. A visiting Parisian beauty may just tempt his fate.
Francois, a sympathetic factory worker, kills Valentin with a gun. He locked himself in his furnished room and starts remembering how he was led to murder. He met once Francoise, a young fleurist, and they fell in love. But Francoise was gotten round by Valentin, a dog trainer, a machiavellian guy...Written by
This film was released in June 1939, only a year before France's surrender to the Nazis, who subsequently occupied the country. Although this film has no overt political content, according to film scholar Roy Armes, the scene in which the crowd on the street below expresses solidarity with the trapped François - which he rejects, shouting that he only wants to be left alone - reflected the political despair of the period, "a chilling epilogue to a brief period which had opened with the enthusiasms aroused by the Popular Front." [French Cinema, Oxford University Press, 1985, p. 102] In validation of this view, the government of Vichy (unoccupied France) shortly afterwards banned the film as "demoralizing," as if it had been partly responsible for France's defeat. See more »
You're the type women fall in love with . . . I'm the type that interests them.
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the main setting of "le Jour Se Leve" is the top floor of a french apartment. the film opens with Jean Gabin character Francois - a factory worker- killing a dog trainer named Valentin who we find out (as the story unravels itself) was "involved" with his girl. Francois then barricades himself from the police, and the reason for the death of Valentin is told in simple sets of flashbacks that Gabin remembers between cigarettes as he decides what his next move will be. the story is simple and delicate in manner and substance but nonetheless the director/writer team Marcel Carne and Jacques Prevert succeed in turning the realistic (and sometimes edgy) conversations, movements and places into poetry. and in response to an earlier review, the simplicity of the flashbacks, is what makes the movie so intriguing. instead of relying on a heavy plot that might challenge audience, Prevert and Carne decide to put great detail into a simple tale about a sentimental man who is torn to ruin by a contemptuous and Machiavellian man.
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