Young Princess Sophia of Germany is taken to Russia to marry the half-wit Grand Duke Peter, son of the Empress. The domineering Empress hopes to improve the royal blood line. Sophia doesn't like her husband, but she likes Russia, and is very fond of Russian soldiers. She dutifully produces a son -- of questionable fatherhood, but no one seems to mind that. After the old empress dies, Sophia engineers a coup d'etat with the aid of the military, does away with Peter, and becomes Catherine the Great.Written by
John Oswalt <firstname.lastname@example.org>
The commercial failure of this film was so spectacular that it soured the relationship between Paramount and director Josef von Sternberg. Von Sternberg's contract had stipulated that Paramount was due a film of the studio's choosing following the release of this picture; however, the box office returns were so poor that studio heads released von Sternberg from that commitment. Freeing him from the commitment allowed von Sternberg to complete The Devil Is a Woman (1935). See more »
During the wedding feast, a skeleton can be seen bent over a cauldron. However, bolts in the joints of the skeleton and a precision cut across the skull indicate that it is an anatomical- or medical-skeleton model, an object that would not have been readily available in 18th-century Russia. See more »
Grand Duke Peter:
I suppose you, too, want to congratulate as the father of the heir to the throne of Russia.
Marquis de la Chetardie:
That was my intention, Your Imperial Highness. And I bring you the felicitations of my nation, and my own personal congratulations on so glorious an event.
Grand Duke Peter:
Yes, I know. Tell me about it some other time. I want to be alone, do you hear? Get out, all of you! I'm crammed up to my neck with congratulations! Get out! And if you must congratulate someone, congratulate my wife!
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One more reason the Golden Age of Hollywood was golden...
Truly one of the greatest films ever made (see the International Film Critics' Top 100 Films list as well). Dietrich was never more luminous, nor cinematography more gorgeous, than in THE SCARLET EMPRESS. It's in black and white, but you'll feel like it's in full and glorious color. History it's not, but who cares? This is the way things should have been.
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