VALUTAZIONE IMDb
7,7/10
17.467
LA TUA VALUTAZIONE
Juliette e il comandante della nave Jean, appena sposati, si trovano ad affrontare il matrimonio mentre viaggiano sull'Atlante insieme al secondo ufficiale Le Père Jules e al mozzo.Juliette e il comandante della nave Jean, appena sposati, si trovano ad affrontare il matrimonio mentre viaggiano sull'Atlante insieme al secondo ufficiale Le Père Jules e al mozzo.Juliette e il comandante della nave Jean, appena sposati, si trovano ad affrontare il matrimonio mentre viaggiano sull'Atlante insieme al secondo ufficiale Le Père Jules e al mozzo.
- Premi
- 1 candidatura
Raphaël Diligent
- Le trimardeur (tramp
- (as Rafa Diligent)
- …
René Blech
- Best Man at Wedding
- (non citato nei titoli originali)
Lou Bonin
- Passenger at Railway Station
- (non citato nei titoli originali)
Jacques B. Brunius
- Policeman with a Bicycle
- (non citato nei titoli originali)
Fanny Clair
- Juliette's Mother
- (non citato nei titoli originali)
Fanny Clar
- La mère de Juliette
- (non citato nei titoli originali)
Charles Dorat
- Thief
- (non citato nei titoli originali)
Paul Grimault
- Passenger at Railway Station
- (non citato nei titoli originali)
Genya Lozinska
- Fortune Teller
- (non citato nei titoli originali)
Gen Paul
- Master of Ceremonies at Wedding
- (non citato nei titoli originali)
Jacques Prévert
- Passenger at Railway Station
- (non citato nei titoli originali)
Trama
Lo sapevi?
- BlooperAfter jumping overboard and swimming, as Jean is climbing the rope up the side of the barge, he is (expectedly) dripping wet. The scene cuts and he is on board approaching Le père Jules and Le gosse from behind, and he has wet clothes, but no water dripping from them or his hair.
- Citazioni
Le camelot (peddler): My dear friends, so kind of you to come. We were waiting for you before we served the biscuits dry as the duchess's pussy.
- Versioni alternative1934-04-25 --- Jean Vigo's authorized cut before his death, at 89 min running time, shown to exhibitors and distributors mostly, at Palais Rochechouart, Paris, France. This version is lost.
- ConnessioniEdited into Cinéastes de notre temps: Jean Vigo (1964)
Recensione in evidenza
Tales of the riverbank
My big problem with "L'Atalante" is how much of what we see and hear was really Jean Vigo's intention (as he didn't finish it) when he was making it? The restored version is the only version and was reconstructed from many disparate bits about 15 years ago, meaning it has had running order interpretations foisted upon it. I think most of the film we see came from the BFI in London, remixed with other clips into some kind of logical sequence by Gaumont in Paris and sold as a Forgotten Masterpiece.
Well, if you can call such luck ending up as a masterpiece it was purely unintentional by Vigo - he didn't see what we do now.
What we have though is definitely a series of relentlessly beautiful, thought-provoking, impressionistic black and white images hung together for 87 minutes with a very flimsy story of 3 people on a barge. The kid was background fluff and doesn't really count. Simon was his usual farcical self, I wish he'd been background as well. Daste and Parla were both later in "La Grande Illusion", can you really forget her as the German widow Elsa in favour of this? The framings and compositions are wonderful to see - how important was it to include distant shots of power stations, cranes etc? Why did Daste stare right into the underwater camera? How come every available surface seems uncomfortable or strewn with bizarre objects or people? Why just the one short aerial shot? And so many other questions which are either pointless or beyond my intelligence; somebody somewhere must know!
I find every time I watch "L'Atalante" it grows on me - I thought it was pants in '91, now I think it's brill! We all move at different speeds - some people will never be able to see this as anything but boring while some people thought it was a classic before they saw it! Whereas I'm still on the voyage of discovery with this one and will definitely watch it again, but not as an indispensable film, more as akin to a trip to the Art Gallery.
Well, if you can call such luck ending up as a masterpiece it was purely unintentional by Vigo - he didn't see what we do now.
What we have though is definitely a series of relentlessly beautiful, thought-provoking, impressionistic black and white images hung together for 87 minutes with a very flimsy story of 3 people on a barge. The kid was background fluff and doesn't really count. Simon was his usual farcical self, I wish he'd been background as well. Daste and Parla were both later in "La Grande Illusion", can you really forget her as the German widow Elsa in favour of this? The framings and compositions are wonderful to see - how important was it to include distant shots of power stations, cranes etc? Why did Daste stare right into the underwater camera? How come every available surface seems uncomfortable or strewn with bizarre objects or people? Why just the one short aerial shot? And so many other questions which are either pointless or beyond my intelligence; somebody somewhere must know!
I find every time I watch "L'Atalante" it grows on me - I thought it was pants in '91, now I think it's brill! We all move at different speeds - some people will never be able to see this as anything but boring while some people thought it was a classic before they saw it! Whereas I'm still on the voyage of discovery with this one and will definitely watch it again, but not as an indispensable film, more as akin to a trip to the Art Gallery.
D’aiuto•4214
- Spondonman
- 29 ago 2004
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- How long is L'Atalante?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Atalante
- Luoghi delle riprese
- Bassin de la Villette, Paris 19, Parigi, Francia(Lake crossed by the barge.)
- Aziende produttrici
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Botteghino
- Lordo in tutto il mondo
- 9.505 USD
- Tempo di esecuzione1 ora 29 minuti
- Colore
- Proporzioni
- 1.37 : 1
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Divario superiore
By what name was L'Atalante (1934) officially released in India in English?
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