NOTE IMDb
7,8/10
35 k
MA NOTE
Un directeur sournois et les deux amis loufoques de deux chanteurs d'opéra aident ceux-ci à obtenir la gloire tout en humiliant leurs ennemis guindés et snobs.Un directeur sournois et les deux amis loufoques de deux chanteurs d'opéra aident ceux-ci à obtenir la gloire tout en humiliant leurs ennemis guindés et snobs.Un directeur sournois et les deux amis loufoques de deux chanteurs d'opéra aident ceux-ci à obtenir la gloire tout en humiliant leurs ennemis guindés et snobs.
- Récompenses
- 2 victoires
Walter Woolf King
- Rudolfo Lassparri
- (as Walter King)
Sig Ruman
- Herman Gottlieb
- (as Siegfried Rumann)
Robert Emmett O'Connor
- Police Sergeant Henderson
- (as Robert Emmet O'Connor)
Enrique Acosta
- Nightclub Guest
- (non crédité)
Harry Adams
- Opera Spectator
- (non crédité)
Harry Allen
- Doorman
- (non crédité)
Sam Appel
- Dungeon Guard
- (non crédité)
King Baggot
- Dignitary
- (non crédité)
Marion Bell
- Lady looking for 'Aunt Minnie'
- (non crédité)
Edna Bennett
- Maid
- (non crédité)
Dolly Blackburn
- Little Girl watching Harpo playing
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesIn exasperation after several attempts to have Groucho Marx read one of his lines in the manner director Sam Wood had requested, Wood exclaimed, "I guess you just can't make an actor out of clay." Groucho Marx instantly responded, "Nor a director out of Wood."
- GaffesRicardo is clearly standing on the dock as the ship pulls away, yet he turns up on board later as a stowaway.
- Citations
Otis B. Driftwood: It's all right, that's in every contract. That's what they call a sanity clause.
[Fiorello laughs loudly]
Fiorello: You can't fool me! There ain't no Sanity Claus!
- Versions alternativesAll references to the first portion of the film taking place in Italy were edited from the original negative sometime after the original release. There is speculation that this was done during WWII when Italy was as Axis power, but it also may have been done in the late 1930's to appease Mussolini, who didn't like the way Italians were being portrayed. Either way, the film's first scene begins rather abruptly and is missing a musical number and references to Milan, Italy.
- ConnexionsEdited into Apaga y vámonos: Épisode #1.5 (2013)
- Bandes originalesIl Trovatore: Di quella pira
(1853) (uncredited)
Music by Giuseppe Verdi
Libretto by Leone Emanuele Bardare and Salvatore Cammarano
Sung by Walter Woolf King
with The MGM Symphony Orchestra
Commentaire à la une
A classic all the way!
No doubt that "A Night at the Opera" is right up there with "Duck Soup" as the best Marx Brothers movie. Some Marx-purists complain "ANatO" is when the brothers started to grow soft and their quality started to decline. For one thing, instead of ridiculing romantic couples (the love story subplot plays a big part), they support them. Also, it's not as surreal or satirical as their past films. To those purists, I say: Lighten up! "ANatO" is just as funny as anything the Marx Bros did in the past (heck, I think it's funnier than "Monkey Business"), and it's withstood the test of time perfectly. In fact, "ANatO" is said to be Groucho's favorite; he even called his previous films "duds"! The film is filled with jabs at the upper class and double entendres courtesy of Groucho. Sample:
Mrs. Claypool: Do you have everything, Otis?
Otis: I haven't had any complaints yet!
The love story subplot isn't as nauseating as 1937's "A Day at the Races". Allan Jones may be a bit too mushy, but Kitty Carlisle, the love interest, is cool and calm enough to help it go down easily (that's really her singing, by the way). Chico and Harpo have some inspired moments, such as their gleeful butchering of "Il Travotore" (sp?). The hapless villains are the funniest Marx foils ever, and the finale is just uproarious. "ANatO" is a wonderfully silly romp, and it's rather harmless, so kids can probably watch and enjoy it. The famous stateroom scene is nothing short of brilliant, and you'll find yourself humming along to "Cosi Cosa" (I just wish the ballad "Alone" had been left, well, alone). Don't miss this hilarious masterpiece. And now, on with the opera!!
Mrs. Claypool: Do you have everything, Otis?
Otis: I haven't had any complaints yet!
The love story subplot isn't as nauseating as 1937's "A Day at the Races". Allan Jones may be a bit too mushy, but Kitty Carlisle, the love interest, is cool and calm enough to help it go down easily (that's really her singing, by the way). Chico and Harpo have some inspired moments, such as their gleeful butchering of "Il Travotore" (sp?). The hapless villains are the funniest Marx foils ever, and the finale is just uproarious. "ANatO" is a wonderfully silly romp, and it's rather harmless, so kids can probably watch and enjoy it. The famous stateroom scene is nothing short of brilliant, and you'll find yourself humming along to "Cosi Cosa" (I just wish the ballad "Alone" had been left, well, alone). Don't miss this hilarious masterpiece. And now, on with the opera!!
utile•323
- gapeach17
- 23 avr. 2002
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Détails
Box-office
- Montant brut mondial
- 5 320 $US
- Durée1 heure 36 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Une nuit à l'opéra (1935) officially released in India in English?
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