Bringing Up Baby (1938)

While trying to secure a $1 million donation for his museum, a befuddled paleontologist is pursued by a flighty and often irritating heiress and her pet leopard, Baby.

Director:

Howard Hawks

Writers:

Dudley Nichols (screen play), Hagar Wilde (screen play)

Stars:

Katharine Hepburn, Cary Grant, Charles Ruggles

2 wins.

Cast

Complete credited cast:
Katharine Hepburn	...	Susan
Cary Grant	...	David
Charles Ruggles	...	Major Applegate (as Charlie Ruggles)
Walter Catlett	...	Slocum
Barry Fitzgerald	...	Mr. Gogarty
May Robson	...	Aunt Elizabeth
Fritz Feld	...	Dr. Lehman
Leona Roberts	...	Mrs. Gogarty
George Irving	...	Mr. Peabody
Tala Birell	...	Mrs. Lehman
Virginia Walker	...	Alice Swallow
John Kelly	...	Elmer

Storyline

Mild mannered zoology professor Dr. David Huxley is excited by the news that an intercostal clavicle bone has been found to complete his brontosaurus skeleton, a project four years in the construction. He is equally excited about his imminent marriage to his assistant, the officious Alice Swallow, who is interested in him more for his work than for him as a person. David needs the $1 million endowment of wealthy dowager Mrs. Carleton Random to complete the project. Her lawyer, Alexander Peabody, will make the decision on her behalf, so David needs to get in his favor. However, whenever David tries to make a good impression on Peabody, the same young woman always seems to do something to make him look bad. She is the flighty heiress Susan Vance. The more David wants Susan to go away, the more Susan seems not to want or be able to. But David eventually learns that Alexander Peabody is her good friend, who she calls Boopy, and Susan's Aunt Elizabeth, with whom David has also made a bad ...

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Plot Keywords:

leopard | male female relationship | sheriff | illegal parking | top hat | 

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Taglines:

And so begins the hilarious adventure of Professor David Huxley and Miss Susan Vance, a flutter-brained vixen with love in her heart! [Theatrical trailer.]

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Genres:

Comedy | Family | Romance

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Certificate:

Not Rated

Details

Country:

USA

Language:

English

Release Date:

18 February 1938 (USA)

Also Known As:

Leoparden küßt man nicht

Filming Locations:

RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, California, USA

Box Office

Budget:

$1,073,000 (estimated)

Cumulative Worldwide Gross:

$11,180

Company Credits

Production Co:

RKO Radio Pictures

Technical Specs

Runtime:

102 min

Sound Mix:

Mono (RCA Victor System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

The impressive optical effects are discussed in detail in Hollywood the Golden Years: The RKO Story (1987). There is a very informative interview with Linwood G. Dunn who worked (uncredited) on the visual effects for this film. He explains the traveling split screens and points out some visual effects goofs that "got by". Included is surviving footage of the stand-ins for Cary Grant and Katharine Hepburn's in a camera test of the two driving with the leopard in the back.

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Goofs

When Susan is in her apartment and tells David she thinks he's "found a real friend" in Baby, a wire briefly falls into the view of the mirror in the background.

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Quotes

[first lines]
Prof. LaTouche: Good morning, Miss Swallow.
Alice Swallow: Shh.
Prof. LaTouche: Why what's the matter ?
Alice Swallow: Doctor Huxley is thinking.

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Alternate Versions

Also available in a colorized version for television airings.

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Connections

Referenced in Who Wants to Be a Millionaire: Million Dollar Movie Week 5 (2010)

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Soundtracks

Dixie
(uncredited)
Music by Daniel Decatur Emmett
[Heard in the background during the parade/butcher shop scene.]

User Reviews

Classic Screwball Comedy

Maybe the prototypical example of the breed, in fact. Zoologist Grant (we'd call him a paleontologist nowadays) goes to a golf course to try to wrangle money out of a potential donor: along the way he meets up with Katherine Hepburn, and they have all sorts of wacky misadventures.

Grant's great, though it's not a typical role for him -- he's uptight, buttoned down, smothered. He's clearly the superego character, straitlaced and repressed and anti-life (it's no accident he works with bones). Hepburn was never lovelier than she was here -- she's the id character, all action and movement. There's a dedicated minority of people who hate this movie, mostly I think because they see the things Hepburn's character does as cruel. That's the point. Hepburn's not supposed to be nice -- she's id. We laugh partly because Grant needs to be loosened up, but partly because some of Hepburn's actions are shocking. Ideally, we should be in the same position as Grant in the movie: half-attracted, half-afraid.

Great "rat-a-tat" dialog in the classic Hollywood tradition. I can't think of many screenwriters today who could deliver such dialog. Highly recommended, one of the great Hollywood comedies.