Uptown New York (1932)
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- Passed
- 1h 20min
- Drama, Romance
- 27 Nov 1932 (USA)
- Movie
Photos and Videos
Cast
| Jack Oakie | ... |
Eddie Doyle
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| Shirley Grey | ... |
Patricia Smith
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| Leon Ames | ... |
Max Silver
(as Leon Waycoff)
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| George Cooper | ... |
Al
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Alexander Carr | ... |
Papa Silver
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| Raymond Hatton | ... |
Slot Machine King
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| Lee Moran | ... |
Hotel Clerk
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| Rest of cast listed alphabetically: | |||
| Henry Armetta | ... |
Nick - Restaurant Proprietor (uncredited)
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| Ferike Boros | ... |
Elderly Woman (uncredited)
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| George Davis | ... |
Waiter (uncredited)
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Don DeLaun | ... |
Minor Role (uncredited)
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Eddie Fetherston | ... |
Minor Role (uncredited)
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| William Gould | ... |
Police Desk Sergeant (uncredited)
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Harrison Greene | ... |
Herman, a Waiter (uncredited)
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| Harry Holman | ... |
Pappy, Bartender (uncredited)
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| Maynard Holmes | ... |
Minor Role (uncredited)
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| Tom Kennedy | ... |
Wrestling Trainer (uncredited)
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| Hank Mann | ... |
Man at Wrestling Match (uncredited)
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| Margaret Mann | ... |
Elderly Woman (uncredited)
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Benny Petti | ... |
Wrestling Spectator (uncredited)
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| Russ Powell | ... |
Wrestling Spectator (uncredited)
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| Henry Roquemore | ... |
Mike - Policeman (uncredited)
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| Rosa Rosanova | ... |
Elderly Spanish Woman (uncredited)
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| Alan Roscoe | ... |
Doctor (uncredited)
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| Tammany Young | ... |
Wrestling Trainer (uncredited)
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Wladek Zbyszko | ... |
Wrestler (uncredited)
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Directed by
| Victor Schertzinger | ||
Written by
| Viña Delmar | ... | (based on a story) |
| Warren Duff | ... | (screenplay) |
Cinematography by
| Norbert Brodine | ... | (photography) |
Editing by
| Rose Loewinger | ||
Editorial Department
| Martin G. Cohn | ... | supervising editor |
Casting By
| Harold Dodds | ... | (uncredited) |
Second Unit Director or Assistant Director
| Noel M. Smith | ... | assistant director (uncredited) |
Art Department
| Ralph M. DeLacy | ... | settings (as Ralph DeLacy) |
| Charles Henley | ... | property master (uncredited) |
Sound Department
| Hans Weeren | ... | sound supervisor |
Camera and Electrical Department
| Joe Benson | ... | dolly grip |
| Johnny Eckard | ... | assistant camera |
| Don Donaldson | ... | gaffer (uncredited) |
| Bert Eason | ... | assistant camera (uncredited) |
Music Department
| Val Burton | ... | musical director |
Additional Crew
| E.W. Hammons | ... | presenter |
Production Companies
Distributors
- World Wide Pictures (1932) (United States) (theatrical)
- Grapevine Video (2000) (United States) (VHS)
Special Effects
Other Companies
Storyline
| Plot Summary |
Pat and Max are in a serious relationship, talking about their future together. After they spend a night together for the first time at his impetus, he graduates with his degree to become a doctor and his father pushes ahead for his planned arranged marriage. Though he's not happy about it, he does go through with it and doesn't argue when his father says he's going to send Max and his soon-to-be wife to Vienna for a strong start in his career. When Max tells Pat, it breaks her heart and she runs off. She follows his career through the newspaper. Later, she meets Eddie, a gangster running gumball machines, when he helps her out of a bathroom where the door is stuck. After taking her on a date, he confesses he'd like to marry her because of how pure, good, and clean she is, which fills her with guilt and doubt. Unsure whether to say yes, Pat asks for a day to decide. When Max comes back into her life hoping to rekindle what they had even though he's married, she must decide which relationship to move forward with. Written by goldenagehollywood |
| Plot Keywords | |
| Taglines | A human story of a girl who was... just human - by Vina Delmar author of "Bad Girl" See more » |
| Genres | |
| Parents Guide | Add content advisory for parents » |
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Additional Details
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Did You Know?
| Trivia | The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more » |