CALIFICACIÓN DE IMDb
5.8/10
1.7 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaThe story of Johann Strauss the elder and younger.The story of Johann Strauss the elder and younger.The story of Johann Strauss the elder and younger.
Betty Huntley-Wright
- Lady's Maid
- (as Betty Huntley Wright)
Bertram Dench
- Engine driver
- (sin créditos)
Sybil Grove
- Mme. Fouchett
- (sin créditos)
B.M. Lewis
- Domeyer
- (sin créditos)
Bill Shine
- Carl
- (sin créditos)
John Singer
- Boy
- (sin créditos)
Cyril Smith
- Secretary
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaIn his interview with François Truffaut in 1964, and in many other interviews, Sir Alfred Hitchcock referred to this movie as "the lowest ebb of my career."
- ErroresThe plot centers around the composition of the "Blue Danube" waltz and its place in the rivalry between Johann Strauss Jr. and his father. While the rivalry between them was real, the "Blue Danube" was composed in 1866; Johann Strauss Sr. died in 1849, and hence could not have been late to the premiere of the "Blue Danube," since he was "late" already.
- Citas
Johann Strauss, the Younger: Oh Resi, stop please, you- you must let me explain, I- Oh listen Resi, I- I'll give up my music altogether. It's the only thing to do.
Resi Ebezeder: You mean you'd really give up your music for me?
Johann Strauss, the Younger: Of course I will, you mean more to me than- than ambition or anything.
- Créditos curiososThe opening credits expounds on the source material as "the great Alhambra London success".
- ConexionesFeatured in Reputations: Hitch: Alfred the Great (1999)
- Bandas sonorasRadetsky March
Composed by Johann Strauss Sr.
Opinión destacada
The Blue Danube Blues
This is a fairly entertaining pre-War cheaply made British musical comedy which sadly fails in a number of ways: it was the 3rd film with Jessie Matthews and Edmund Gwenn, and definitely the least satisfying of them; it was Hitchcock directing a non-thriller with his heart not in it; Hitchcock and Matthews didn't get on, and it showed in his screen treatment of her - Britain's top singing and dancing star at the time; and a ridiculously fictitious plot. Hitch thought it was the worst film he'd ever made and Jessie thought it was "perfectly dreadful".
It was an adaptation of a London musical stage play which apparently ran for over a year: Johann Strauss II played by Esmond Knight wants to be a composer like his father, I (Gwenn), who is arrogantly dismissive of his talents throughout. I'm afraid I won't see Gwenn as Santa quite the same again. II eventually succeeds spectacularly with the help of Countess Fay Compton (was she ever anything but elderly and wistful?) and barmaid girlfriend Matthews - incidentally Robert Hale who played her father was her real-life father-in-law. Jessie was as usual good to look at (personally speaking) but unfortunately didn't really get to sing much, and Hitchcock was excellent as usual but didn't get to show off much. Most people will be disappointed with the latter, but for myself it was with the lack of Jessie's beautiful singing voice in what was after all billed as a musical, and with her name over the title. On the other hand, Hitchcock seemed to be mining the One Hour With You stylistic vein a lot of the time albeit in a cheaper but still pleasant British way, there were some nice sets and of course there was Louis Levy's orchestrations for The Blue Danube to admire when it arrived. The less said about how II was supposed to have composed it here, the better!
It's a pleasant enough 76 minutes for someone like me who isn't a Hitchcock completist, but probably will be a real chore if you are.
It was an adaptation of a London musical stage play which apparently ran for over a year: Johann Strauss II played by Esmond Knight wants to be a composer like his father, I (Gwenn), who is arrogantly dismissive of his talents throughout. I'm afraid I won't see Gwenn as Santa quite the same again. II eventually succeeds spectacularly with the help of Countess Fay Compton (was she ever anything but elderly and wistful?) and barmaid girlfriend Matthews - incidentally Robert Hale who played her father was her real-life father-in-law. Jessie was as usual good to look at (personally speaking) but unfortunately didn't really get to sing much, and Hitchcock was excellent as usual but didn't get to show off much. Most people will be disappointed with the latter, but for myself it was with the lack of Jessie's beautiful singing voice in what was after all billed as a musical, and with her name over the title. On the other hand, Hitchcock seemed to be mining the One Hour With You stylistic vein a lot of the time albeit in a cheaper but still pleasant British way, there were some nice sets and of course there was Louis Levy's orchestrations for The Blue Danube to admire when it arrived. The less said about how II was supposed to have composed it here, the better!
It's a pleasant enough 76 minutes for someone like me who isn't a Hitchcock completist, but probably will be a real chore if you are.
útil•243
- Spondonman
- 14 sept 2008
Selecciones populares
Inicia sesión para calificar y agregar a lista de videos para obtener recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Strauss' Great Waltz
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 121
- Tiempo de ejecución1 hora 21 minutos
- Color
- Relación de aspecto
- 1.37 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
By what name was Waltzes from Vienna (1934) officially released in Canada in English?
Responda