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A Night at the Opera (1935)

Passed | | Comedy, Music, Musical | 15 November 1935 (USA)
A sly business manager and two wacky friends of two opera singers help them achieve success while humiliating their stuffy and snobbish enemies.

Directors:

Sam Wood, Edmund Goulding (uncredited)

Writers:

George S. Kaufman (screen play), Morrie Ryskind (screen play) | 1 more credit »
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1 win. See more awards »

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Cast

Complete credited cast:
Groucho Marx ... Otis B. Driftwood
Chico Marx ... Fiorello
Harpo Marx ... Tomasso
Kitty Carlisle ... Rosa Castaldi
Allan Jones ... Riccardo Barone
Walter Woolf King ... Rudolfo Lassparri (as Walter King)
Sig Ruman ... Herman Gottlieb (as Siegfried Rumann)
Margaret Dumont ... Mrs. Claypool
Edward Keane ... Ship's Captain
Robert Emmett O'Connor ... Police Sergeant Henderson (as Robert Emmet O'Connor)
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Storyline

The Marx Brothers take on high society. Two lovers who are both in opera are prevented from being together by the man's lack of acceptance as an operatic tenor. Pulling several typical Marx Brothers' stunts, they arrange for the normal tenor to be absent so that the young lover can get his chance. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

Don't miss it! The funniest picture ever made!

Genres:

Comedy | Music | Musical

Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Italian

Release Date:

15 November 1935 (USA) See more »

Also Known As:

A Night at the Opera See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (1948 re-release)

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Kitty Carlisle and Allan Jones, who were both trained in operatic singing, provided their own singing voices in the film. Walter Woolf King was a trained baritone but he portrayed a tenor in the film. His singing was dubbed by Metropolitan Opera tenor Tandy MacKenzie. See more »

Goofs

Ricardo is clearly standing on the dock as the ship pulls away, yet he turns up on board later as a stowaway. See more »

Quotes

[first lines]
Waiter: The gentleman has not arrived yet?
Mrs. Claypool: No, he has not.
Waiter: I'm afraid the dinner will be spoiled.
Otis B. Driftwood: What difference does it make? It's too late to dine now.
Otis B. Driftwood: Oh, boy?
Bellboy: Yes, ma'am?
Otis B. Driftwood: Will you page Mr. Otis B. Driftwood, please? Mister Otis B. Driftwood.
Bellboy: Paging Mr. Driftwood! Mr. Driftwood!
Bellboy: [Driftwood's dinner companion giggles out loud] Mr. Driftwood! Mr. Driftwood!
[...]
See more »

Alternate Versions

A colorized version exists See more »

Connections

Referenced in Mystery Science Theater 3000: Master Ninja II (1992) See more »

Soundtracks

Il Trovatore: Stride la vampa
(1853) (uncredited)
Music by Giuseppe Verdi
Libretto by Leone Emanuele Bardare and Salvatore Cammarano
Sung by Olga Dane
Accompanied by The MGM Symphony Orchestra
See more »

Frequently Asked Questions

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User Reviews

A classic all the way!
23 April 2002 | by gapeach17See all my reviews

No doubt that "A Night at the Opera" is right up there with "Duck Soup" as the best Marx Brothers movie. Some Marx-purists complain "ANatO" is when the brothers started to grow soft and their quality started to decline. For one thing, instead of ridiculing romantic couples (the love story subplot plays a big part), they support them. Also, it's not as surreal or satirical as their past films. To those purists, I say: Lighten up! "ANatO" is just as funny as anything the Marx Bros did in the past (heck, I think it's funnier than "Monkey Business"), and it's withstood the test of time perfectly. In fact, "ANatO" is said to be Groucho's favorite; he even called his previous films "duds"! The film is filled with jabs at the upper class and double entendres courtesy of Groucho. Sample:

Mrs. Claypool: Do you have everything, Otis?

Otis: I haven't had any complaints yet!

The love story subplot isn't as nauseating as 1937's "A Day at the Races". Allan Jones may be a bit too mushy, but Kitty Carlisle, the love interest, is cool and calm enough to help it go down easily (that's really her singing, by the way). Chico and Harpo have some inspired moments, such as their gleeful butchering of "Il Travotore" (sp?). The hapless villains are the funniest Marx foils ever, and the finale is just uproarious. "ANatO" is a wonderfully silly romp, and it's rather harmless, so kids can probably watch and enjoy it. The famous stateroom scene is nothing short of brilliant, and you'll find yourself humming along to "Cosi Cosa" (I just wish the ballad "Alone" had been left, well, alone). Don't miss this hilarious masterpiece. And now, on with the opera!!


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