Directed by
Harry Beaumont |
Writing Credits
Roy Chanslor | ... | (story) and |
Marjorie Chanslor | ... | (story) |
Austin Parker | ||
Albert R. Perkins | ||
Alice D.G. Miller | ||
Harry Clork | ... | (contributor to dialogue) (uncredited) |
George Owen | ... | (contributor to screenplay construction) (uncredited) |
Cast (in credits order) complete, awaiting verification
Produced by
Robert Presnell Sr. | ... | associate producer |
Charles R. Rogers | ... | producer |
Music by
Heinz Roemheld | ... | (uncredited) |
Cinematography by
Milton R. Krasner | ... | director of photography |
Editing by
Philip Cahn |
Art Direction by
Jack Otterson |
Production Management
Charles Stallings | ... | unit production manager (uncredited) |
Second Unit Director or Assistant Director
Phil Karlson | ... | assistant director (uncredited) |
Gil Valle | ... | second assistant director (uncredited) |
Sound Department
Homer G. Tasker | ... | sound supervisor |
Robert Pritchard | ... | sound recordist (uncredited) |
Special Effects by
John P. Fulton | ... | special effects |
Stunts
Dave O'Brien | ... | stunts (uncredited) |
Tom Steele | ... | stunts (uncredited) |
Music Department
Herman Heller | ... | musical director |
Charles Maxwell | ... | composer: stock music (uncredited) |
Charles Previn | ... | composer: stock music (uncredited) |
Clifford Vaughan | ... | composer: stock music (uncredited) |
Edward Ward | ... | composer: stock music (uncredited) |
Franz Waxman | ... | composer: stock music (uncredited) |
Script and Continuity Department
Jean Raymond | ... | script clerk (uncredited) |