When Cinderella's cruel stepmother prevents her from attending the Royal Ball, she gets some unexpected help from the lovable mice Gus and Jaq, and from her Fairy Godmother.
After being snubbed by the royal family, a malevolent fairy places a curse on a princess which only a prince can break, along with the help of three good fairies.
When a litter of Dalmatian puppies are abducted by the minions of Cruella de Vil, the parents must find them before she uses them for a diabolical fashion statement.
The beautiful and kindhearted princess Snow White charms every creature in the kingdom except one - her jealous stepmother, the Queen. When the Magic Mirror proclaims Snow White the fairest one of all, she must flee into the forest, where she befriends the lovable seven dwarfs - Doc, Sneezy, Grumpy, Happy, Bashful, Sleepy, and Dopey. But when the Queen tricks Snow White with an enchanted apple, only the magic of true love's kiss can save her.Written by
Lesley (from the back of the Snow White DVD)
The film came third in the UK's Ultimate Film, in which films were placed in order of how many seats they sold at cinemas. See more »
Goofs
When Snow White wakes up, the dwarfs hide down by the bed. Dopey is last and dives into the middle but appears on the far left. See more »
Quotes
[first lines]
Queen:
Slave in the magic mirror, come from the farthest space, through wind and darkness I summon thee. Speak! Let me see thy face.
Magic Mirror:
What wouldst thou know, my Queen?
Queen:
Magic mirror on the wall, who is the fairest one of all?
Magic Mirror:
Famed is thy beauty, Majesty. But hold, a lovely maid I see. Rags cannot hide her gentle grace. Alas, she is more fair than thee.
Queen:
Alas for her! Reveal her name.
Magic Mirror:
Lips red as the rose. Hair black as ebony. Skin white as snow.
Queen:
Snow White!
See more »
Crazy Credits
Unusual for a film of this era, the words "THE END" never appear on screen. See more »
Alternate Versions
Many countries deemed the film too terrifying, so foreign prints were edited. On initial release, England banned the film from unaccompanied children under 16, while in Sweden, an unedited version of the film was not released until 1992, at which point it was okayed for children under seven years with a parent. In that country, it had been edited by eight minutes in the 1960s and four minutes in the 1980s, trimming Snow White's flight through the forest, the Queen transforming into the Witch, and the Seven Dwarfs chasing the Witch up the mountain. See more »
To call Snow White and the Seven Dwarfs a classic goes without saying that practically everyone has called it such. It is a great film, but there are certain factors that make it so, and without them the film could've gone the other way and become important more for its technical breakthrough(s) than for the content. The fact is a story with the utmost simplicity like Snow White, the chief characters- Prince Charming, the wicked Queen/witch, and of course Snow White- are all very basic, simple, if not one dimensional than basely two-dimensional characters. It's appropriate, to be sure, as it is based off a Grimm fairy tale. Despite the beauty and charm of the early scenes, its really on par entertainment-wise with the Silly Symphonies Walt Disney produced in the 30's.
This also goes without saying that Snow White's run through the woods is one of the highlights of the film, still bringing a sense of terror and the surreal for the adults in the audience (if you're a little kid it could be one of the scariest things you've ever seen). But then- just as Snow White settles into her little 'hide-out' in a house she thinks occupied by messy, orphaned children- we're introduced to the seven dwarfs, and this is where the film picks up most of its energy, laughs, and complete and total balance. In a way, not to analyze too deep for a filmed fairy tale, they each represent the different sides of men, and so it gives the film the appropriate human dimensions it needs (in this, also setting up practically all the hand-drawn Disney films of the next seventy years or so). It's tempting to say which are my favorite, or whom I got the most enjoyment out of. There would be three, two for more obvious reasons, one for subtle ones.
Dopey, who is almost a perfect re-incarnation (in Disney Dwarf form of course) of Harpo Marx- he's a lovable idiot, with barely two sounds in the course of the film, who (and I hate to sound sappy) brings out the laughing kid in anyone. Grumpy, who I found to be maybe the most complete character in the film, has attitude to spare, and gets comic bit after comic bit happen to him from the animators- and yet, there is heart behind him, and when its revealed in key parts of the film, they act as the most emotional points. There is also Sleepy, who also barely says a word, but who's physical movements are really divine little moments among the big, inspired musical numbers. Indeed, there are little moments throughout the film that help make up the greatness: the mood and atmosphere in the Queen's dungeon of witchcraft; the scene where the dwarfs go to sleep (a fly that rests on Sleepy's nose); the traits given to the animals in the forest (that little turtle is hilarious).
All these parts help to add to the basic structure of the story- Queen wants the good looks, goes after her once the hunter fails, gives her the poison apple, then it goes even more predictable from their (though in a good way). The detail of the animated scenes, the backgrounds, the visual effects, are often mesmerizing. And the songs, which were some of the most standard I heard from the Disney oeuvre as a kid (they were always on those Disney 'Sing-along' videos) are still whimsical most of the time. Then there is also the icing on the cake- the voice of Snow White, Adriana Caselotti (who got contracted into this being her only film role, based of producer/uncredited director Disney's insistence), brings something to the film that's hard to describe, except to say that it's, well, serene.
Even if she's not the strongest character, her main goal of making people around her feel good and inspiring happiness makes her watchable, and in a way lovable. It's a very curious, though important, factor that she (and Prince Charming and the Queen pre-witch) are animated very traditionally, apart from the cartoon-like dwarfs and animals. Its a reminder of the film's, and Disney's, strongest success- that as an imagined and visualized fairy tale, the representation is strong, and touching. In the new century studios move away from hand-drawn animated films, but it's a good idea to look back to the early Disney films, if not for just nostalgia (or to watch with your kids) to get a sense of the experimentation, the purity of it. It remains one of only several animated films, from any country or style, to have the crucial elements come together- music, voice-talent, usage of colors, and cinematography.
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To call Snow White and the Seven Dwarfs a classic goes without saying that practically everyone has called it such. It is a great film, but there are certain factors that make it so, and without them the film could've gone the other way and become important more for its technical breakthrough(s) than for the content. The fact is a story with the utmost simplicity like Snow White, the chief characters- Prince Charming, the wicked Queen/witch, and of course Snow White- are all very basic, simple, if not one dimensional than basely two-dimensional characters. It's appropriate, to be sure, as it is based off a Grimm fairy tale. Despite the beauty and charm of the early scenes, its really on par entertainment-wise with the Silly Symphonies Walt Disney produced in the 30's.
This also goes without saying that Snow White's run through the woods is one of the highlights of the film, still bringing a sense of terror and the surreal for the adults in the audience (if you're a little kid it could be one of the scariest things you've ever seen). But then- just as Snow White settles into her little 'hide-out' in a house she thinks occupied by messy, orphaned children- we're introduced to the seven dwarfs, and this is where the film picks up most of its energy, laughs, and complete and total balance. In a way, not to analyze too deep for a filmed fairy tale, they each represent the different sides of men, and so it gives the film the appropriate human dimensions it needs (in this, also setting up practically all the hand-drawn Disney films of the next seventy years or so). It's tempting to say which are my favorite, or whom I got the most enjoyment out of. There would be three, two for more obvious reasons, one for subtle ones.
Dopey, who is almost a perfect re-incarnation (in Disney Dwarf form of course) of Harpo Marx- he's a lovable idiot, with barely two sounds in the course of the film, who (and I hate to sound sappy) brings out the laughing kid in anyone. Grumpy, who I found to be maybe the most complete character in the film, has attitude to spare, and gets comic bit after comic bit happen to him from the animators- and yet, there is heart behind him, and when its revealed in key parts of the film, they act as the most emotional points. There is also Sleepy, who also barely says a word, but who's physical movements are really divine little moments among the big, inspired musical numbers. Indeed, there are little moments throughout the film that help make up the greatness: the mood and atmosphere in the Queen's dungeon of witchcraft; the scene where the dwarfs go to sleep (a fly that rests on Sleepy's nose); the traits given to the animals in the forest (that little turtle is hilarious).
All these parts help to add to the basic structure of the story- Queen wants the good looks, goes after her once the hunter fails, gives her the poison apple, then it goes even more predictable from their (though in a good way). The detail of the animated scenes, the backgrounds, the visual effects, are often mesmerizing. And the songs, which were some of the most standard I heard from the Disney oeuvre as a kid (they were always on those Disney 'Sing-along' videos) are still whimsical most of the time. Then there is also the icing on the cake- the voice of Snow White, Adriana Caselotti (who got contracted into this being her only film role, based of producer/uncredited director Disney's insistence), brings something to the film that's hard to describe, except to say that it's, well, serene.
Even if she's not the strongest character, her main goal of making people around her feel good and inspiring happiness makes her watchable, and in a way lovable. It's a very curious, though important, factor that she (and Prince Charming and the Queen pre-witch) are animated very traditionally, apart from the cartoon-like dwarfs and animals. Its a reminder of the film's, and Disney's, strongest success- that as an imagined and visualized fairy tale, the representation is strong, and touching. In the new century studios move away from hand-drawn animated films, but it's a good idea to look back to the early Disney films, if not for just nostalgia (or to watch with your kids) to get a sense of the experimentation, the purity of it. It remains one of only several animated films, from any country or style, to have the crucial elements come together- music, voice-talent, usage of colors, and cinematography.