An ordinary man suddenly finds that anything he says comes true. Or at least, almost anything.An ordinary man suddenly finds that anything he says comes true. Or at least, almost anything.An ordinary man suddenly finds that anything he says comes true. Or at least, almost anything.
Roland Young, in the downtrodden role of the eponymous Everyman, is more or less required to carry the film singlehanded and makes an admirable job of it, his hesitant body language alone speaking volumes. He is entirely believable as the voice of puzzled common sense amid all the conflicting demands being made of him, but when the worm turns he is also a strangely formidable figure.
Of the special effects -- the 'miracles' themselves -- there is nothing more to be said and no higher praise than that after the first few minutes, by and large, one simply takes them for reality, accepting the logic within the story. Those footprints in the hearthrug are a little obviously fake, though!
This is no great classic of its era, but its ideas have worn well, and, more importantly, it still makes for an enjoyable night out. Its main flaw is the introduction of the framing 'godly powers' plot, which was evidently felt necessary to explain just what was going on, but today verges on the embarrassing; in my opinion, the story could have stood up perfectly well without it.
- Igenlode Wordsmith
- May 22, 2005