In France, an insane surgeon's obsession with an actress from England leads him to replace her pianist husband's hands that got mangled in an accident with the hands of a late knife murderer which still have the urge to throw knives.
Englishmen race to find the tomb of Genghis Khan. They have to get there fast, as the evil genius Dr. Fu Manchu is also searching, and if he gets the mysteriously powerful relics, he and his diabolical daughter will enslave the world!Written by
Ken Yousten <firstname.lastname@example.org>
This was the only time that Myrna Loy worked with Boris Karloff; she had already worked with Bela Lugosi in 1930's "Renegades," and would conquer her 'femme fatale' typecasting by 1934's "The Thin Man". See more »
When Fu Manchu mixes his mind control drug, a giant snake supposedly bites a "sacrificial victim," and Fu Manchu uses a syringe to extract venom from the victim's arm. However, the snake used in the scene is a Burmese python, which is non-poisonous. See more »
[Fu Manchu temporarily stops the "bell torture bell" from ringing, lifts up Sir Lionel Barton's head and gives him a glass of water]
And now for a nice, long drink.
[Sir Lionel Barton begins to drink from the glass, splutters and lays his head back down; moaning]
Ha ha ha ha ha... Oh, I forgot to tell you... it was salted!
See more »
In the 1970's, "Mask of Fu Manchu" was cut slightly (by about 2 minutes), removing references deemed particularly offensive to the Asian-American community (including several racial remarks and an extended version of the famous whipping scene). It is actually this cut version which MGM/UA released in the early 1990's on videotape, although the deleted segments were restored for the print of "Mask of Fu Manchu" used for the later laserdisc release "MGM Horror Classics," and the more recent DVD release. See more »
No self-respecting fan of the great Boris Karloff should miss his juicy performance in this raunchy and very unconventional film. As the evil and maniacal Asian mastermind Dr. Fu Manchu, Karloff plans to kill off "the white race" as he hunts down the highly desirable mask and sword of Genghis Khan, which winds up in the possession of a group of British treasure seekers. Boris seems to really relish his part as he tortures his captives with a grinning sadistic glee. Myrna Loy plays his self-described "ugly and insignificant daughter", who harbors a sado-masochistic appetite and nymphomania.
The sets are glorious, some sequences are disturbing for the time they were made, and there is newly restored controversial dialogue in the recent editions of the film, with "politically incorrect" slang being used on both sides of the line. There is sometimes a criticism toward the movie for its usage of this type of speech, but the time in which the feature was produced should be historically considered, as well as fairly noting that no race is spared during the length of the film. While Fu Manchu is referred to as a "yellow devil" by his victims, for instance, he is also denouncing Christianity and roaring with contempt to his eastern followers with his authoritative command for them to "kill the white men and take their women!"
There are also some unintentional laughs to be found on occasion, and many of them come courtesy of Karen Morley as "Shelia", who is just atrocious with her comedic overacting. Running a scant 68 minutes, this is a wild and wacky good time for fans of old movies, serials, and Boris Karloff in particular. Enjoy! *** out of ****
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