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5/10
For Joe E. Brown Fans
boblipton24 March 2024
Bank robber Stanley Fields has soda jerk Joe E. Brown drive him to a nearby abandoned hotel, then is caught and killed. From all around the nation, criminal gangs converge on the hotel, which is now owned and run by Jane Wyman and her aunt Alison Skipworth, Brown and Miss Wyman are sweet on each other, but when Lyda Roberti puts the moves on Brown, and the crooks start breaking up the hotel searching for the loot, sheriff Sidney Toler arrests Brown.

It's one of the Joe E. Brown movies produced by David Loew after he lured him away from Warners with offers of really big money. While the outline of the story is good, and Brown gets to do a lot of his shtick, it lacks much in the way of good lines, although Lucien Littlefield as Brown's boss gets one or two. With Alan Baxter, Berton Churchill, and Barbara Pepper.
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4/10
It's okay, but where are the laughs?!
planktonrules18 April 2011
Warning: Spoilers
During the early to mid-1930s, Joe E. Brown was a hot commodity at Warner Brothers. He was a top start and he commanded top money to make a long string of agreeable comedies. However, in a bone-headed career move, Brown was convinced to sign with tiny David Loew Productions and his career was in a tailspin. I've seen four of the six Loew films with Brown and most of them are adequate but no more--the best of which was the first, "When's Your Birthday?". The final two, this film and "The Gladiator" are on the same disk.

Despite the unimpressive pedigree (Loew only made these six films), the film does feature a few interesting supporting characters. First and foremost, Jane Wyman co-stars in this one (before she gained fame at Warner). You've also got Sidney Toler (later to play Charlie Chan in a bunch of films), Berton Churchill (a great character actor known for his blustering rich-guy characters) and Barbara Pepper (a name you probably won't recognize though she later played Mrs. Zipfel on "Green Acres"). So, at least Brown had some good support--other than the inexplicably cast Lyda Roberti (whose presence in any film is cause to question the sanity of Hollywood, as she could barely speak English).

I as VERY concerned with the long, long list of writers for the film. Usually would indicate a film that has a poor script--one that needed a lot of re-writes. Well, we'll see....

The movie begins with Brown playing Wilbur Meeks--a rather typical character for him because Meeks is a bit of a blow-hard. You see, after a big-name wanted criminal is apprehended, Meeks takes credit for his--even though he really is just a boob who just happened to be in the right place at the time. As a result of his dumb luck, he becomes fat-headed and brags about his supposed part in all this--so much so that the gangsters friends wonder if perhaps Brown knows something about the hidden loot.

In the meantime, Wyman and her aunt move into the abandoned mansion where the mobster was headed. He was going to look for SOMETHING there. It's pretty much a cinch that sooner or later the gang will show. And, when they do, the home has been turned into an inn and so the crooks pose as guests. And before long, they are chasing Wyman and Brown. Can they...blah...blah...blah....

The bottom line is that this is a decent enough film but they forgot that it was supposed to be a comedy--though Toler's character is MILDLY amusing. If you ignore the lack of comedy, then it's an adequate movie---and nothing more--due to a poor script.
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4/10
Gets my stamp of approval right out of the center.
mark.waltz7 January 2021
Warning: Spoilers
Wide mouthed comic Joe E. Brown had two archetypes of characters he portrayed: a shy milquetoast who would suddenly find himself thrust into some sort of limelight and drastically change, or a bit of a braggart who bites on to more than he can chew and that's what he plays here.

He's a small town soda jerk who by chance is only slightly involved in the arrest of a dangerous public enemy (Stanley Fields) who has planted bank robbery money in an abandoned hotel which is suddenly taken over by the heirs (Alison Skipworth and Jane Wyman).

Brown, helping Wyman and the imperious Skipworth get the hotel up and running, is surprised when it is in immediate smash, not realizing that crooks from all over the country are heading there to try and find the loot. Gangster molls Lyda Roberti and Barbara Pepper make plays for him in hopes of getting the into which gets him into trouble with Roberti's boyfriend, Alan Baxter.

The fun starts when Brown's antics exposes Fields and continues when he is able to escape from a pair of handcuffs that sheriff Sidney Toler (a far cry from Charlie Chan) puts on him with Toler getting stuck in them later. Skipworth demands a single three cent stamp (right in the middle of a sheet) which establishes her over the top characterization.

Pretty much for Brown fans only who are used to his dated style of comedy through the series of Warner Brothers programmers Jr made in the 30's before going independent through low budget films at RKO and Columbia. This is an early lead for Wyman, a far cry from her later dramatic roles and of course "Falcon Crest". The car chase sequence (which ends up with Brown and Wyman on a hand cart on a railroad track and on a motor boat) is the highlight. Lots of fun to be had if you can get past the groans.
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