7.6/10
11,165
90 user 73 critic

Swing Time (1936)

Not Rated | | Comedy, Musical, Romance | 12 October 1936 (Brazil)
A performer and gambler travels to New York City to raise the $25,000 he needs to marry his fiancée, only to become entangled with a beautiful aspiring dancer.

Director:

George Stevens

Writers:

Howard Lindsay (screen play), Allan Scott (screen play) | 1 more credit »
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Won 1 Oscar. Another 1 win & 3 nominations. See more awards »

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A sly business manager and two wacky friends of two opera singers help them achieve success while humiliating their stuffy and snobbish enemies.

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Cast

Complete credited cast:
Fred Astaire ... Lucky Garnett
Ginger Rogers ... Penny Carroll
Victor Moore ... Pop Cardetti
Helen Broderick ... Mabel Anderson
Eric Blore ... Gordon
Betty Furness ... Margaret Watson
Georges Metaxa Georges Metaxa ... Ricky Romero
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Storyline

Lucky is tricked into missing his wedding to Margaret by the other members of Pop's magic and dance act, and has to make $25000 to be allowed to marry her. He and Pop go to New York where they run into Penny, a dancing instructor. She and Lucky form a successful dance partnership, but romance is blighted (till the end of the film at least!) by his old attachment to Margaret and hers for Ricardo, the band leader who won't play for them to dance together. Written by Sebastian Gibbs <sjg94@aber.ac.uk>

Plot Summary | Add Synopsis

Plot Keywords:

dance | wedding | love | dancer | performer | See All (66) »

Taglines:

Singing! Dancing! Romancing! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | French

Release Date:

12 October 1936 (Brazil) See more »

Also Known As:

I Won't Dance See more »

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Box Office

Budget:

$886,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

RKO Radio Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Victor System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

44th American President Barack Obama referred to a quote from the movie in his inauguration acceptance speech on 20th January, 2009. See more »

Goofs

In the scene at the New Amsterdam, when Lucky first gets out of the car, there is a large white mark on the seat of his coat. This is possibly because no-one brushed off his coat after a previous take of the same scene, in which he sits down on a "snow" covered bench. See more »

Quotes

Mabel Anderson: Beautiful, isn't it?
Everett 'Pop' Cardetti: What is?
Mabel Anderson: The music.
Everett 'Pop' Cardetti: What music?
Mabel Anderson: The music they're playing.
Everett 'Pop' Cardetti: Oh, yeah.
[pause]
Everett 'Pop' Cardetti: What made you think of it?
Mabel Anderson: Think of what?
Everett 'Pop' Cardetti: The music.
[...]
See more »

Connections

Featured in Precious Images (1986) See more »

Soundtracks

The Way You Look Tonight
(1936) (uncredited)
Lyrics by Dorothy Fields
Music by Jerome Kern
Performed by Fred Astaire
Reprised by Georges Metaxa
Reprised again by Georges Metaxa, Helen Broderick, Victor Moore, Fred Astaire, and Ginger Rogers at the end
Played in the score often
See more »

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User Reviews

their almost-best movie
18 October 2003 | by didi-5See all my reviews

Aside from the perfection of "Top Hat" the previous year, this one is my next-favourite of the Fred and Ginger collaborations. The songs are excellent Jerome Kern-Dorothy Fields ones (A Fine Romance, The Way You Look Tonight, Pick Yourself Up, Never Gonna Dance) and the dance sequences are good, especially the one not far from the end with those huge staircases as backdrop; the ad-hoc tap at the dance centre, and Bojangles of Harlem, with its shadow play dancers behind a screen.

In support Helen Broderick and Eric Blore is back (although sadly Blore's appearance in "Swing Time" is brief), and Victor Moore plays a card sharp magician who slowly becomes tedious viewing. There's a recurring joke about trouser cuffs which both sets off the plot and ends it, and Fred and Ginger have the usually sparking repartee which ran through most of their work together.


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